Subfonds GSAA/EPH - Ephemera collection

Poster for a photography exhibition at the Victoria Cafe Poster for a retrospective exhibition of work by Hannah Frew Paterson Poster for an exhibition of work produced by The Glasgow School of Art's Design School staff Poster for The Glasgow School of Art Christmas Fayre Poster for The Glasgow School of Art's 'Exhibition Of Embroidery And Weaving' Poster for a series of exhibitions entitled 'Beyond the Repeatable Image: The Ontario Project' Poster for MA Design degree show exhibition entitled 'Familiarity And Contempt' Poster for The Glasgow School Of Art Fashion Show Poster for exhibition entitled 'The Page Right Printed' Poster for staff and student event entitled 'A Brew Up For Bob Mitchell In The Staff Lounge' Poster for a film screening at The Glasgow School Of Art showing 'Midnight Cowboy' and 'The Conne... Poster for an exhibition of work by Neil Macdonald Poster for The Glasgow School Of Art Fashion Show Poster advertising The Glasgow School Of Art Honours degree courses Poster for a series of talks on 'Materials And Methods Of The Painter' Poster for an exhibition of Jewellery and Silversmithing work shown in New York Poster for a performance of 'Tiger At The Gates' Poster for The Glasgow School Of Art Fashion Show entitled 'Follow This Pattern' Poster for film screenings of 'Arabian Nights' and 'Laura' at The Glasgow School Of Art Poster for a printmaking degree show at The Glasgow School Of Art Poster for a textiles exhibition entitled 'New Textiles' Poster for a film screening of 'Fury' at The Glasgow School Of Art Poster for the sculpture department degree show Poster for an exhibition of paintings by Jock MacInnes Poster for the embroidered and woven textiles degree show Poster for an exhibition entitled 'Good: A Celebration Of Graphic Design' Poster for a performance by George Melly and The John Chilton's Feetwarmers Poster for a performance of 'Alice In Wonderland' at The Glasgow School Of Art Poster for an exhibition entitled 'The Return of Odysseus' Poster for an exhibition of work by fine art students at The Glasgow School Of Art Poster for an exhibition of work by John O'Connor Poster for the MA Design degree show Poster for an exhibition entitled 'Framed' Poster for a talk entitled 'Landscape Photography' given by Thomas Joshua Cooper Poster for an exhibition entitled 'Another View' Poster for a lecture entitled 'The Art of Julia Margaret Cameron: 1815 - 1879' Poster for an exhibition entitled 'Saying it with Clay!' Poster for an exhibition entitled 'Thomas Joshua Cooper: Photographs 1970-1982 and Selected Inspi... Poster for an exhibition entitled 'Glasgow Girls' Poster for the embroidered and woven textiles degree show Poster for an exhibition entitled 'The Royal Society For The Encouragement Of Arts' Poster for an exhibition entitled 'An Exhibition of Sculpture in the Home' Section of a poster advertising a series of film screenings at The Glasgow School Of Art Poster for a talk by John Siddeley entitled "Design For Living" Poster for The Glasgow School Of Art fashion show Poster for a ceilidh Poster for a talk by Martin Dalby Poster advertising the MA Design course at The Glasgow School Of Art Poster for a Christmas dance entitled 'Meet the Mob' Poster for a talk by Dr. L.A. Sayce
Results 1 to 50 of 467 Show all

Key Information

Reference code

GSAA/EPH

Title

Ephemera collection

Date(s)

  • 15th century to early 21st century (Creation)

Level of description

Subfonds

Extent

3.2 metres

Content and Structure

Scope and content

Includes catalogues, programmes, flyers and tickets for Glasgow School of Art exhibitions, pageants, lectures and theatrical events as well as posters from Activities Week events and student fashion shows, dating from 1890 to the present. Ephemera also includes a collection of postcards from c1900 to the present, as well as material relating to: Glasgow School of Art's involvement with the international exhibition scene; records of the Woman's Work Exhibition, London, 1900; records of the Glasgow School of Art participation in the Glasgow International Exhibition, 1901; the Exhibition of Modern Furniture, Budapest, 1902; the Brussels Exhibition, 1910; and papers documenting the organisation of the Scottish Pavilion at the Exhibition of Decorative Arts, Turin, 1902. Some of the material is in French and Italian.

Appraisal, destruction and scheduling

This material has been appraised in line with Glasgow School of Art Archives and Collections standard procedures.

Accruals

System of arrangement

The material has been arranged as follows:

EPH/1: Printed ephemera of the Glasgow School of Art

EPH/2: Postcard collection

EPH/3: Records of Glasgow School of Art's involvement with the Women's Work Exhibition , London, 1900

EPH/4: Records of Glasgow School of Art's involvement with the Glasgow International Exhibition, 1901

EPH/5: Records of Glasgow School of Art's involvement with the Exhibition of Modern Furniture , Budapest, 1902

EPH/6: Records of Glasgow School of Art's involvement with the Cork International Exhibition, 1902

EPH/7: Records of Glasgow School of Art's involvement with the Brussels Exhibition, 1910

EPH/8: Records of the Scottish Pavilion at the Turin Exhibition of Decorative Arts, 1902

EPH/9: Records of the Glasgow School of Art Needlework Exhibition, 1916

EPH/10: Posters, c1960s-

EPH/11: Teaching aids, 19th century-20th century

EPH/12: Published ephemera, 19th century-20th century

General Information

Name of creator

(1845-)

Administrative history

The Glasgow School of Art has its origins in the Glasgow Government School of Design, which was established on 6 January 1845. The Glasgow Government School of Design was one of twenty similar institutions established in the United Kingdom's manufacturing centres between 1837 and 1851. Set up as a consequence of the evidence given to the House of Commons Select Committee on Arts and their connection with Manufactures of 1835-1836, the Government Schools hoped to improve the quality of the country's product design through a system of education that provided training in design for industry. Somerset House was the first of such schools to be established, opening in 1837, and others followed throughout the provinces.

