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Free hand coloured drawings for different vernacular buildings in Scotland and England: Greenock, Fife, and Cumbria. The aim of these drawings is to study and understand the materials used at that type of buildings which are locally produced and manually built establishing Scottish vernacular building style.

Sketchbook created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape.

Sketchbook containing free-hand sketches created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape. These drawings show architectural details from indoor and outdoor views as self-observation undertaken by the student.

Scrapbook containing material collected throughout Christopher Platt's study at The Mackintosh School of Architecture. Contents include different articles, photos, and subjects from different magazines and other sources.

Includes a coloured print of a female with a period outfit, large thistle beside her, and a hat with a feather that says "Alasdair and Morag hope Veronica has a happy Christmas and 2012" around her.

Scrapbook featuring material collected throughout Christopher Platt's study at The Mackintosh School of Architecture including different articles, photos, and subjects from different magazines, like: The New York Times Magazine, Observer Magazine, The Sunday Times, Telegraph Sunday Magazine, and other resources. It also includes some free-hand sketches.

Includes material for the study of vernacular stone walling from different places in Scotland and England.

Free hand coloured detail drawings for different types of walls which all formed "a boundary between gardens or parks and the pavement". The aim of these drawings is to study the types and methods of using the local materials in Scottish and English vernacular buildings.

Material created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different subjects and projects.

The collection consists of job files, photographs, architectural drawings and plans for projects undertaken by the architectural firm of Gillespie, Kidd and Coia between c1933 and 1987. There are also general office files containing correspondence, account papers, ephemera and artefacts.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Posters relating to a variety of events and subjects.

A series of black-and-white photographs of William Meldrum's watercolour landscape drawings, showing diverse views of Scotland. A few items have been signed "W. Meldrum" or dated 1920. Some photographs have two identical versions in this collection.

Seven pieces of teaching examples for pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.

A title page for Murphy's teaching example portfolio. The sheet is attached to backing paper and titled "Printing."

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "Views of the Eildon Hills, Abbotsford" on the reverse, but not dated.

A monochrome photograph of a watercolour painting featuring the river Tweed in Melrose, Scotland. Annotated "The Tweed near Melrose" on the back side of the paper.

Seven pattern designs examples are attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were created for possibly textiles and used as teaching materials in schools in Scotland, as marked the level of students "First year."

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs, featuring an interplay of waves and geometric shapes, were used as teaching materials in schools in Scotland, as marked the level of students "First year."

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were used as teaching materials in schools in Scotland, as marked the level of students "Second year."

Five pieces of teaching examples for printmaking, attached to backing paper. A few prints were created using both intaglio and relief printing techniques, while the others are relief prints. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

The George and Cordelia Oliver Archive consists of:

• Newscuttings (featuring articles by Cordelia Oliver)
• photographs and negatives by George Oliver
• personal papers
• examples of artwork by Cordelia and George Oliver, various publications
• posters relating to cultural events in Glasgow and Scotland.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

A variety of artworks, including landscape drawings, designs and life sketches, unique paintings made of pressed seaweed, and one printed work. A few items have annotations, such as related locations to the works or some letters. None of them are dated, except for one piece of the seaweed work.

Six pieces of teaching examples for printmaking, attached to backing paper. A few prints have been engraved with letters indicating that these prints are intended for school activity poster designs. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Four pieces of teaching examples for printmaking, attached to backing paper. These woodcut prints were created using potentially intaglio and relief printing techniques. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

14 sheets of teaching examples and one title page, assumed to have been compiled as Murphy's portfolio during his career as an art teacher in schools located in Scotland, such as Motherwell RC High School and Coatbridge Secondary School. These teaching materials include pattern designs, graphic designs (possibly for students' school activities), and woodblock printmaking examples. Most items have been marked with the intended level of students as appropriate examples for education.

Three printed graphic designs featuring school magazine covers, annotated "Motherwell R.C. H.G. School Magazine." and attached to textured backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Four printed graphic designs featuring school magazine covers, annotated "Coatbridge Secondary School Magazine" and "Airdrie Academy Magazine." The designs are attached to backing paper and two of them are dated 1937 and 1938. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Seven pieces of teaching examples for basic pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Primary 5-7."

Nine pieces of teaching examples for printmaking, attached to backing paper. These prints appear to be intended as teaching materials in schools in Scotland, as marked the level of students "Third year."

A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.

William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.

Nine pieces of teaching examples for printmaking, attached to backing paper. These woodcut-printed examples include two pattern designs and seven printed drawings. Also used as teaching materials in schools in Scotland, as marked the level of students "Fourth year."

A variety of drawings and graphic designs created by Gerard V. Murphy, a former student at The Glasgow School of Art in the 1930s. The diverse subjects of his drawings include animals, plants, architecture, human anatomy and figures. A subfonds titled 'Teaching examples' features his teaching materials as an art teacher at schools, intended for printmaking techniques and pattern design education.

Most items have been marked with his name or student registration numbers, assuming they were created during his time as a student at GSA. The dominant materials in his works are pencil and watercolour, worked on cartridge paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.