Abstract textile design. Reverse depicts design for exhibition layout of "Fashion jewellery from card".

The section title '3 Framework/Articulation' appears in white on black mountboard. A second piece of mountboard is cream with three windows cut into it. Within one is handwritten text detailing the structured framework which insects possess instead of a skeleton. In the second and third windows are watercolours showing two different insects from different angles.

The section title '6 Continuous Structures' is appears in white on black mountboard. The second sheet of mountboard is cream with two windows cut into it. Within one is handwritten text discussing the adaptability of insects. In the second window is a drawing of an insect (possibly a mantis) drawn from different angles. A third piece of cream mountboard frames two drawings of an insect (possibly a dragonfly), drawn from different angles.

The section title '4 Material' appears in white on black mountboard. The second piece of mountboard is cream with three windows cut into it. Within one window is handwritten text relating to chitin and the exocuticle of insects. The second window shows sketches/paintings of a hoverfly or wasp from multiple angles, and the third shows multiple butterfly wings.

The title '7 Adaptability and Variety of Forms' appears in white on black mountboard. The second piece of mountboard is cream with three windows cut into it. Within one is handwritten text discussing the adaptability of insects, particularly referring to the mouth and legs. In the second window is a drawing of multiple insect legs, drawn from different angles. The last window shows the profile of an insect, possibly a grasshopper or cricket.

The section title '2 Basic Structure' appears in white on black mountboard. A second piece of mountboard is cream with two windows cut into it. Within one is handwritten text detailing the basic structure of insects. In the second window is a fine black ink drawing showing an insect from six different angles. The third piece of mountboard is cream and consists of two frames, each containing drawings of a winged insect (possibly a beetle) from different angles.

The section title '1 Form and Function' appears in white on black mountboard. The second piece of mountboard is cream with two windows cut into it. Both contain writing on the organisation, order, form and function of insects.

The section title '5 Movement' appears in white on black mountboard. The second sheet of mountboard is cream with three windows cut into it. Within one is handwritten relating to movement, especially in relation to flight. The second window shows pencil drawings of a beetle from below, and the third, a winged insect (possibly a grasshopper).

The section title '8 Conclusion' appears in white on black mountboard. The next piece of mountboard is cream with two windows cut into it. The first window contains handwritten text discussing the conclusions the artist has come to in relation to design, based on her study of insects. The second window contains a drawing of a grasshopper in profile and a forward facing shot of its head. The final two pieces of cream mountboard frame detailed drawings of winged insects.

This poster advertised an exhibition held in Milan in 1984 which showcased design work by students from The Glasgow School Of Art. The exhibition was held in collaboration with Cassina, a world renowned Italian manufacturing company that often reproduce famous design pieces including Mackintosh furniture. The exhibition included ceramics, embroidery, furniture design, industrial products, graphic design, illustration, silversmithing and jewellery. It took place under the patronage of the British Consulate General in Milan and was also supported by a number of other bodies including The British Council, Sir Hugh Fraser, IBM, Clydesdale Bank PLC, Radio Clyde, Wm Teacher and Sons Ltd, Scottish Development agency, MS Macfarlane Trust, COF Refrigerators, Nardini Ltd and the Governors Of The Glasgow School of Art. The poster was designed by Gordon Huntly and printed by Fraser Ross and Ken Wade in the Foulis building at The Glasgow School Of Art. The reverse side catalogues a list of the exhibited items along with with the names of the designers which are listed below. Ceramics - Helen Kemp - Carol Esson - Sandra Oakes - Catriona Houston - Raymond Evangelista - Eleanor Barttleman - Mark Stanczyk - David Norman - Irene Bell - William McLaughlan - David Gray Embroidered and Woven Textiles: - Elaine Wilson - Claire Neil - Lindy Richardson - June Lillico - Fiona Knight - Karen Borland Furniture, Interior and Product Design: - Fiona Jean Paton - David Wilson - Douglas Clerk - David Robson - Helena McGuinness - Paul Anderson - Alistair Brown - Andy Park - Una Fagan - Mike Osborne - Rosalind Duncan - Jonathan Parlett - Alan Cowling - Lim Ho Guan - Marissa Parker - Alan Cowling - Jackie Park - Heather Thomson - Gareth C Hughes Graphic Design and Illustration: - Ingebjorg Smith - Alan Morrison - Alasdair Robertson - Lesley Raeside - Edward Carden - Susan Scott - Fraser Maclean - Duncan Smith - Catriona Miller - Karen Watt - Fiona McSporran - Fiona Campbell - Gregor Cox - Thomas Campbell - Don McPherson - Frank Connolly - Michael Healey - Joanna Isles - Robin Ward - Remo Avella - Linda Robertson - Kenny Mclellan - Wallace Murdoch - Caroline Parerson - Stephanie Roberts - Sandy Christie - Shirley Clark - Melanie Robertson Silversmithing and Jewellery: - James McDougall - Helen Marriot - Shiela McDonald - Linda McCafferty - Alison Welsh - Mary Thomson - Roger Drew - Keryn Evelyn - Euan Smith - Irene Halliday - Elizabeth Halston - Gillian Simon

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work.

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work.

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work.

Further title, 'Odds and Ends'. Sketches, printed and annotated poems, and stories. Designs of Landscape Brooches. Notes at the back of sketchbook regarding the history of the House for an Art Lover.

Elliptical necklace with two drug capsules

Angular brooch.

Circular silver and gold brooch.

Circular silver and gold brooch.