- DC 089/1/3/1/6
- Item
- 1978
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
'Morag Ross 1st Year GSA 1978 photograph by Gerry Kelly'. Black and white photograph, landscape.
Taylor, Fraser
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Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
'Morag Ross 1st Year GSA 1978 photograph by Gerry Kelly'. Black and white photograph, landscape.
Taylor, Fraser
First year students on Renfrew Street
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Verso: GSA 1977/8 Photograph by Gerry Kelly, 1st Year. Fraser Taylor, Morag Ross, Robert McCann, Lis Martin. Black and white photograph, landscape.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Taylor, Fraser
Folder containing contacts and negatives of photographs taken by George Oliver. Most are annotated. Includes: Glasgow School of Art Fashion Show in 1989, paper workshop, Glasgow books, Bently, gable ends, Hungarian reception, Dick Wing Royal Infirmary, Port Glasgow, McLean Museum and Crieff shops.
Oliver, George
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Student fashion show in Mackintosh Lecture Theatre. Model in transparent black dress. Mackintosh mirror visible. Colour photograph.
Taylor, Fraser
Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
The collection consists of printed textiles, garments and papers relating to Fraser Taylor's time as an undergraduate student at GSA (1978-1981), a postgraduate student at RCA (1983), and items relating to other professional activities. It also includes examples of textiles and associated ephemera for design collective The Cloth (1983-1987).
Taylor, Fraser
Photograph of a punk performance
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Singer in leopard print trousers and facepaint, dancers behind. Audience seated and standing. Possibly GSA students union. Verso: 'Frank McEwan Printed Textiles 1976-?'
Taylor, Fraser
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Unfortunately, there is no contextual information regarding this poster.
*Not available / given
Folder containing black and white negatives, contact sheets, photographs and colour prints by George Oliver. Most are annotated. Also contains a leaflet for building tours and exhibitions of Charles Rennie Mackintosh in 1994. Includes: Dovecot Tapestry, Scotch Myth at St Andrews, ceramics workshop Edinburgh 1973 and Third Eye book shop.
Oliver, George
Photograph of a punk performance
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Singer in leopard print trousers and facepaint, dancers behind. Audience seated and standing. Possibly GSA students union. Verso: 'Frank McEwan Printed Textiles 1976-?'
Taylor, Fraser
G's Sketchbook: Art School Prewar
Folder containing black and white contact sheets and negatives of photographs by George Oliver. Some are annotated. Includes: clocks in Kilmarnock, GSA's Mackintosh Building and Victoria street, Edinburgh.
Oliver, George
Hugh Ferguson graduated from Glasgow School of Art/Architecture in 1955. His collection of papers includes a notebook of 'Descriptive Geometry' from The Royal Technical College containing notes and detailed mathematical drawings.
Ferguson received the Alexander Thompson Travelling Scholarship in 1964 and another notebook/sketchbook documents his travels over one month in Greece - from 15th of August to 5th September 1964. Two weeks were spent resident in Athens and two weeks travelling; he visited many sites including Delphi, Eleusis, Daphni, Ossios Loukas, Brauron, Mycanae, Tiryns, Pylos, Epidauros, Olympia and Corinth. Detailed notes are given on the work going on at these sites, accompanied by around 33 photographs of ongoing architectural work.
Loose papers include information on the life and works of Alexander Thompson as well as a draft of the text for the final bound travel notebook.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Ferguson, Hugh C S
Student material by Lindsay Winning, student at The Glasgow School of Art
A collection of graphic design work, product design prototypes, life drawings and graded coursework by Lindsay Wadey (née Winning), completed during her time as a student at The Glasgow School of Art from 1963 to 1967. Includes work carried out as part of courses in the Graphics department and on the Section 5 course under Ted Odling. Material spans the entirety of her student career, including final projects and degree show work.
Winning, Lindsay
City Chambers, Cathedral, Templeton's etc.
Folder containing 41 black and white photographs of various sizes taken by George Oliver. Some are annotated. Includes: washing lines at Templeton's Carpet Factory, interior of the City Chambers, interior of the Mackintosh Library showing book trolley in a Mackintosh style, Glasgow Cathedral and high rise flats.
