Church interior, Basilica di San Marco, Venice
- NMC/0080
- Item
- 1948-1949
Study of church interior.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Charles Rennie Mackintosh train name plate
Charles Rennie Mackintosh nameplate and crest from class 47 locomotive, inaugurated 1982.
ScotRail Ltd
Glasgow School of Art nameplate and crest.
ScotRail Ltd
Mackintosh, Charles Rennie
Framed print of aeroplane, G-Byug.
Cameron, Dugald
Poster depicting the Wallace Monument, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Poster depicting Castle Campbell, Dollar. For the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Poster depicting Linlithgow Palace, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Print of castellated tower and archway, probably Italian.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Mosaic in St Marks, Venice (right hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Castellated tower and gateway, probably Italian.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Storia del vita di San Giovanni Evangelista, Venice
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Study of church door. Study undertaken as part of Italian visit.
McGlashan, Archibald A
Mosaic in St Marks, Venice (left hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black
Architectural studies - Seville, Constantinople and Leuchars (Fife)
A Street Corner, Seville; Santa Sophia, Constantinople (x2); St Athernase, Leuchars, Fife.
Fulton, James Black
Architectural styles - Egyptian
Study of various tombs, columns and capitals.
Fulton, James Black
Architectural styles - Grecian
Study of various ruins, stone capitals and columns.
Fulton, James Black
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
Half inch detail of chapel 'A'. Signed "A.M.G.D.".
*Not available / given
Front elevation. Signed "A.M.G.D.".
*Not available / given
Dervishes mosque in Sharia el Hilmiyeh near the mosque of Soultan Hassan. Half inch scale drawing of doorway.
Fulton, James Black
Plan. Signed "A.M.G.D.".
*Not available / given
Longitudinal section. Signed "A.M.G.D.".
*Not available / given
Half plan looking up/looking down. Signed "A.M.G.D.".
*Not available / given
Bronze horses, St Marks, Venice (The Triumphal Quadriga)
Study of equine statue.
Fulton, James Black
Study of building's facade.
Fulton, James Black
View of bell tower.
Dallachy, John Eadie Waddel
Exterior view of basilica.
Dallachy, John Eadie Waddel
Architectural studies (Italy and Scotland)
Florence, Sienna, Aberdeenshire, Verona. Four mounted as one. A: Rape of Polyxena by Fedi in the Loggia dei Lanzi, Florence. July 1899. B: Madonna over South entrance to Cathedral Siena by Michelozzo. April 1899 C: Crathes Castle, Aberdeenshire. Oct 1900 D:Palazzo del Consiglio Verona. Aug 1899.
Fulton, James Black
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
Side elevation. Signed "A.M.G.D.".
*Not available / given
Main transverse section. Signed "A.M.G.D.".
*Not available / given
View of basilica from garden.
Dallachy, John Eadie Waddel
Sketch of (Italian) decorative panels
Italian subject matter. A study from Mackintosh's tour of Italy in 1891 as part of the Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie