465 results directly related Exclude narrower terms
Folder containing black and white and colour contact sheets, negative strips and photographs, of various sizes. Most are annotated. Includes: Barlinnie's Special Unit exhibitions and arts festivals, and James Cowie drawings.
Oliver, George
Folder containing black & white negatives and contact sheets of photographs by George Oliver. Most are annotated. Various subjects. Includes: Scottish Arts Council Collection, University of Stirling, Murals in Bridgeton, Normam Ackroyd etchings and June Redfern.
Oliver, George
A brief of products used at the exhibition stand
A brief paper of the products used at the exhibition including: sheeting, tubes, claddings (external), aircraft wings (solid Aluminium Alloy), ironmongery (Alloy), foil, gutters, and pipes. The other side of the paper showing the properties of Aluminium: behaviour under fire, rust, and weight.
Platt, Christopher
Accession of Papers related to Francis Newbery
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Later accessions of material relating to Francis Newbery. Material was not deposited as part of his working papers as Director of the School, but includes some working papers and correspondence from during his time as Director in addition to papers dating to after his retirement, family records and photographs, and written materials regarding Newbery.
Includes:
See this blog-post for more information about the discovery of these materials: http://www.gsaarchives.net/2018/03/cataloguing-gsa-famous-friends-fra-newbery-discovered/
Newbery, Francis Henry
Folder containing contact sheets and negatives of photographs taken by George Oliver. Most are annotated. Includes: D O Hill/Adamsonn exhibition, a copy of a photograph taken by Annan in 1914 of a Glasgow street scene, and copies of Annan portraits.
Oliver, George
Alan Dimmick photographs of Scottish art scene
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
5 archive photo binders featuring images of the Scottish art scene (exhibitions, openings, parties, studios) between c1997-2012 (4 x binders of 35mm black and white negatives, and 1 x binder of black and white prints).
Dimmick, Alan
Folder containing black and white negatives and contact sheets by George Oliver. Most are annotated. Includes: opening of Bet Low Exhibition Nov. 1967, Jessie King Auction at Queen's Cross Church, Yugoslav Puppets at 3rd Eye, Fashion Exhibition R.S.M. Edinburgh and Dance Umbrella at Third Eye.
Oliver, George
Folder containing black and white negatives, contact sheets, photographs and colour prints by George Oliver. Most are annotated. Also contains a leaflet for building tours and exhibitions of Charles Rennie Mackintosh in 1994. Includes: Dovecot Tapestry, Scotch Myth at St Andrews, ceramics workshop Edinburgh 1973 and Third Eye book shop.
Oliver, George
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Review of exhibition on Glasgow design at Third Eye Centre by Richard Wilson. 2 photocopied pages.
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Listing for exhibition by The Cloth at Oliver and Pink London. 1 sheet torn from publication unknown.
A collection of publications featuring the work of George and/or Cordelia Oliver. Includes: magazine and newspaper cuttings, Pronto, Scottish Field and a souvenir programme for a benefit concert for Wildcat Theatre productions benefit show in 1998. Some of the subjects covered by Cordelia in her articles are: Glasgow, The Glasgow School of Art and various art exhibitions.
Oliver, Cordelia
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 225 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1994, with weekly articles and some weekend features including a continuing series ‘My First Picture’ and ‘Collectors’ and a new weekly ‘Scope Feature’. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Coatbridge, Fintry and Castlemilk.
During the year Henry also covers art in Rome. Some reviews focus on exhibitions in London at Flying Colours Gallery, Royal Academy London, Annely Juda, Barbican, Saatchi Gallery London and Tate London and Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow, Out of the Blue Gallery Edinburgh and Intermedia Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Mclellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh, Fuse and Transmission.
During this period Henry gives more context and opinion on Glasgow wins National Gallery of Scottish Art Fair, Architecture Bid for 1999 Edinburgh and Glasgow. Mike Hayes new Glasgow City Council director of planning. Gallery of Modern Art Glasgow building refurbishment. Milestones project Glasgow Govan Springburn. Her curatorial activity is also documented, Eleven Out of Ten Clare Henry Choice at National Gallery Scotland and Clare Henry's choice of GSA graduates at Main Fine Art Glasgow.
