- NMC/0904
- Item
- c1990s
Framed print of aeroplane, G-Byug.
Cameron, Dugald
Framed print of aeroplane, G-Byug.
Cameron, Dugald
Architectural studies - Seville, Constantinople and Leuchars (Fife)
A Street Corner, Seville; Santa Sophia, Constantinople (x2); St Athernase, Leuchars, Fife.
Fulton, James Black
Architectural studies (Italy and Scotland)
Florence, Sienna, Aberdeenshire, Verona. Four mounted as one. A: Rape of Polyxena by Fedi in the Loggia dei Lanzi, Florence. July 1899. B: Madonna over South entrance to Cathedral Siena by Michelozzo. April 1899 C: Crathes Castle, Aberdeenshire. Oct 1900 D:Palazzo del Consiglio Verona. Aug 1899.
Fulton, James Black
Architectural styles - Egyptian
Study of various tombs, columns and capitals.
Fulton, James Black
Architectural styles - Grecian
Study of various ruins, stone capitals and columns.
Fulton, James Black
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Bronze horses, St Marks, Venice (The Triumphal Quadriga)
Study of equine statue.
Fulton, James Black
Castellated tower and gateway, probably Italian.
McGlashan, Archibald A
Print of castellated tower and archway, probably Italian.
McGlashan, Archibald A
Charles Rennie Mackintosh train name plate
Charles Rennie Mackintosh nameplate and crest from class 47 locomotive, inaugurated 1982.
ScotRail Ltd
Half inch detail of chapel 'A'. Signed "A.M.G.D.".
*Not available / given
Front elevation. Signed "A.M.G.D.".
*Not available / given
Plan. Signed "A.M.G.D.".
*Not available / given
Longitudinal section. Signed "A.M.G.D.".
*Not available / given
Half plan looking up/looking down. Signed "A.M.G.D.".
*Not available / given
Side elevation. Signed "A.M.G.D.".
*Not available / given
Main transverse section. Signed "A.M.G.D.".
*Not available / given
Study of church door. Study undertaken as part of Italian visit.
McGlashan, Archibald A
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Dervishes mosque in Sharia el Hilmiyeh near the mosque of Soultan Hassan. Half inch scale drawing of doorway.
Fulton, James Black
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
Glasgow School of Art nameplate and crest.
ScotRail Ltd
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Poster depicting Linlithgow Palace, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Mosaic in St Marks, Venice (left hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Mosaic in St Marks, Venice (right hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of building's facade.
Fulton, James Black
Collection includes:
The collection also includes original illustrations drawn by A S Boyd (aka TWYM) and Stephen Reid, both noted Scottish illustrators.
Additional uncatalogued material includes
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Hunter, William R
A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.
Oliver, George
Exterior view of basilica.
Dallachy, John Eadie Waddel
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
View of basilica from garden.
Dallachy, John Eadie Waddel
Sketch of (Italian) decorative panels
Italian subject matter. A study from Mackintosh's tour of Italy in 1891 as part of the Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Storia del vita di San Giovanni Evangelista, Venice
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Poster depicting Castle Campbell, Dollar. For the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
View of bell tower.
Dallachy, John Eadie Waddel
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Part of Papers of John Walter Lindsay, architect and student of the Glasgow School of Art
Lindsay, John Walter
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black