- NMC/0289
- Item
- Apr 1929
View of bell tower.
Dallachy, John Eadie Waddel
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View of bell tower.
Dallachy, John Eadie Waddel
A variety of photographs from Georges-Marie Baltus' personal memories featuring landscapes and rural scenes captured during his Italian and Europeans tours.
Baltus, Georges-Marie
Advertisement for London Midland Region (LMR) of British Railways featuring Conway in Wales.
Murray, Sir David
Advertisement for London Midland Region (LMR) of British Railways featuring the Nightmail.
Orpen, William
Advertisement for London Midland Region (LMR) of British Railways, featuring coal and British industries.
Clausen, Sir George
Advertisement for London Midland Region (LMR) of British Railways featuring the Scottish Highlands.
Cameron, David Young
Mackintosh, Charles Rennie
Pamphlet for the P. Henderson & Company and the Irrawaddy Flotilla Company Limited
The cover image features a range of Burmese religious symbols and a steamship.
Miller, Archibald E Haswell
Poster depicting the Wallace Monument, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Poster depicting Castle Campbell, Dollar. For the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Poster depicting Linlithgow Palace, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Material related to Georges-Marie Baltus
A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.
Baltus, Georges-Marie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Half inch detail of chapel 'A'. Signed "A.M.G.D.".
*Not available / given
Front elevation. Signed "A.M.G.D.".
*Not available / given
Plan. Signed "A.M.G.D.".
*Not available / given
Longitudinal section. Signed "A.M.G.D.".
*Not available / given
Half plan looking up/looking down. Signed "A.M.G.D.".
*Not available / given
Side elevation. Signed "A.M.G.D.".
*Not available / given
Main transverse section. Signed "A.M.G.D.".
*Not available / given
The series contains a single item featuring a mountainous landscape.
*Not available / given
The photograph features a mountainous landscape.
*Not available / given
Print of castellated tower and archway, probably Italian.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Mosaic in St Marks, Venice (left hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Mosaic in St Marks, Venice (right hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Castellated tower and gateway, probably Italian.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Storia del vita di San Giovanni Evangelista, Venice
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Study of church door. Study undertaken as part of Italian visit.
McGlashan, Archibald A
Material featuring designs by Haswell Miller
A variety of designs completed by Archibald Haswell Miller, including book covers, commercial artworks, and religious designs. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.
Miller, Archibald E Haswell
A variety of photographs featuring loose photographs of artworks and GSA students and staff.
Dervishes mosque in Sharia el Hilmiyeh near the mosque of Soultan Hassan. Half inch scale drawing of doorway.
Fulton, James Black
Jack Coia Slides and Negatives, Travel and Personal
Images - various negatives and slides.
Coia, Jack Antonio
Study of building's facade.
Fulton, James Black
Architectural studies (Italy and Scotland)
Florence, Sienna, Aberdeenshire, Verona. Four mounted as one. A: Rape of Polyxena by Fedi in the Loggia dei Lanzi, Florence. July 1899. B: Madonna over South entrance to Cathedral Siena by Michelozzo. April 1899 C: Crathes Castle, Aberdeenshire. Oct 1900 D:Palazzo del Consiglio Verona. Aug 1899.
Fulton, James Black
Bronze horses, St Marks, Venice (The Triumphal Quadriga)
Study of equine statue.
Fulton, James Black
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
Collection includes:
The collection also includes original illustrations drawn by A S Boyd (aka TWYM) and Stephen Reid, both noted Scottish illustrators.
Additional uncatalogued material includes
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Hunter, William R
Architectural studies - Seville, Constantinople and Leuchars (Fife)
A Street Corner, Seville; Santa Sophia, Constantinople (x2); St Athernase, Leuchars, Fife.
Fulton, James Black
Architectural styles - Egyptian
Study of various tombs, columns and capitals.
Fulton, James Black
Architectural styles - Grecian
Study of various ruins, stone capitals and columns.
Fulton, James Black
A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.
Oliver, George
This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.
Mackintosh, Charles Rennie
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Sketch of (Italian) decorative panels
Italian subject matter. A study from Mackintosh's tour of Italy in 1891 as part of the Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Material related to Archibald Haswell Miller
A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.
Miller, Archibald E Haswell