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Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Composite Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Records of The Glasgow School of Art, Glasgow, Scotland

  • GSAA
  • Collection
  • 15th century to early 21st century

Includes:

  • Records of the Academic Council, 1973-2000
  • Audiovisual material, c1950s-2000s
  • Records of the Board of Studies, 1932-1950
  • Records of the Continuing Education Department, c1988-2000
  • Records of the Assistant Director and Company Secretary, c1986-2008
  • Records of the Deputy Director, c1946-1993
  • Records of the School of Design, c1979-2001
  • Records of the Development and External Relations Office, c1997-2004
  • Records of the Director, 1846-
  • Records of GSA Enterprises, c1991-2000

[b]Ephemera collection, 1890-[/b]

The School's collection of ephemera includes flyers, programmes and tickets for events at the School, such as plays, fashion shows, charities week events, exhibitions and performances.

  • Records of the Estates Department, c1964-2007
  • Records of the Exhibitions Officer, c1990-1994
  • Records of the School of Fine Art, c1978-1999
  • Records of the Finance Officer, 1870-2000
  • Records of First Year Studies, c1988-2000
  • Records of the Board of Governors, 1847-2007

Key records include:

  • Annual reports, 1847-2000 - The School's annual reports provide information on governors, staff and prizewinning students, and sometimes but not always, a headmaster's or director's report and annual accounts.
  • Building Committee papers, 1883-1949 - Minutes, correspondence, estimates, specifications and financial records relating to the erection of the Mackintosh Building, as well as the School's extension scheme.
  • Records of House for an Art Lover
  • Records of Liberal Studies/Historical and Critical Studies, c1992
  • Records of Information Services, c1900-2004
  • Records of the Mackintosh School of Architecture, c1957-2002

[b]Newspaper cuttings, 1864-[/b]

The School's press cuttings include articles relating to staff and students.

[b]Photographs, c1880s-[/b]

The School's photograph collection provides an excellent record of events at The Glasgow School of Art, its students and their work.

  • Records of the Personnel Office, c1987-2006
  • Records of the Planning Department, 1962-1964
  • Records of the Registrar, c1881-2000

Key records include:

  • Student records, 1881-1997 - The School's student registers can provide student's names, dates of birth, dates of admission, educational background, addresses, occupations, courses taken and marks and awards gained.

[b]Prospectuses, 1893-1995[/b]

  • The School's prospectuses provide information about staff and governors
  • the organisation and administration of the School
  • Summaries of the School's curriculum
  • individual courses and tutors
  • fees
  • Scholarships and bursaries.
  • Records of the School Council, 1969-1982
  • Records of the Secretary and Treasurer, 1853-1996
  • Records of the Senior Management Group
  • Records of the School of Simulation and Visualisation
  • Records of the Staff Council, 1909-1949
  • Records of the Student Support Service

The Glasgow School of Art

Art, Design and Architecture collection

  • NMC
  • Collection
  • 13th century to early 21st century

Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.

Items include

  • oil paintings
  • ilk screen prints
  • lithograph prints
  • prints
  • photographs
  • sketches
  • sketch books
  • drawings
  • watercolours
  • collage
  • metalwork, sculpture and ceramics.

Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.

There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.

*Not available / given

Alfredo Avella Collection

  • DC 102
  • Collection
  • Late 20th century-early 21st century

Documents and objects related to Alfredo Avella's teaching career at GSA and work as an artist. Includes sketches and finished artworks, correspondence, photographs, two- and three-dimensional designs, printed ephemera, etc.

Avella, Alfredo

Ephemera collection

Includes catalogues, programmes, flyers and tickets for Glasgow School of Art exhibitions, pageants, lectures and theatrical events as well as posters from Activities Week events and student fashion shows, dating from 1890 to the present. Ephemera also includes a collection of postcards from c1900 to the present, as well as material relating to: Glasgow School of Art's involvement with the international exhibition scene; records of the Woman's Work Exhibition, London, 1900; records of the Glasgow School of Art participation in the Glasgow International Exhibition, 1901; the Exhibition of Modern Furniture, Budapest, 1902; the Brussels Exhibition, 1910; and papers documenting the organisation of the Scottish Pavilion at the Exhibition of Decorative Arts, Turin, 1902. Some of the material is in French and Italian.

The Glasgow School of Art

Helen Cargill Thompson Silversmithing and Jewellery Collection

  • HCT
  • Collection
  • Late 19th century-early 21st century

A diverse collection of mainly silver items including a wide selection of contemporary GSA undergraduate, graduate and staff works from about 1985 to 2019, as collected by Helen Cargill Thompson.