The exhibitions covered are solo shows, Owen Logan, Hock-Aun Teh, Jenny Saville, Damian Hirst, Duncan Shanks, Calum Angus Mackay, Annie Leibovitz, Helen Chadwick, and Christine Borland. Group shows The Bigger Picture, McLellan Galleries Glasgow, Bad Girls, CCA Glasgow, BT New Contemporaries, V-TOPIA, Tramway and New Art in Scotland, CCA Glasgow, Mayfest and Edinburgh Festival are also covered in detail. Catalogue essay for Alexandra Gardner, Duncan Miller Fine Arts, London. Other paperwork includes notes on ideas for Herald articles for Harry Reid and letter regarding new article formats and work load, a press release for Unbuilding exhibition merchant city, letter to Keith Bruce regarding Stanley Spencer show and feature articles, Glasgow Munich project press release and Letter to Herald picture desk and John Flower.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1999, with Monday weekly articles regular book reviews and a ‘Picture of the week’ feature. Articles also written for Galleries Magazine, Sculpture Magazine, Interiors Magazine and Modern Painters, covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee, Stirling and Kirkcaldy. Exhibitions in London, Berlin, Antwerp, Brussels and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Ingleby Gallery, Inverleith House, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Robert Adam at National Gallery of Scotland, Kelvingrove redevelopment, Television review of A Tale of Two Cities Glasgow and Chicago on BBC with Tony Jones, Tessa Jackson appointment as Director of Scottish Arts Council, Scotland not at the Venice Biennale, Celebration at Hunterian at George Smith bequest, Glasgow UK City of Architecture and Design 1999 and Tate Turner Prize with New Tate Modern and new Dean Centre at Gallery of Modern Art Edinburgh.
The exhibitions covered are solo shows by Douglas Gordon, Joe Fan, Ashley Cook, Lapland Collective, Callum Innes, Kiki Smith, Kiki Smith, Joseph Beuys, Martin Boyce, Ross Sinclair, Sir Robin Philipson, Scott Kilgour, Felim Egan and an obituary for Patrick Heron. Group shows include The Thistle and the Rose, The Burrell Collection Glasgow and Tongues of Diamond, Collins Gallery Glasgow. Catalogue essays commissioned for Once Seen, Never Forgotten, Chicago and The Illinois New Millennium show also Henry’s speech for Arts and the City Conference, Glasgow Museums: The Way Forward. Other paperwork includes correspondence to Harry Reid, Keith Bruce and Susan Barr at The Herald and John Haldane regarding Modern Painters.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 22 articles of 800-3000 word length, by Clare Henry for The Scotsman, The Herald and The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for Art Newspaper. Other paper work includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of minimum 250 word length, by Clare Henry for The Glasgow Herald from March 1982 to June 1982, relating to visual art exhibitions in Glasgow and Edinburgh and Scottish regions including Ayrshire and Dumfries and Galloway.
A number of these reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, McLellan Galleries and includes review of the inaugural exhibition at Open Eye Gallery Edinburgh, and organisations: Fine Art Society and Glasgow Group. The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Rozelle House, Fruitmarket Edinburgh, Talbot Rice and Stills Gallery, Kelvingrove, National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Huntarian Gallery Glasgow. The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including Edinburgh college of Art and Glasgow School of Art degree shows. Some articles focus on new art forms such as video, photography and performance art, craft such as Polish tapestries and other international artists from Canada and America.
This file also includes longer feature and perspective articles on: the new building for the National Galleries of Scotland, The Bath Contemporary Art Festival, George Rickey and a book review on Henri Matisse and Edward Burne Jones. In addition to these journalistic features there is a piece on The Portrait Gallery for National Galleries Annual Report. Also included is research, notes and data for Scottish Funding for Museums between 1979-1982 and Festival 82 acquisition and policies for television interview with Tim Mason.
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 200 articles of 250-900 word length, by Clare Henry for The Glasgow Herald, January-December 1984, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie and Inverness. Also including several reviews of exhibitions in London at ICA, Camden Arts Centre, Serpentine, AIR Gallery and Tate and Grand Palais Paris. Henry’s daily articles begin to develop into weekly feature articles, with a main discussion followed by ‘Gallery Briefings’ covering more generally current exhibitions of interest.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen, JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, by artists such as Adrian Wiszniewski, Lyn Hansen and Jacki Parry; Group exhibitions, particularly Construction Painting and Blank Images at Transmission Gallery Glasgow and larger historical exhibitions such as Art of Japan at Kelvingrove and The Glasgow Boys, and also annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters degree shows are also reviewed and design and textile exhibitions, particularly British Glass and Paisley Ceramics. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: The appointment of Colin Thompson as Director of National Gallery of Scotland Edinburgh, Scottish Portrait Commissions, the first Turner Prize Award, Judy Chicago Dinner Party, Liverpool Garden Festival and The Venice Biennale.