In 1853 the Glasgow Government School of Design changed its name to the Glasgow School of Art. Following the receipt of some funding from the Haldane Academy Trust, (a trust set up by James Haldane, a Glasgow engraver, in 1833), The Glasgow School of Art was required to incorporate the name of the trust into its title. Consequently, it became the Glasgow School of Art and Haldane Academy, although by 1891 the "Haldane Academy" was dropped from the title. Glasgow School of Art was incorporated in 1892. In 1901 the Glasgow School of Art was designated a Central Institution for Higher Art Education in Glasgow and the West of Scotland.

Initially the School was located at 12 Ingram Street, Glasgow, but in 1869, it moved to the Corporation Buildings on Sauchiehall Street, Glasgow. In 1897 work started on a new building to house the School of Art on Renfrew Street, Glasgow. The building was designed by Charles Rennie Mackintosh, former pupil of The Glasgow School of Art. The first half of the building was completed in 1899 and the second in 1909.

The Government Schools ran courses in elementary drawing, shading from the flat, shading from casts, chiaroscuro painting, colouring, figure drawing from the flat, figure drawing from the round, painting the figure, geometrical drawing, perspective, modelling and design. All these courses were introduced from the start at the Glasgow School apart from that of design. The course in design was the "summit of the system" where students came up with original designs for actual manufactures or decorative purposes and it was not until 1849, when Charles Heath Wilson became headmaster, that classes in design began to be taught. Also in this year Bruce Bell was engaged to teach mechanical and architectural drawing.

After 1853 the above pattern of courses was extended to 26 stages which formed the national curriculum for art schools. This system was known as the South Kensington system. An Art Masters could be awarded by gaining certificates in the available subjects. There was no restriction on entry and students could take as long as they wished to accumulate their passes before being awarded their Art Masters.

In 1901 the Glasgow School of Art was given the power to award its own diplomas. In the same year Art 91D classes for day school teachers commenced which were later known as the Art 55 classes. From 1901 to 1979 the School of Art awarded its own diplomas and thereafter it awarded degrees of the Council for National Academic Awards. In the 1970s the School of Fine Art and the School of Design were established. With the demise of the Council for National Academic Awards, from 1993 Glasgow University awarded the School's degrees in fine art and design.
In 1885 the Glasgow School of Art taught architecture and building construction conforming to the South Kensington system. Following on from the designation of the School as a Central Institution and the empowerment of the School to award its own diplomas, the School and the Glasgow and West of Scotland Technical College worked together to produce a curriculum for a new course leading to a joint diploma.

In 1903 the joint Glasgow School of Architecture was established within the Glasgow School of Art in conjunction with the Glasgow and West of Scotland Technical College. For the new diploma design classes were to be taught at the School of Art and the construction classes at the Glasgow and West of Scotland Technical College. The first diplomas in architecture were awarded in 1910.

In 1924 the Glasgow School of Art became a university teaching institution when the University of Glasgow set up a BSc in Architecture which was to be taught at the School of Architecture. In 1964 the Royal College of Science and Technology (formerly the Royal Technical College, formerly the Glasgow and West of Scotland Technical College) merged with the Scottish College of Commerce to form the new University of Strathclyde. Following the merger the Glasgow School of Architecture came to an end, the last students transferring to Strathclyde degrees and graduating in 1968.

In 1970 the Mackintosh School of Architecture was established. It is housed within the Glasgow School of Art and forms that school's Department of Architecture. Its degrees are accredited by the University of Glasgow and its Head is the University's Professor of Architecture.

The Glasgow Government School of Design was originally managed, as were the other Government Schools, by the Board of Trade and a Committee of Management representing local subscribers. Then, in 1852, the Government Schools of Design were taken over by the Department of Practical Art. This Department was renamed the Department of Science and Art in 1853 and was located in South Kensington, London. The Committee of Management was replaced in 1892 by the Board of Governors. In 1898, control of the School was transferred again, this time to the Scotch Education Department (renamed the Scottish Education Department in 1918).

The School became academically independent in 1901 when it was free to develop its own curriculum and its own diplomas, subject to the approval of the Scottish Education Department. The chief executive of the School was the Headmaster, renamed Director in 1901, and a Secretary and Treasurer was responsible for all aspects of the administration of the School. As the School grew, other administrative posts were added.

Archival history

The ephemera collection represents an artificial collection of publicity material, teaching aids and other miscellaneous material gathered together to document the events and history of the Glasgow School of Art. This ranges from the events that happened at the Glasgow School of Art itself through to its participation at cultural events in Europe such as international exhibitions.

Custodial history

Much of this material was held by the Glasgow School of Art Library before being transferred to the archives.

Physical Description and Conditions of Use

Conditions governing access

Most records which are over 30 years old are available for public consultation. Records which are less than 30 years old can be accessed with the permission of the head of the relevant department of the school.

Conditions governing reproduction

Language of material

Script of material

Language and script notes

Physical Description

Finding aids

Related Material

Existence and location of originals

Existence and location of copies

Related materials

There are no known related units of description but many of the events may be referred to elsewhere within the Glasgow School of Art institutional archive, in particular the annual reports (Ref: GSAA/GOV/3) and the collection of press cuttings (Ref: GSAA/NEW).

Related descriptions

Notes area

Alternative identifier(s)

Keywords/Tags

Place access points

People and Organisations

Genre access points

Status

Level of detail

Processing information

Language(s)

Script(s)

Sources

Accession area