The collection includes items of contemporary, antique and period silver exhibiting a broad range of technical skills, design finesse and a selection of provincial historical Scottish silver makers marks and town marks on both functional and decorative objects.

Items included in the collection were acquired with the intention of being gifted to the Glasgow School of Art Archive as an educational resource.

Thompson, Helen Cargill

Records of the Registrar

Some of this material is currently uncatalogued and therefore not accessible for researchers. Includes: prospectuses from 1893 onwards; alphabetical registers of students, 1881-1987; general registers of students, 1889-1946; student enrolment forms, c1929-1997; registers and papers of the Article 55 classes relating to the training of art teachers, 1901-1952; and various other student records including testimonials, travel reports, certificates, class lists, examination records and papers relating to bursaries and scholarships. Uncatalogued material includes class lists, certificates, degree show material, assessor's reports, admin relating to graduation ceremonies and awards and prizes, student handbooks, prospectuses, conversion course correspondence, open day details and international student recruitment policy details. Committee papers held within this department include - Admissions Sub Committee, Accreditation of Prior Learning Committee (APL), Awards and Prizes Committee, Conversion Courses Committee, Degree Show Committee, Entry Requirements Working Party, Joint Appeals Committee, Postgraduates Scholarship Sub Committee, Student Progress Committee, Widening Participation Group.

The Glasgow School of Art

Glasgow School of Art prospectuses

The prospectuses include lists of governors and staff, a brief history of the School, plans of the School, information on the organisation and administration of the School, the enrolment of students, courses, classes, lectures, fees, examinations, scholarships and bursaries, prizes, School clubs and lists of results, occupations of students and appointments.

The prospectuses frequently outline courses offered by GSA for the year, and so would have likely been published prior to this date so that prospective students could view relevant information and apply for the courses in advance.

The run is incomplete (missing years are: 1894-95, 1895-96, 1896-97, 1897-98, 1898-99, 1899-1900, 1901-02, 1903-04, 1991-1994, 2012-2013). Prospectuses are kept in chronological order, bound in the following volumes: REG/1/1: 1893-1914 REG/1/2: 1914-1934 REG/1/3: 1934-1947 REG/1/4: 1947-1959 REG/1/5: 1959-1965 REG/1/6: 1965-1971

The Glasgow School of Art

Photographs

The Glasgow School of Art photographic collection consists of

  • images taken by GSA to record the activities of the School
  • images taken for publicity purposes
  • images donated by former staff and students illustrating their time at the School
  • and images used as teaching aids at GSA.

Some of this material is currently uncatalogued and therefore not accessible for researchers.

The photographic collections consist of loose photographs, bound albums of photographs and a large collection of lantern slides and glass plate negatives.

The photographs record events at The Glasgow School of Art, its students and their work and act as an important historical source. A large part of the collection consists of the plate glass negatives which were used from the 19th century onwards as a teaching aid and consist of photographic plates of international artworks and architectural examples.

We have identified people depicted in these photographs where possible. Please get in touch if you spot any inconsistencies, omissions or errors, and we will edit descriptions accordingly.

The Glasgow School of Art

GSA Undergraduate Magazine 2018-2019

Cover text reads '17-18 Edition. The Glasgow School of Art'.

Page 1 text states 'This book provides an overview of studying at the GSA and in Glasgow, and features links to more specific information on our website, and other content such as video, accessible directly on your phone via the website at www.gsa.ac.uk'

  • 1 x magazine (loose)

Records of the Director of the Glasgow School of Art

Correspondence and Working Papers of the Directors of the Glasgow School of Art from 1846 to the present day. Material from DIR/14 onwards is currently uncatalogued and therefore not accessible for researchers. Papers are arranged by Director into the sub-series below, and each sub-series is catalogued in further detail: DIR/1: Henry MacManus, Headmaster from 1844-1848 DIR/2: Charles Heath Wilson, Headmaster from 1849-1863 DIR/3: Robert Greenlees, Headmaster from 1863-1881 DIR/4: Thomas C Simmonds, Headmaster from 1881-1885 DIR/5: Francis H Newbery, Director from 1885-1918 DIR/6: John Henderson, Director from 1918-1924 DIR/7: John D Revel, Director from 1925-1932 DIR/8: James Gray, Interim Director from 1932-1933 DIR/9: William Oliphant Hutchison, Director from 1933-1943 DIR/10: Allan Walton, Director from 1943-1945 DIR/11: Henry Y Allison, Interim Director from 1945-1946 DIR/12: Douglas Percy Bliss, Director from 1946-1964 DIR/13: Harry Jefferson Barnes, Director from 1964-1980