Also included is a letter to Glasgow Museums requesting visitor figures for Kelvingrove Gallery 1984 and pieces written for the Herald News Desk.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of 250-1000 word length, by Clare Henry for The Glasgow Herald, January-December 1985, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. Also including some reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen and JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81. The reviews cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as June Redfern, Annie Leibovitz and Jacki Parry. Key group exhibitions include New Image Glasgow at The Third Eye Centre featuring Steven Campbell, Ken Currie, Peter Howson, Mario Rossi, Stephen Barclay and others as part of the Hungarian Arts in Glasgow Season and annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow.
This file also includes longer feature and perspective articles on: Renoir Retrospective, Bruce McLean in London, Scottish Arts Council Collection on Sale and the Turner Prize win by Howard Hodgkin. Also includes copies of essays by Gerald Laing on Siaka Stevens.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1990, with weekly Monday, Friday and some weekend features. Also includes pieces written for Art Review, Time Out, Art International, Art Line and Galleries Magazine. The articles cover visual art exhibitions in Glasgow, Edinburgh, Stornoway, Dumfries and Scottish regions.
During the year Henry also covers art in Venice and France. Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy and Somerset House. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow.
The reviews also cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, Italian Centre Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission. During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s galleries during Glasgow Capital of Culture 1990.
Other feature and perspective pieces include: Scotland first Venice Biennale, John Bellany £100,000 sale, the state of gallery closures and funding in Scotland, Ian McCulloch murals for Glasgow Concert Halls and an obituary for Murray Johnston. The exhibitions covered are solo shows, by artists Keith McIntyre, Degas, Inigo Jones, Christine Borland, Hans Hofmann, Max Ernst, Adrian Wiszniewski, Oscar Marzaroli, Ken Currie, Frances Walker and group shows for Royal Glasgow Institute and British Art Show. Mayfest, the Edinburgh Festival Glasgow 1990 events and TWSA are covered in detail and there is an article by Julian Spalding edited by Clare.
Some correspondence proposing future articles to The Herald and Time Out, and correspondence with Amy Page is included, as well as Venice Biennial correspondence with Peacock Printmakers and an open letter regarding educational work of Marion Love. This year also features several commissioned texts for catalogues, Alison Watt, Compass Gallery Anniversary, The Glasgow School of Art fine Art Photography and Glasgow Group 1958-1990.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 35 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2004. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 26 articles of 800-4000 word length, by Clare Henry for The Financial Times, January-December 2005. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald and The Scotsman unless otherwise stated.
Hand written, typed draft copies and printed copies of around 40 articles of 300-1500 word length, by Clare Henry for The Glasgow Herald and The Scotsman, January-December 2000. During this period Henry worked between the UK and the USA with many of the articles feature British artists exhibiting in New York and California, including Andy Goldsworthy, David Mach, Peter Chang and Richard Long.
Also includes articles written for Sculpture Magazine, Interiors Magazine Craft Council Magazine and Art Newspaper, covering visual art craft, architecture and related news issues in Glasgow, Edinburgh and London. Henry gives more context and opinion on Talbot Rice Edinburgh, James Turrell in France and the Festival International de Sculpture de Monte Carlo Monaco, and obituaries for Robert Hopper and Michael Kenny.
Other paper work includes correspondence regarding Critics Choice exhibition, article proposals and notes for a television piece on Jack Vettriano.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 32 articles of 500-2000 word length, by Clare Henry for The Financial Times, January-December 2003. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman. Other paperwork includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 110 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1989 with weekly Monday and Friday features, Art Review, Time Out, World of Interiors, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee and Scottish regions.
During the year Henry also covers art in Los Angeles, Amsterdam and Madrid. Some reviews focus on exhibitions in London at Serpentine Gallery and Tate London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on the opening of Barbizon Gallery Glasgow.