Oliver, George
Folder containing 34 black and white and colour photographs of Joan Eardley and her work taken by George Oliver. Also contains exhibition catalogues and cuttings from such, press releases and postcards.
Oliver, George
Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: Joan Eardley exhibitions, Mackintosh furniture and the work of Jessie M. King.
Oliver, George
Student material by Donald Melvin, student at The Glasgow School of Art, Scotland
A collection of sketches, designs, photographs and lithographs by Donald Melvin completed during his time as a student at Glasgow School of Art in the 1960s.
Includes work carried out as part of courses such as, for example, Interior Design, the History of Furniture, the 2nd Year General Course, the Pre-Diploma /Foundation Course and Woodcarving.
Also includes sketches carried out during GSA summer schools abroad in Florence and in Norway, and materials relating to extra-curricular activities such as photographs of productions staged by GSA Dramatic Club and Christmas ball posters.
Melvin, Donald V
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes John Grant MacDonald's travel report.
MacDonald, John Grant
Papers and photographs of Holmes Gray, student at the Glasgow School of Art, Scotland
The collection includes:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Gray, Holmes
Part of Records of The Glasgow School of Art, Glasgow, Scotland
These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.
Wheeler, Sir Harry Anthony
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes E. McLaren's Travel Report.
McLaren, E
Papers of Liz Arthur relating to Robert Stewart, artist and designer
This collection contains the research materials of Liz Arthur used in writing 'Robert Stewart : Design 1946 - 95'.
It includes:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Arthur, Liz
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
A number of photographs featuring Sheena Reid and other GSA students.
Not available / given
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
A photograph of a photograph of five women in front of a mural in the Mackintosh building first floor gallery. It is believed the women are, from left to right and top to bottom, Sheena Robertson, Elizabeth Roxburgh, Rose Sarna, Judy McAinsh, and Rayne Walker.
Not available / given
Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.
Reid, Sheena
Photograph of section four first year
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
A photograph of a photograph of 18 men and women posing for a picture. it is believed that the people photographed belonged to section four first year at The Glasgow School of Art (GSA), including John Taylor.
Not available / given
Papers of Christine Shaw, student at The Glasgow School of Art, Scotland
This collection contains:
Shaw, Christine
Papers and textiles of Sylvia Chalmers
A collection of work by textile designer Sylvia Chalmers, comprising Glasgow School of Art student material; work-related designs and sketches; magazine clippings; calligraphy samples; a programme for an exhibition titled "A centenary exhibition to celebrate the founding of the Glasgow Society of Lady Artists in 1882"; photographs; textiles such as aprons, tote bags, placemats, tea towels, kerchiefs, curtains and a banner; and textile design samples.
Chalmers, Sylvia
Newscutting featuring Dame Laura Knight inspecting diploma work
The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.
*Not available / given
Printed page of photographs featuring female students
Printed page featuring three scanned black and white photographs. Top left depicts five women, likely GSA students, posed and smiling on a set of stairs; top right depicts two women wearing artists smocks stood next to a plaster bust; bottom right depicts fifteen women, likely students, and one man, likely their teacher, posed on the same stairs. The page is captioned ‘Diploma June 12th 1934 in Design & Decorative Art GSC’.
Wilson, Jeanne
Printed page of images featuring embroidery and calligraphy work
Print on photographic paper containing two images of student work. Left: close-up of sample of embroidered cloth depicting a woman bent to water a plant in blue, green and cream thread, bordered with various decorative marks, shapes and images in multicolour. ‘1932’ and ‘JEAN WILSON’ are embroidered above and below the image in lilac thread. Right: image of a page of illuminated poetry (by Janet Begbie) hand-written in black ink and bordered by coloured ink illustrations relating to the poem’s themes of adventure, youth and travel at sea, in blue, green and red, as well as a decorative border in gold, blue, red and black.
Wilson, Jeanne
Student work by Jeanne (Jane) Wilson
A small collection of work in design and ornamentation produced by Jeanne (Jane) Wilson during her time as a student at The Glasgow School of Art from 1930 to 1934. Collection includes:
Wilson, Jeanne
Photographs of Decorative Works
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Photograph album titled: 'Photographs of Decorative Works by Fra H Newbery'. Leather bound album of ten black and white photographs of paintings and other art works produced by Fra Newbery with a note of the name of the piece, and where they are located. Largely consists of works within churches in Dorset.