Greenlees, Robert

Lampshade for Library, Glasgow School of Art: Central Cluster- Reconstructed Medium Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- Composite Large Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Upper Mezzanine- Reconstructed Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Upper Mezzanine- Reconstructed Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- New Small Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Central Cluster- New Small Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Composite Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- New Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Window Bay- New Medium Pendant

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Furniture and Interiors

Includes:

  • chairs
  • tables
  • benches
  • ettles
  • periodical and writing desks
  • smokers' cabinets
  • beds
  • mirrors
  • washstands
  • bookcases
  • cabinets
  • linen presses
  • dressers
  • fenders
  • hat, coat and umbrella stands
  • a baptismal font, letter racks
  • light-fittings
  • clocks.

Mackintosh, Charles Rennie

Mackintosh Art, Design and Architecture Collection

  • MC
  • Collection
  • c1891-2018

Items in The Glasgow School of Art's Mackintosh collection include: furniture, watercolours, drawings, architectural drawings, design drawings, sketchbooks, metalwork and photographs.

Mackintosh studied evening classes at the Glasgow School of Art between 1883-1894, winning numerous student prizes and competitions including the prestigious Alexander Thomson Travelling Studentship in 1890. Mackintosh and his contemporaries also produced four volumes of a publication called "The Magazine" during their time as students, which included examples of their writing and artworks. GSA Archives and Collections hold Mackintosh's Italian Sketchbook, as well as all four volumes of The Magazine, all of which can be browsed on our catalogue.

The majority of Mackintosh's three-dimensional work was created with the help of a small number of patrons within a short period of intense activity between 1896 and 1910. Francis Newbery was headmaster of The Glasgow School of Art during this time and was supportive of Mackintosh's ultimately successful bid to design a new art school building in 1896 - his most prestigious undertaking. For Miss Kate Cranston he designed a series of Glasgow tearoom interiors and for the businessmen William Davidson and Walter Blackie, he was commissioned to design large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. In Europe, the originality of Mackintosh's style was quickly appreciated and in 1900 he was invited to participate at the 8th Vienna Secession.

In 1902 Mackintosh was invited to participate at the International Exhibition of Modern Decorative Art in Turin and later at exhibitions in Moscow and Berlin. Despite this success Mackintosh's work met with considerable indifference at home. Few private clients were sufficiently sympathetic to want his 'total design' of house and interior and he was incapable of compromise.

By 1914 Mackintosh had despaired of ever receiving true recognition in Glasgow and together with his wife Margaret Macdonald he moved, temporarily, to Walberswick on the Suffolk Coastline (in England), where he painted many fine flower studies in watercolour. In 1915 the Mackintoshes settled in London and for the next few years Mackintosh attempted to resume practice as an architect and designer. The designs he produced at this time for textiles, for the 'Dug-out' Tea Room in Glasgow and the dramatic interiors for 78 Derngate in Northampton, England show him working in a bold new style of decoration, using primary colours and geometric motifs.

In 1923 the Mackintoshes left London for the South of France, finally living in Port Vendres where Mackintosh gave up all thoughts of architecture and design and devoted himself entirely to painting landscapes. He died in London, of cancer, on 10 December 1928.

The majority of Mackintosh's design work, (including furniture and metalwork), architectural drawings, textile designs and watercolours are in the possession of three public collections - The Glasgow School of Art, Glasgow Museums, and the Hunterian Art Gallery at the University of Glasgow - although significant (individual) pieces can be found in museums across the UK and Europe, North America and Japan. However, some of Mackintosh's most important, symbolist watercolours from the early to mid-1890s are to be found in the collection of The Glasgow School of Art.

The Glasgow School of Art Archives and Collections hold a large number of items by Mackintosh, giving us one of the largest collections of his work held in public ownership. The collection is one of 50 Recognised Collections of National Significance to Scotland. We continue to investigate new routes of engagement for the collection. For example, our Mac(k)cessibility project in conjunction with GSA’s School of Simulation and Visualisation explores digital display and loans of our Mackintosh furniture. Find out more about the Mac(k)cessibility project here.

Mackintosh, Charles Rennie

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- New Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

Lampshade for Library, Glasgow School of Art: Lower Mezzanine- Composite Medium Canister

Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged, allowing twenty eight to be reconstructed from the original metal pieces, eleven to be made from a mix of original and new pieces (composites) and fifteen new lamps created. All the restoration work and shades was undertaken by Rodney French of Lonsdale & Dutch of Edinburgh.

Lonsdale & Dutch

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