The reviews also cover galleries: The Third Eye Centre, Compass Gallery Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Graeme Murray Fine Art and the opening of Streetlevel Glasgow, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s Galleries in the lead up to Glasgow Capital of Culture 1990. Other feature and perspective pieces include, the cancellation of the Vienna 1960 exhibition by National Galleries of Scotland, the takeover row, funding and leadership of the National Galleries of Scotland, the sale of El Greco by National Gallery of Scotland, the wedding of Peter Howson and Terry Cullen, Soviet Season in Glasgow, Glasgow 1990 Build Up, Graeme Murray Fine Art at Amsterdam Kunstrai with Ian Hamilton Findlay and obituaries for Salvador Dali and William Barns Graham.
The exhibitions covered are solo shows, by artists Alf Lohr, Doug Cocker, Anthony Gormley, Andy Goldsworthy, Andy Warhol and Peter Howson and group shows for Royal Glasgow Institute.
Mayfest and the Edinburgh Festival and problems with funding are covered in detail, as is Soviet Season in Glasgow. Some correspondence proposing future articles with Ray Gard, Arnold Kemp from The Glasgow Herald and Time Out Sarah Kent.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1991 with weekly Monday, Friday and some weekend features. Articles also written for Art Review, Time Out, Museums Journal, Art Line, Portfolio and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Stornoway, St Andrews, Kirkcudbright, Ayr and Scottish regions. During the year Henry also covers art in Budapest, Rome and Germany.
Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy, Serpentine, Saatchi Gallery, Flowers, Art 91 and Tate. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries: WASPS, Collective Edinburgh, Project Ability and Transmission.
During this period Henry gives more context and opinion facts and figures on Glasgow after 1990 Capital of Culture and its bid for Capital of Art 1996. Other feature and perspective pieces include: the closure of Fruitmarket Gallery Edinburgh, Director of Visual Arts Glasgow post, Julian Spalding acquisition for new Art for Kelvingrove, Tribal Shields, Knoedler Gallery London, an open letter to SAC director regarding 369 Gallery Edinburgh closure, WASPS closure rumours, Scottish Visual Arts Crisis and Scottish Arts Council, Resignation of The Glasgow School of Art Director John Whiteman, Third Eye Centre bankruptcy, Glasgow Milestones.
The exhibitions covered are solo shows, by artists June Redfern, The Boyle Family, Stanley Spencer, Elspeth Lamb, George Wyllie, Hamish Macdonald, Adrian Wiszniewski, Eduardo Paolozzi, Ian Hamilton Finlay, Jo Spence, Joyce Cairns, Ken Currie, Anthony Caro, Cathie Wilkes, Peter Howson and David Mach and group shows for Royal Glasgow Institute, Glasgow Group Points East, New Beginnings Season and Scottish Arts Council touring bus. Mayfest, the Edinburgh Festival, Windfall and New Beginnings Season are covered in detail. Also includes: correspondence and delegate information for Points East conference Glasgow, National Art Collections Fund Saved for Scotland exhibition press information, Glasgow 1990 Statistics Fact Sheet, British School in Rome Visit, Scottish Tourist Board strategy planning, New Art in Scotland exhibition planning and selection minutes and notes, invitation to the wedding of Angela Wrapson and George Kerevan, correspondence with Robert Johnston, notes from Chelsea Arts Club debate on Art as Goods or Ideas, correspondence with Chelsea Art Club, correspondence from Mark Fisher MP.
Also included are catalogue essay commissions for David Toner at Gatehouse Gallery and Chelsea Arts Club Centenary.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1993, with weekly articles and some weekend features including a new feature ‘My First Picture’. Articles also written for Art Review, World of Interiors and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stornaway, North Berwick, and Rutherglen. During the year Henry also covers art in Paris, Berlin and Venice. Some reviews focus on reviews of exhibitions in London Flying Colours Gallery, Flowers Gallery, Royal Academy London, Marlborough London, Whitechapel London, Barbican, Saatchi Gallery London and Tate.
A number of the Scottish reviews are for exhibitions at former galleries; Main Fine Arts Studio Gallery Gibson Street, JD Kelly Gallery, Gatehouse Gallery Glasgow and Intermedia Gallery Glasgow. The reviews also cover galleries; The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Art Politics in Glasgow and Scotland, Richard Demarco archive, Torrie Collection Sale, Edinburgh College of Art, Galerie Mirages Glasgow, Profile on Julian Spalding, Peter Howson Official war artist Bosnia, Venice Biennale, St Mungo Museum of Religious Life and Art Dovecot Tapestry Company exhibition. Other feature and perspective pieces on, Fuse, The Glasgow School of Art Friday Events, The Glasgow School of Art White Room, Martin Kemp Art Charter 2000, Transmission *10th Birthday on the Late Show BBC and several public art projects including Patricia Leighton and the M8 Art Project, Springburn Milestones, Sibyl von Halem.
