Six fabric repeats. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Black baseball cap with embroidered logo in blue and white thread

Black polo shirt with dark blue "Homes for the future" embroidered on front.

Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).

Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).

Designed for the Director's Room, Glasgow School of Art. One chair reupholstered in blue/black horsehair 1970s, One chair reupholstered in brown horsehair 1984 and repaired. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Director's Room, Glasgow School of Art. One chair reupholstered in blue/black horsehair 1970s, One chair reupholstered in brown horsehair 1984 and repaired.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Wood, brown stain with rush seat. The design appears in the Birch & Co Design Ledger No.1906, dated Oct 1901. This firm produced several very Glasgow Style pieces (George Walton also worked for them).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. All that remains is a badly damaged copper repousse panel. This was assessed by a conservator but no conservation work was deemed possible. Settle with high back and wings. The style of the settle is very similar to work produced by Wylie & Lochhead and it is most likely that it was made by this firm. The fabric was probably designed by Samuel Rowe. The woven fabric covering of the settle was woven by the firm of A H Less of Birkenhead in 1897 and is jacquard woven and warp-printed wool and cotton. Warp printing was a special technique used by this firm. Although Lee's bought designs from a numbers of leading freelance designers it is uncertain who designed this particular piece although it is likely to have been by Samual Rowe.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for 120 Mains Street, Glasgow and also for the Luncheon Room, Argyle Street Tea Rooms, Glasgow. Stylistically, the most advanced piece of furniture designed for Argyle Street and used by Mackintosh again in his own flat. The examples in the Museum of Modern Art in New York and the V&A in London were formerly in the GSA collection and donated by Douglas Percy Bliss, GSA director, in 1958. The horsehair and rush seats were reupholstered 1985-86. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for 120 Main Street, Glasgow. An armchair version of F14 possibly one of a pair made for Mackintosh's Mains Street flat. In the 1899 Art & Craft exhibition Mackintosh showed an armchair with 'lacquer panel by Miss Margaret Mackintosh'. The only chair which fits this description is the one in Copenhagen which was bought by Koloman Moser at the Vienna Secession exhibition in 1900. The GSA chair is identical but lacking the lacquer plaque. It was possibly made later c1901 as a replacement for that bought by Moser. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Informal photograph, wearing Log and Loggerie 1985 t-Shirt.

A diverse collection of mainly silver items including a wide selection of contemporary GSA undergraduate, graduate and staff works from about 1985 to 2019, as collected by Helen Cargill Thompson.

The collection includes items of contemporary, antique and period silver exhibiting a broad range of technical skills, design finesse and a selection of provincial historical Scottish silver makers marks and town marks on both functional and decorative objects.

Items included in the collection were acquired with the intention of being gifted to The Glasgow School of Art's Archives and Collections as an educational resource.

Designed for the 'Rose Boudoir', International Exhibition of Modern Decorative Art, Turin, 1902. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

A Rose Boudoir included two gesso panels - composite works of plaster with pigment, set with glass beads - made exclusively by Macdonald. On the manifest for the exhibition, Mackintosh indicated that ‘duplicates only’ were available for sale. Two other versions, both in Glasgow, had the same design but with different palette and surface detail: The White Rose and the Red Rose hung above the mantle in the Mackintoshes’ own home, and can now be seen in the Mackintosh House at the Hunterian Art Gallery; and The Heart of the Rose belonged to Wylie Hill, a relative of Jessie Newbery, and was later given to the Glasgow School of Art. Previously it was assumed that these versions were created from a cartoon or template, each hand made, but it was difficult to tell which set came first, or even if they were made simultaneously. But recent analysis by Graciela Ainsworth Conservation Studio in Edinburgh has shown that the GSA version is not a gesso panel as we have come to understand Macdonald’s technique, but rather a traditional plaster cast that has been painted. This may seem like a minor technical point, but when considered alongside Mackintosh’s note that duplicates could be ordered, it reminds us that he carefully curated this space to show both that he and Macdonald could be commissioned to do entire rooms but were also very happy to have individual pieces replicated and sold on their own merit (information supplied by Dr Robyne Erica Calvert, Cultural Historian, Mar 2022).

Hand-painted design for screen-printed headsquare. Bordered, it depicts two figures with two comets. Pink, orange and grey on a cream background. Unrelated screen printed design on reverse.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two of the metal coat hooks, both damaged, were salvaged and have undergone conservation and consolidation work. Designed for the Room de Luxe, Willow Tea Rooms, Glasgow. 'Apparently designed some time later than the rest of the furniture for the Willow Tea Room. Only two stands are visible in contemporary photographs (one each side of the gesso panel) but it is probable that another two flanked the fireplace on the opposite side of the room.' At some time the umbrella stand was over painted with a brownish varnish. In 1986 this was removed and the piece repainted with an aluminium-based silver paint. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).