*Not available / given
Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.
Doddrell, Dorothy Maria F
Photographs of George Paterson, student at the Glasgow School of Art, Scotland
Photographs of George Paterson and other students of the painting & decorating class.
Paterson, George
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Papers of the Newbery family including papers dating to after Newbery's retirement; papers of his wife, Jessie Newbery; and documents relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery. Papers as follows:
DIR/5/38/6/1: Letter from F R Benson of the Royalty Theatre, Glasgow, to Miss Newbery enclosing tickets for a Box for the play 'Much Ado', 12 Mar 1906 (1 sheet).
DIR/5/38/6/2: Headed letter paper of Francis Newbery, Eastgate, Corfe Castle, Dorset, c1918 (10 sheets).
DIR/5/38/6/3: Order of Proceedings for the inauguration of the Sign of Saint Edward, King and Martyr, Patron Saint of the Village, at Corfe Castle. Newbery made many of the readings at the event, 02 Jul 1927 (1 item).
DIR/5/38/6/4: Cardboard silhouette of Francis and Jessie Newbery in a photograph mount, c1930s (1 item).
DIR/5/38/6/5: Letters and fragments of letters from Jessie Newbery to her daughter Elsie and perhaps Mary. One of the letters to Elsie is dated 24 Sep 1934. The other letters are fragmentary and include topics such as recipes, books and sewing projects, c1934. (4 sheets)
DIR/5/38/6/6: Letter from George M Baltus to Mr and Mrs Newbery catching up with them following the Second World War, telling them of his experiences during that time, and telling them family news, 07 Jan 1946 (1 sheet).
DIR/5/38/6/7: File of photographs, pressclippings, sketches, designs, documents and letters relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery, c1930s-80s (1 folder). File includes:
DIR/5/38/6/7/1: postcard of ‘Port Vendres’, watercolour by Charles Rennie Mackintosh c1926-27, dated 1979;
DIR/5/38/6/7/2: mounted photograph of Mary Newbery Sturrock at South Gray Street Edinburgh, undated;
DIR/5/38/6/7/3: letter from Mary Newbery Sturrock thanking her correspondent (name not given) for the Mackintosh card and about her memories of the doors of The Glasgow School of Art being white, 16 Oct 1984;
DIR/5/38/6/7/4: mounted photograph of Mary Newbery Sturrock and another woman, front of mount reads ‘Wedding’, undated;
DIR/5/38/6/7/5: pressclipping from the Helensburgh Advertiser about the opening of a special Mackintosh exhibition held at the Hill House, 03 May 1977;
DIR/5/38/6/7/6: card addressed to Mary, from ‘Pamela’ thanking her for a recent note. Front of card depicts ‘Painted gesso panel set with glass beads and shell’ by Margaret Macdonald Mackintosh, 1904, card is undated.
DIR/5/38/6/7/7: postcard from ‘Pat’ and Harry Barnes to Mary Newbery Sturrock, from Port-Vendres in France, 1981.