Obituaries Elizabeth Frink and Marquis of Bute John Bute. The exhibitions covered are solo shows, Paula Rego, Alan Dunn, Niki de St Phall, William McTaggart, Dave Davies, Phil Braham, Peter Howson, Allan Davie, Douglas Gordon, Ken Currie, Tim Stead, David Hockney, Peter Howson, Gerald Laing, Steve Campbell, June Carey and Ken Currie. Group shows at Intermedia Gallery with Nathan Coley, Ross Sinclair, The Big Works at The Glasgow School of Art, Art Supermarket by Halinka Tyszko, Glasgow Group, FoTOfeis Scottish International Festival of photography and Edinburgh Festival are covered. Correspondence with Herald Editor Harry Reid. Commissioned essays for catalogues, The First 21 years, Glasgow Print Studios, Neil Macpherson and Boundary Gallery London
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 275 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald January-December 1995, with Monday weekly articles and a weekend feature art guide feature, including a continuing series ‘My First Picture’ and ‘Collectors’ and a new ‘Studio’ feature and several book reviews. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stirling, Aberfoyle and Castlemilk.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow. The reviews also cover galleries; Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Compass Gallery, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on: Jock McFadyen purchase by Glasgow Museum of Modern Art under Julian Spalding, Winner of Lord Provost prize is Jenny Saville and Jacqueline Donachie is Young Artist Winner of American Fulbright Award, Visual Arts Forum and Glasgow´s £100,000 Visual Art Fund, Tramway Glasgow, Concert Hall Glasgow Murals by Steven Campbell, Peter Howson, Ken Currie and Adrian Wiszniewski, Peter Howson’s designs for Don Giovanni by Scottish Opera, Glasgow Festival of Visual Arts 1996 launch and Deyan Sudjic appointed director of Glasgow 1999 year of design.
The exhibitions covered are solo shows by Callum Innes, Douglas Gordon, Janine Antoni, Jack Vettriano, Stuart Duffin and Marina Abramovic. Group shows reviews include Decade, Street Level Glasgow, In Stereo, Transmission Gallery Glasgow and Persistence of Painting, CCA Glasgow. Mayfest and Edinburgh Festival are also covered in detail as well as Celtic Connections and Fotofeis. Degree shows at Glasgow, Aberdeen and Dundee are covered. Catalogue essay for Bet Low and other paper work includes notes on pictures used and correspondence to Keith Bruce, Jackie McGlone and Ron Anderson at The Herald.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 150 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1997, with Monday weekly articles and a weekend feature art guide feature, including regular book reviews and a new ‘Picture of the week’ feature. Articles also written for Galleries Magazine, International Magazine, Chelsea Arts Club magazine, AN Newsletter, Financial Times and Interiors Magazine covering visual art exhibitions in Glasgow, Edinburgh, and increasingly in other places in Scotland such as St Andrews, Aberdeen, Stirling, Dumfries and Aberfoyle. Exhibitions in London, Venice and Berlin also feature including Art Fair 97 London.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow, Fly, Duke Street Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Sir William Burrell's will, Glasgow City Council, Norway Art & Architecture, Kelvingrove redevelopment, Julian Spalding, Arran Ross, Fergusson Award Winner Perth, Christine Borland nominated for Tate Turner Prize, Baltic Flour Mill Gateshead and Princes Diana's death. The exhibitions covered are solo shows, David Nash, Margot Sandeman, Calum Colvin, Roman Singer, Sophie Macpherson, Bill Viola, Jacqueline Donachie, John Houston, Sunil Gawde, Barbara Rae and Simon Starling.
Group shows include Animal The Lost Ark, CCA, Rolling Devolution, Crawford Centre St Andrews, the Vigorous Imagination Ten Years On, New Contemporaries, CCA Glasgow and Sensation, Royal Academy London, Saatchi Collection. Edinburgh Festival is covered in detail as well as Mayfest and The Glasgow School of Art Degree Show.
