Printed black and white reproduction of Peter Blake's 1970 work ‘and to show you I’m not proud, you may shake hands with me!’ featuring Humpty Dumpty. The printed reproduction is cropped to show only the top half of the original painting.

Folder containing black and white and colour contact sheets, negative strips and photographs, of various sizes. Most are annotated. Includes: Barlinnie's Special Unit exhibitions and arts festivals, and James Cowie drawings.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most have been annotated. Also contains handwritten lists. Includes: Stirling, Liverpool, Edinburgh College of Art and Lillie Art Gallery.

Inscribed 'Jimmy Cosgrove Amsterdam, April 1988. Ken Mitchell, Tom Chambers'. Also entitled "A book of dreams" on the first page. Sketches of abstract figures and animals. Some mythological and biblical references.

Folder containing black & white negatives and contact sheets of photographs by George Oliver. Most are annotated. Various subjects. Includes: Scottish Arts Council Collection, University of Stirling, Murals in Bridgeton, Normam Ackroyd etchings and June Redfern.

An illustrated History of Art essay. Loose pages in a decorated paper cover sleeve.

Black pen drawing of a male figure in front of a backdrop of buildings and palm trees. The work is titled, signed and dated '19.6.1974'. Handwriting on the back of the work reads 'a realistic tie in a landscape. 19.6.1974. colin wilson. 14 princes square. barrhead.'

Abstract bird's head.

Suite of 9 works.

Oil painting on board of an abstract bird in brown, green, blue and pink. The painting is signed 'Wilson. '71.' There is a label on the back of the painting marked 'DALER BOARD FOR OILS' listing the stock sizes of the manufacturers' boards. There is a stamp that reads '28 x 24 FINE GRAIN' and a handwritten price of 44p.

Abstract oil painting of a bird in blue and white on a green background. The painting is signed 'Wilson 1972.' The back of the board is marked with a company stamp which reads 'CANVAS BOARDS FOR PAINTING IN OIL COLOURS' and the size of the board.

Abstract oil painting on board of a boat harbour in blues and oranges. The painting is signed 'WILSON 72.' The back of the board is marked with a company stamp which reads 'CANVAS BOARDS FOR PAINTING IN OIL COLOURS' and the size of the board. The back of the board is also marked with handwriting which reads 'DO NOT TOUCH' and 'WET PAINT'.

Abstract painting in pinks, browns and whites. The work is signed on the front.

Painting of abstract forms in blue, red, yellow and green, with black boundary lines, on a blue background. Signed 'Avella' in bottom right-hand corner.

Painting of abstract forms in shades of pink, lilac, teal. Signed 'Avella' in bottom right-hand corner.

Pen and coloured pencil drawing of two figures in a room, one of which is standing and the other seated. The work is titled, signed and dated '17.6.1974'. Handwriting on the back of the work reads '"abstract painting and two people in a room." 17.6.1974. colin wilson. 14 princes square. barrhead.'

Painting with abstract forms in green, black and white. The work is signed by the artist on the front.

Acrylic painting depicting plants and the horizon in shades of brown.

Abstract black pen drawing of a portrait and organic and geometric shapes.

Abstract portrait painting in browns and blues. Printed text that reads 'Postcard' is visible on the surface of the paper, as well as a postage stamp box. The work is marked in black pen 'For Colin. Peter Blake. London 1980.' There is some fluffy peach-coloured material fixed to the reverse.

Print in black and greys with abstract forms resembling a tree trunk. There is a thin piece of brown tape partially attached to one side of the work.

Print in black and greys with abstract forms resembling a tree trunk. There is some residue from a piece of brown tape stuck to one edge of the work. One of the corners of the work is folded towards the verso.

Print in black and greys with abstract forms resembling a tree trunk. One of the corners of the work is slightly folded towards the front. There is a small dent on one corner on the front of the work.

Print in black, greys and off-white with abstract forms. One of the corners of the work is significantly crumpled.

Abstract print in blue, black and green with speckled texture and black straight lines. The work is possibly by Calum Mackenzie.

Print in brown, blue, pink and black of abstract shapes. The work is signed and marked as edition 16/25. There is a handwritten verse on the front of the work.

Abstract print in pink, white and silver with alphabet-like forms. The work is possibly by Calum Mackenzie.

Later accessions of material relating to Francis Newbery. Material was not deposited as part of his working papers as Director of the School, but includes some working papers and correspondence from during his time as Director in addition to papers dating to after his retirement, family records and photographs, and written materials regarding Newbery.
Includes:

• DIR/5/38/1: Correspondence, 1889-1947
• DIR/5/38/2: Working Papers of Francis Newbery, 1902-c1910
• DIR/5/38/3: The 'Masque of the City Arms' Papers and Correspondence, 1905
• DIR/5/38/4: The Teaching of Design, Papers and Correspondence, 1910
• DIR/5/38/5: Needlecraft in Secondary Schools Papers and Correspondence, 1910-1912
• DIR/5/38/6: Family Papers, 1906-1984
• DIR/5/38/7: Family Photographs, c1895-c1980s
• DIR/5/38/8: Materials relating to Francis Newbery

See this blog-post for more information about the discovery of these materials: http://www.gsaarchives.net/2018/03/cataloguing-gsa-famous-friends-fra-newbery-discovered/