DIR/5/38/6/7/8: postcard from Tom Howarth to Mary Newbery Sturrock, from Port-Vendres in France, undated; photograph of Jessie and Francis Newbery; photograph of Mary Newbery Sturrock and another woman; photograph of two women, one likely Mary Newbery Sturrock, signed ‘Whiteleigh, Christmas 66’, 1966;
DIR/5/38/6/7/9: photographs of Mary Newbery Sturrock (x4), undated;
DIR/5/38/6/7/10: photographs of Mary Newbery Sturrock (x3), undated; close-up photograph of a necklace, undated;
DIR/5/38/6/7/11: photographs of Mary Newbery Sturrock (x2), undated;
DIR/5/38/6/7/12: photographs of Mary Newbery Sturrock (x2), undated;
DIR/5/38/6/7/13: photographs of Mary Newbery Sturrock and family (x4), undated;
DIR/5/38/6/7/14: photograph of Eastgate, Corfe Castle, undated; photographs of Jessie and Francis Newbery at Eastgate (x3), undated;
DIR/5/38/6/7/15: photograph of Jessie and Francis Newbery and family, undated; photograph of village street, likely Corfe Castle;
DIR/5/38/6/7/16: letter from Rodrigo Rodriguez of Cassina S.p.A to Mary Sturrock regarding the terms of an agreement between them for the reproduction of items (cutlery and the 'Six Columns Clock') designed for Sturrock by C.R. Mackintosh, 30 Oct 1979;
DIR/5/38/6/7/17: change of address card for Mr and Mrs A. R. Sturrock, from 2 Mansfield Place Edinburgh to 13 South Gray Street, c1945 (7 copies);
DIR/5/38/6/7/18: two hand-printed floral designs with addition of watercolour, unsigned and undated (possibly 1937 based on related designs); two versions of a hand-printed design with addition of watercolour depicting a woman with floral headdress, signed ‘M.N.S.’, undated (possibly 1937 based on related designs);
DIR/5/38/6/7/19: hand-printed floral Christmas card design with addition of watercolour and ink, back of card is signed ‘C.R., 1/-', dated 1937;
DIR/5/38/6/7/20: bundle of sketchbook and loose pages featuring sketches of, notes about and designs for ceramics, unsigned and undated (one example, drawn on the back of a card to Mary reads ‘wishing her good business and good health in 1956’);
DIR/5/38/6/7/21: invitation for exhibition of Sigrid Mavor (Ceramic flora and fauna) and M.N. Sturrock (Flower Drawings) from 30 Oct – 10 Nov at ‘The Open Eye Gallery’ Edinburgh [1982];
DIR/5/38/6/7/22: letter from Alison Adburgham to MNS Sturrock in response to a letter sent by Sturrock related to her family history and relationship to Liberty fabrics, 01 Jul 1983;
DIR/5/38/6/7/23: interview between Mary Newbery Sturrock and Tony Jones (director of GSA 1980-1986) about the history of The Glasgow School of Art, Fra Newbery and Charles Rennie Mackintosh, c1980.
Newbery, Francis Henry
Montage of costume designs for the Masque of the City Arms.
Smyth, Dorothy Carleton
Collection includes:
The collection also includes original illustrations drawn by A S Boyd (aka TWYM) and Stephen Reid, both noted Scottish illustrators.
Additional uncatalogued material includes
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Hunter, William R
Papers of the Ballantine family, students at The Glasgow School of Art, Scotland
The collection is comprised of Lewis Ballantine's own works of art such as life drawings, self portraits, design work and sketchbooks, and photographs, as well as sketchbooks and notebooks that belonged to his mother and father.
The work in the collection by Lewis Ballantine forms a valuable record of his time at the Glasgow School of Art. They show the development of his work as an artist, and provide an example of the type of work that Drawing and Painting students were required to produce during this period.
Lewis Ballantine's mother, Alice Longmuir Nisbet was herself at Glasgow School of Art in the 1930s, and was involved in the Socialist Art Circle. The sketchbooks in this collection also contain works by other members of the group such as Stuart Henderson, Jimmy Morton, James ("Jimmy") Ogilvie, W. C. Thompson and John McLean. The photographs in the collection picture Alice Longmuir Ballantine and John ("Jack") Hendry Ballantine, and Lewis Ballantine's maternal grandfather, Robert Dow Nisbet.
Collection includes:
Ballantine, John Hendry
Papers of Jane Richards and Fiona Jean Paton, students of The Glasgow School of Art
This collection relates to Jane Richards and her granddaughter Fiona Jean Paton who both studied at The Glasgow School of Art.
It includes:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
One item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19.
Richards, Jane
The Magazine: Volume 3 (Page 2)
The Magazine: Volume 3 (Page 14)
The Magazine: Volume 3 (Page 15)
The Magazine: Volume 3 (Page 22)
The Magazine: Volume 3 (Page 26)
The Magazine: Volume 3 (Page 27)
The Magazine: Volume 3 (Page 41)
The Magazine: Volume 3 (Page 43)