Profiles on Julie Roberts, Alan Davie, Bruce McLean, Johnny Dumfries, Joan Sommerville and Tim Mara Obituary. Also included are catalogue essays for Philip Hughes, Francis Kyle Gallery, Marj Bond, Thackary Gallery London, Contemporary Scottish Art, Albermarle Gallery London, Graham Hillier, Francis Kyle London, George Devlin, Billcliffe Fine Art Glasgow and other paper work includes correspondence to Harry Reid, Keith Bruce, Donald Dewar and The Glasgow School of Art, press releases and invoices for work.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 28 articles of 1000-1500 word length, by Clare Henry for The Financial Times, January-December 2002. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York. Articles also written for Gabrius Magazine and The Sunday Herald. Other paper work includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 24 articles of 800-3000 word length, by Clare Henry for The Financial Times, January-December 2006. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 7 articles of 800-2000 word length, by Clare Henry for The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 235 articles of 250-650 word length, by Clare Henry for The Glasgow Herald and Art Review January-December 1983, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen and Paisley, also including several reviews of exhibitions in London at ICA, Serpentine and Tate.
A number of the Scottish reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, Corners Gallery and J D Kelly Gallery and includes review of inaugural exhibition at The Burrell Collection Glasgow and organisations Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruit Market Edinburgh (at this time also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including The Glasgow School of Art Postgraduate degree show and design and textile exhibitions. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: John Bellany, Bruce Mclean, Memphis Design, an obituary on the artist Miro, The Burrell Collection opening and the opening of Transmission Gallery Glasgow.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 100 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1988, Art Review, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan, covering visual art exhibitions in Glasgow, Edinburgh, Stirling and Scottish regions. During the year Henry also covers art in Los Angeles, Yugoslavia, Siena, Venice, Dublin and India.
Some reviews focus on reviews of exhibitions in England, mostly London at Marlborough Gallery, Serpentine Gallery and Tate London. There are also reviews and features on the opening of Tate North, Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on Scottish Arts Council funding cuts at Compass Gallery. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission.
During this period Henry gives context and opinion on the condition of Glasgow’s Galleries in the lead up to Glasgow Capital of Culture *1990. Other feature and perspective pieces include: Richard Demarco, Fiona McLeod as new Fruitmarket director, Prince of Wales visit to The Glasgow School of Art, BBC week of British Art, McLellan Galleries refurbishment, Edinburgh International Exhibition and interview with Andy Goldsworthy. The exhibitions covered are solo shows, by artists Marie Barbour, Sol Lewitt, Mario Merz, Jacki Parry, Peter Howson, David Mach, Lucian Freud, Henry Moore in India and group shows Glasgow Photographers Group, New Scottish Art, and Old Master Paintings from the Thyssen Collection. Mayfest, Glasgow Garden Festival, Polish Realities Season and the Edinburgh Festival are also covered in detail.
Some correspondence also includes exhibition proposal to Royal Scottish Academy.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1992, with weekly Monday, Friday and some weekend features including a new feature ‘Herald Weekend Out’. Articles also written for Art Review, Conservation Management, Harpers & Queen and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kilmarnock, St Andrews, Kirkcudbright, Ayr, Aberdeen, Wick and Kinross. During the year Henry also covers art in Cambridge, Egypt, Amsterdam.
Some reviews focus on exhibitions in London at, for example, Flying Colours Gallery, Anderson O’Day Gallery, Mercury Gallery London, ICA London, Victoria Miro London, Jackson Gallery London, Duncan Miller Fine Arts London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Aquarium Glasgow, JD Kelly Gallery, Gatehouse Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Mercury Gallery and Talbot Rice, Graeme Murray Fine Art, Shore Gallery Leith, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh, Project Ability and Transmission. During this period Henry gives more context and opinion on the failed Glasgow bid for Capital of Art 1996, restructure of Glasgow Museums under Julian Spalding, Scottish Art Schools, Pavel Buchler appointment as Head of Fine Art at The Glasgow School of Art, a series on Scottish Art in Private Collections.
