- NMC/0291A
- Item
- c1920s-1950s
Plan. Signed "A.M.G.D.".
*Not available / given
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Plan. Signed "A.M.G.D.".
*Not available / given
Longitudinal section. Signed "A.M.G.D.".
*Not available / given
Half plan looking up/looking down. Signed "A.M.G.D.".
*Not available / given
Detail of Basilica.
*Not available / given
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, 1/4 plan
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes photographs collected by Alexander McGibbon, Charles Edward Whitelaw, and Eugene Bourdon. Also includes collection of cloud studies, copies of George Henry works, and miscellaneous photographs.
*Not available / given
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes Harry Anthony Wheeler's travel report, a portfolio of drawings and the portfolio cover.
Wheeler, Sir Harry Anthony
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes E. McLaren's Travel Report.
McLaren, E
Italian Romanesque Architecture
Page titled 'Italian Romanesque' at top. This page features sketches and text relating to 'S. Michele, Pavia' and 'S Ambroggio, Milan'.
This is the seventeenth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Part of Papers of John Walter Lindsay, architect and student of the Glasgow School of Art
Lindsay, John Walter
This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.
Mackintosh, Charles Rennie
Plaster cast of section of architrave with vines and eagle in clipeus (Version 2)
Part of Plaster Casts
*Not available / given
Plaster cast of section of pilaster with vase, foliage and putti
Part of Plaster Casts
Original: Tullio Lombardo, c1851. Venice, Italy. Annotated ""Tullio Lombardo." and "205".
*Not available / given
Plaster cast of section of pilaster with vase, foliage and putti (Version 3)
Part of Plaster Casts
Plaster cast of Virgin and Child (Version 2)
Part of Plaster Casts
Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 2)
Part of Plaster Casts
Plaster cast of Cantorie Panels
Part of Plaster Casts
Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
*Not available / given
Plaster cast of Cantorie Panels
Part of Plaster Casts
Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
*Not available / given
Plaster cast of putti and foliage tondo
Part of Plaster Casts
Putti surrounded by symmetrical curling foliage. Thought to be c16th, Italian.
*Not available / given
Plaster cast of putti and foliage tondo (Version 1)
Part of Plaster Casts
Plaster cast of cherub roundel with wings
Part of Plaster Casts
Head of Cherub with wings in relief in circular panel.
*Not available / given
Plaster cast of Spinelli family coat of arms on octagonal panel
Part of Plaster Casts
Plaque showing coat of arms with two sides. Original: Brunelleschi. Basilica di Santa Croce, Florence, Italy.
*Not available / given
Plaster cast of Spinelli family coat of arms on octagonal panel (Version 1)
Part of Plaster Casts
Plaster cast of Spinelli family coat of arms on octagonal panel (Version 2)
Part of Plaster Casts
Various studies of carved pilasters.
Revel, John D
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This report details architecture student E. Mc Laren's experiences when travelling to Italy upon receiving the John Keppie Scholarship in 1947. The account is beautifully illustrated with his own photographs and highly detailed drawings in pencil, pen and watercolour.
McLaren, E
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Poster for a Charles Rennie Mackintosh exhibition in Certaldo
Part of Records of The Glasgow School of Art, Glasgow, Scotland
In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Teaching aids include collections of prints, photographs, and calligraphy examples.
*Not available / given
Chigi Chapel, Santa Maria del Popolo, Rome, half section through chapel
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half elevation to church
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, panel mouldings in spandrils
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Italian.
Ferguson, Hugh C S
View of basilica from garden.
Dallachy, John Eadie Waddel
Study of building's facade.
Fulton, James Black
Elevation/Raffael Arch.
Revel, John D
Various stone details.
Revel, John D
South east elevation and plan.
Brodie, Margaret Brash
Plaster cast of foundling roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".
D Brucciani & Co
Plaster cast of Virgin and Child roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 2)
Part of Plaster Casts