Abstract design painted onto a brown envelope. Black outline drawing with blue, purple and pink gouache. Mounted on white paper. Annotated verso "confused area, searching for direction + source!".

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract forms are painted onto a pink ink painted surface. A fibrous semi-transparent material is stitched onto the surface of the paper outlining the forms in purple thread. Some pieces of the tracing paper and material have been deducted in the shape of the figures to reveal the painted background. Similar in material, style and medium to DC 089/1/2/4/45

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract forms are painted onto a sheet of tracing paper and adhered to a pink ink painted surface. A fibrous semi-transparent material is stitched onto the surface of the paper outlining the forms in blue thread. Some pieces of the tracing paper and material have been deducted in the shape of the figures to reveal the painted ground.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

British Museum drawing of an Egyptian Coffin. Some damage debris, smoke smell and potential reaction stiffening the fabric. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

The title '7 Adaptability and Variety of Forms' appears in white on black mountboard. The second piece of mountboard is cream with three windows cut into it. Within one is handwritten text discussing the adaptability of insects, particularly referring to the mouth and legs. In the second window is a drawing of multiple insect legs, drawn from different angles. The last window shows the profile of an insect, possibly a grasshopper or cricket.

Folder containing additional work created during post diploma year, mainly designs for a theatre operating table.

Magazine page.

Magazine page.

Design record for an aerogramme; one complete version, one front and one back proof and card and transparency original design.

Album containing 9 pages of fashion show photographs from a menswear collection. Front pocket also contains 12 loose photographs. The photos are undated and it is not known which brand the designs are attributed to.

Poster depicting a surreal tower surrounded by flying pigs. States "Mackintosh Lecture Theatre Monday 21 2.30pm".

Publications published by NDS on how to do various embroidered activities.
Contains copies of Bulletins 7B-28B, 29-39. All comprise of 2 copies other than 16B, 26B, and 38, which only contain 1 version.

A black hardcover book published by NDS on different embroidery stitches and techniques based on the contents of the Needlework Development Scheme embroidery bulletins (see NDS/PUB/5). Contains 144 pages.

Publication published by NDS on how to sew various textile activities.
Contains copies of Bulletins 1-6B, 8A, 9A, 13A-15A, 17A-28A. All comprise of 2 copies other than 8A, 13A, and 15A, which only contain one version.

Colour print on coated card folded. 2 copies.

A collection of 25 aprons designed by Sylvia Chalmers, printed and produced by Tuar Fabrics in Scotland.

Framed architectural drawing of design for an oriel window. Annotated with 'Design for Oriel Window', artist's name and 'No. 1'.

These items represent a product through which a consumer would adopt an iceberg, thereby supporting research into effects of melting ice in the Arctic. The certificate of adoption would give details of the berg adopted, and the cardboard berg models would be sent to the adopter over time, shrinking in size to represent the melting of the ice. The product was produced as part of a final year student project addressing issues of climate change and the relationship between Scotland and the North.

The items represent a forecast station which would enable aurora hunters to determine when the right factors were in place to view the aurora in Scotland. The product was produced as part of a final year student project addressing issues of climate change and the relationship between Scotland and the North.

Volume detailing the processes which resulted in a final series of models and publications. These were produced as part of a final year student project, addressing issues of climate change and the relationship between Scotland and the North.

A Taxonomy of the North produced as part of a final year student project, addressing issues of climate change and the relationship between Scotland and the North.

A thesis exploring links between the North and Scotland, and discussing issues of climate change and its effects on the Arctic pack ice. The thesis relates to a series of models and publications produced as part of a final year student project.

This wrist band represents a product which would support research into the changing behaviours of polar bears in relation to diminished habitat. The band would link by satellite to a polar bear. It would reflect the temperature of the bear and vibrations would serve to notify the band owner when the bear undertakes certain activities. The band is boxed and comes with an explanatory leaflet.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Painted white wood with inlaid metals and wood.

Designed for the Argyle Street Tea Rooms, Glasgow. One example appears in contemporary photographs of the Luncheon Room, but several others, possibly used in the ground floor apartments at Argyle Street, have survived. (Roger Billcliffe). The pierced motif in the side panels is the same as in the oval back-rail chair, MC/F/14. In a sketch the same chair but with a slightly taller back is used in a bedroom design (repro. Alison as principal bedroom, Westdel, Queen's Place, 1901). It is quite possible this chair was used in other commissions besides Argyle Street.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Argyle Street Tea Rooms, Glasgow. One example appears in contemporary photographs of the Luncheon Room, but several others, possibly used in the ground floor apartments at Argyle Street, have survived. (Roger Billcliffe). The pierced motif in the side panels is the same as in the oval back-rail chair, MC/F/14. In a sketch the same chair but with a slightly taller back is used in a bedroom design (repro. Alison as principal bedroom, Westdel, Queen's Place, 1901). It is quite possible this chair was used in other commissions besides Argyle Street.

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).