Other feature and perspective pieces include: Allan Davie, Richard Demarco appointment as Professor at Kingston Polytechnic London, the theft of Lowry V.E Day painting from Kelvingrove, Tony Jones former director of The Glasgow School of Art appointment at Royal College London, The Burrell Collection Glasgow opening, British American Arts Association conference, Jenny Geddes Memorial by Merlyn Smith at St Giles Edinburgh, a profile on William Hardie, House for an Art Lover by Charles Rennie Mackintosh opening. Obituaries on Francis Bacon, Jon Schueler and Alastair Smart. The exhibitions covered are solo shows, by artists Derek Jarman, Mario Rossi, Joan Eardley, Ian Hamilton Finlay, Elspeth Lamb, William Barns Graham, Ken Currie, Narelle Jubelin, Callum Innes, Alan Ramsay, Anne Redpath, Tony Cragg, Maud Sulter and group shows for The Glasgow School of Art Textiles with Barbara Santos Shaw and Lux Europa by Isabelle Vasseur. Mayfest and the Edinburgh Festival are covered in detail.
Notes on Royal College of Art Degree show. are included, as well as correspondence regarding Herald Art Collection to Harry Reid, correspondence with Caroline Ross, a research questionnaire on art criticism by Goldsmiths undergraduate student, correspondence regarding interview with Jack Lang in Paris, business card collection correspondence. Includes an invitation to Clare Henry’s Birthday, news cuttings of letters to paper on Clare Henry's reviews and copies of Clare Henry’s entry in Debrett’s People of Today and review of her selections in A Critics Choice at Cooling Gallery London. Also included are catalogue essay commissions for RAAB Gallery London Phil Braham, Robbie Duff-Scott, Tony Jones for Chelsea Arts Club.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 225 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1996 with Monday weekly articles and a weekend feature art guide feature, including a short ‘Studio’ feature and regular book reviews. Articles also written for Art Extra covering visual art exhibitions in Glasgow, Edinburgh, and Kirkcudbright, Aberdeen, Stirling, Aberfoyle, Castlemilk, Dumfries, Dunfermline and Aberfoyle. Exhibitions in London, Venice, Geneva and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery and Streetlevel Glasgow, as well as publicly funded galleries: Mclellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy, and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on, for example: the new Gallery of Modern Art Glasgow, Ian Cook new Glasgow Royal Concert Hall murals, Borrowed Light Public Art Project, row over Mackintosh show at McLellan Galleries, the opening of the new House for an Art Lover, Douglas Gordon wins Turner Prize, Copenhagen 1996 City of Culture and Charles Rennie Mackintosh in New York. The exhibitions covered are solo shows: Dalziel & Scullion, Ross Sinclair, Alberto Giacometti, George Wyllie, Callum Innes, Willie Rodger, Martin Parr, Annette Heyer, Jimmy Boyle, Victoria Morton and Andy Goldsworthy.
Group shows include British Art Show and Film Culture at Tramway. Edinburgh Festival is covered in detail as well as Glasgow Art Fair, Glasgow International festival of design and Manifesto International Festival of Design. Profiles on Earl Haig, Bridget Riley, Don and Eleanor Taffner. Also includes obituaries for Helen Chadwick and David Donaldson.
Also included are catalogue essays for Highland Printmakers Inverness, Transmission Gallery Glasgow, and other paperwork includes notes on pictures used and correspondence to Jackie McGlone at Arts Extra, Keith Bruce and Bob Jeffery at The Herald, with Caledonian Newspapers, Sandy Moffat and Sam Ainsley at The Glasgow School of Art plus invitations to press openings in Venice.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 170 articles of 350-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1986, Art Review, and her first for The Guardian from August 1986 for visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. The Guardian listings focus on reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Artspace Aberdeen, Compass Gallery and JD Kelly Gallery as well as a review for the closing of Corners Gallery Glasgow and the 70th Birthday of Cyril Gerber. The reviews also cover private galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Aberdeen Art Gallery and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as Alfred Loos, John Bellany and Peter Wilson. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow and the Edinburgh Festival.
This file also includes longer feature and perspective articles for Art Review and her research for STV when she visited Canada at the invite of Canada Council to Vancouver to Calgary/Ottawa/Toronto/Montreal and New York. Some personal correspondence in also included from Bet Low.
[i]Articles written in this year which are not present in the archive:
Aug Edinburgh Festival, Artists at Work
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 100 articles of 400-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1987, Art Review and The Guardian, for visual art exhibitions in Glasgow, Edinburgh, Aberdeen and Scottish regions.
