Folder containing black and white and coloured photographs, taken by George Oliver and of various sizes. Also contains some contact sheets. Some are annotated. Includes: architecture of Glasgow, Citizen's Theatre and Joan Eardley.

Includes a scanned copy of a three page letter by Veronica Matthew addressing her education, experience, and time in art therapy and with Project Ability.

Archibald Haswell Miller's admission ticket to the Varnishing Day of the Forty-Sixth Annual Exhibition, at The Royal Glasgow Institute of Fine arts.

Folder containing 49 black and white photographs of exhibitions held at the Third Eye Centre, taken by George Oliver and of various sizes. Most are annotated. Includes: 'Crawford and Company' curated by Cordelia Oliver, Joan Eardley exhibition and John Bellany exhibition.

Folder containing 53 black and white photographs relating to the Third Eye Centre, taken by George Oliver and of various sizes. Some have been annotated. Includes: various performers, performances and general events.

Invitation card for the opening of the exhibition 'The Seeing Eye: The Life and Work of George Oliver' on Thursday 8th October 1998 in The Mitchell Library.

Curated by Panel.

Tuesday 10th September 1985, 178 West Regent Street Glasgow.

Compass Gallery newsletter press release for The Cloth exhibition.

Image of word by The Cloth, short biographies and text.

The Cloth catalogue for exhibition at the Compass Gallery.

Abstract textile design. Reverse depicts design for exhibition layout of "Fashion jewellery from card".

Folder containing press release for "The Seeing Eye: An exhibition on the Life and Work of George Oliver 1920-1990" and black and white photographs (unidentified). Also includes ink sketches.

Folder containing black and white contact sheets and negatives by George Oliver. Includes: Art and Movement exhibition 1965, Luther light feature 'Strategy Get Arts' 1970, Open Air Sculpture at Ledlanet, Henry Moore sculpture in Edinburgh and George Ricky Exhibition Opening 1982.

Job files relating to the project to construct exhibition stand at Kelvin Hall; (no images, drawings or plans except one site map contained within the job files).

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver featuring various locations in Scotland. Most are annotated. Includes: Culross, Stirling, Grangemouth, Glasgow streets, Kirkcudbright streets, Oban, South Alloa, Stirling and Mull.

Correspondence and reports from people who visited the Festival of Britain, 1951. Includes reports and correspondence by: Mr Armour; Harry Barnes; John B Fleming; Edward G Powell; and Robert B Thomson.

Material includes: typescript list of 1012 items exhibited with descriptions and their purchasers when appropriate, 1916; photographs of individual items exhibited, 1916; financial records relating to the opening ceremony, 1916; printed stationery made for the exhibition, 1916; minutes of the Needlework Exhibition Committee, Oct 1915-Apr 1916; folder of papers relating to the organisation of the Exhibition including stationery, correspondence and a speech/forwarding address by Fra Newbery, 1915-1916.

This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.

In addition it contains the following publications:

• Dugald Cameron Industrial Designer
• No. 602 (City of Glasgow) Squadron Royal Auxiliary Air Force
• From the Karoo to the Kelvin
• Personal Passions (exhibition catalogue)

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Includes:

Minutes, 1971-1981

Correspondence, 1971-1976

Treasurer's reports, 1972-1974

Catalogues of exhibitions, 1971-1979

Ephemera - invites etc., 1971-1979

GLA Exhibition posters, 1974-1979

Slide pack of members work, n.d.

Colour photographs of members work, 1978-1979

Photographs of GLA members, 1978-1979

Colour photographs of exhibitions of members work, 1974

GLA Print Pack, c1971-1981

Film - We're all Big Boys Now - a quick look at the GLA, 1974

Presscuttings, 1971-1974.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

This material is currently uncatalogued and therefore not accessible for researchers. It includes exhibition catalogues; proposals; department correspondence; press and marketing material (including posters); and documentary digital images (stored on discs). Committee papers held within this department include - Exhibitions Advisory Group/Exhibitions Committee.

Job files relating to the project.

4 publications about the career and work of Dugald Cameron.

Includes one folded sheet of paper with 24 sections of Project Ability's activities including upcoming three week long exhibitions and events in October 1983 (DC 101/3/3), theatre productions, conferences, bookshop, community workshops, music lessons and concerts, poetry night, art therapy support, film productions, ceilidh, talks, exhibition descriptions, acknowledgements, box office information, the people behind Project Ability, their hours, and location.

Includes a single piece of paper folded twice to make a three page brochure with black and white images. Includes information on what Project Ability is, their aims, how people can support Project Ability, contact details, and the Scottish Committee for Arts and Disability.

Architectural drawing on a tracing paper presenting detail of the aluminium stands in scale of 1:2 showing the method of bolting the panes of glass to aluminium T-beam sections.

Architectural drawing on a tracing paper presenting the elevation of the exhibition stand project in scale of 1:20.

Architectural drawing on a tracing paper presenting section across the floors of the exhibition stand project in scale of 1:20, including the details of the construction structure and martials used, furniture, and figures. The total height of the building is 9.3 m.

Architectural drawing on a tracing paper presenting the second floor plan of the exhibition stand project in scale of 1:20, including the description:
"2nd is the office and interview floor, where anyone requesting further information or wanting to purchase anything can come and talk to the representatives of the various firms."

Architectural drawing on a tracing paper presenting the first floor plan of the exhibition stand project in scale of 1:20, including the description:
"1st floor comprises aluminium drums of various sizes displaying small products, e.g. pots and pans, and small industrial ware."

Architectural drawing on a tracing paper presenting the ground floor plan of the exhibition stand project in scale of 1:20, on an area of (6 x 4 m) including the description:
" Ground floor comprises charts and maps around the walls depicting how aluminium is manufactured from bauxite and also pictures of very large products. There is also an area for displaying large products (window sections, etc) and in the centre of the floor is a model of an aeroplane with information showing which parts are made from aluminium."

Folder containing black and white photographs, taken by George Oliver and of various Sizes. Some annotated. Many photographs are prints from photographs contained in other folders for example: DC 066/2/58-DC 066/2/64. Includes: Cordelia Oliver and performers at the Third Eye Centre.

These posters advertised an exhibition of work by past and present students from the School Of Design and the Mackintosh School Of Architecture at The Glasgow School Of Art. Dominating both posters is a quote from John Kenneth Galbraith who was a prominent economist during this period. The quote states "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between The Mackintosh Museum on The Glasgow School Of Art Campus and Kelvingrove Art Gallery And Museum and ran from the 9th of February to the 1st of March 1985.

Cordelia Oliver's collection of posters for exhibitions and events. Please note this material has not been fully catalogued to item level and may therefore not be accessible to researchers. One item, a poster for Perth Theatre, was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

This poster was designed to advertise the 2011 annual degree show. The image on the front of the poster shows all the graduating students exhibiting that year. Names included: Alice Steffen Lucy Livingstone Gillian Mairi Alexander Amy Cowell Sinead Young Any Dolan Alicia Matthews Amy Malcolm James Stephen Wright Lorraine Hamilton Ashanti Harris Silvia Sellitto Hannah Brackston Ricahrd McMaster Beth Dynowski Katie Joice Callum Angus Bell Kath Aird Lightbody Dereck Mitchell Lou Prendergast Romany Dear Hazel Moore Emily Ilet Emily Roo Erin Stevenson Jamie Clements Katy Wallwork Joe Sloan Julia Scott Euan Ogilvie Kari Corbett Lucy Eleanor Freeman On the reverse of the poster a small image of each individual student's work is shown.