During the year Henry also covers art in Los Angeles, India, France, and the Documenta festival in Kassel. The Guardian listings focus on reviews of exhibitions in London at Marlborough Gallery, the Haywood Gallery, and an exhibition curated by Henry, The Vigorous Line at Tuberville Smith London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Artspace Aberdeen, Compass Gallery and JD Kelly Gallery.
The reviews also cover private galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS and Transmission. The exhibitions covered are solo shows, by artists such John Taylor, Calum Colvin, Steven Campbell, Ken Currie and Ian Hamilton Finlay and group shows Desire in Ruins at Transmission Gallery, and The Glasgow School of Art Postgraduate and Masters Degree shows.
Mayfest Festival Glasgow, TWSA Glasgow (featuring George Wylie’s Straw Locomotive) and the Edinburgh Festival are also covered in detail. This file also includes longer feature and perspective articles on the Chatelherault House Restoration in Hamilton, The Glasgow School of Art Sculpture and Environmental Department, Richard Demarco Gallery conference on Scottish Culture, Art School’s in Crisis and an obituary on Andy Warhol. Some personal correspondence also included from Sharon Lances.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Part of Records of The Glasgow School of Art, Glasgow, Scotland
GSA Archives and Collections hold 216 audiovisual files, covering a range of topics and a wide date range. The audiovisual material has been created both by GSA and by external organisations, such as the BBC (television and radio), STV and ITV, other educational institutions and the Scottish Arts Council. Media in the collection include 16mm films, 35mm films, audio cassettes, audio CDs, CD Rom, DV cassette, DVD, Floppy disk, Reel to reel audios, Super 8 film, U-matic films, VHS tapes and Video 8 tapes. The audiovisual files pertain to topics including the GSA Fashion and Degree Shows, and Activities Week; students discussing their work; lectures by architects; presentations by, and interviews and conversations with, GSA alumni; centenary of the Mackintosh Building; Charles Rennie Mackintosh and Margaret Macdonald Mackintosh; plays; and documentaries on GSA. Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers. As at August 2017, only the fashion show audiovisual material has been catalogued. The remaining uncatalogued material is therefore not currently accessible for researchers.
Webster, Chris
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Poster for exhibition of drawings and paintings by eight second-year textile students. Including David Band, Helen Manning, Brian Bolger and Fraser Taylor.
The Cloth
Folder containing black and white photographs taken by George Oliver and of various sizes. Some are annotated. Includes: Burrell Collection and Pollok House.
Oliver, George
Italian order (medal and pin) presented to Fra Newbery for approving Glasgow School of Art Pavilion at Turin Exhibition, 1902.
Cavaliere Ufficionale medal (Version 1)
Cavaliere Ufficionale medal (Version 2)
Cavaliere Ufficionale medal (Version 3)
Cavaliere Ufficionale medal (Version 4)
Cavaliere Ufficionale medal (Version 5)
Collected Publications of Interest
Cordelia Oliver's collection of publications that were of interest to her. They do not contain any of her own work. Includes: various magazines and exhibition catalogues.
*Not available / given
Collection of polaroid photographs documenting The Cloth and Fraser Taylor
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Polaroid photographs by Fraser Taylor recording The Cloth activities, fabric samples, garments, launch events, trade shows, exhibitions, Liberty window display and scarves and studio sketches. Also includes painting work and exhibitions by Fraser Taylor. 250 polaroids mounted on A4 sheets of paper. Handwritten notes and dates. Includes 3, 130 x 90 mm prints. Fragile areas where mounted with cellotape.
Taylor, Fraser
A bundle of magazines, catalogues and booklets collected by Cordelia Oliver. Includes: Art Monthly, Art Review, Scottish Theatre News, Elizabeth Blackadder exhibition catalogue Mercury Gallery, 1991, Art in Scotland 1978-1988 catalogue, Scottish Actors Company Festival Brochure and Scottish International.
Oliver, Cordelia
Collins Gallery Summer Programme leaflet
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
A leaflet for The Collins Gallery Summer Programme at the University of Strathclyde designed by Colin Wilson. The front page features a photograph of a male figure wearing a cowboy hat.
Wilson, Colin
Collins Gallery Summer Programme leaflet
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
A leaflet for The Collins Gallery Summer Programme at the University of Strathclyde designed by Colin Wilson. The front page features a photograph of a male figure wearing a cowboy hat.
Wilson, Colin