Architectural drawing: The Inverted Street of Madrid
- NMC/1914A
- Item
- 2017
Architectural Drawing: The Inverted Street of Madrid, from project 'The Inverted Street: A City Museum & Archive of Casting Memories'
P'ng, Ren Yu
Architectural drawing: The Inverted Street of Madrid
Architectural Drawing: The Inverted Street of Madrid, from project 'The Inverted Street: A City Museum & Archive of Casting Memories'
P'ng, Ren Yu
Architectural drawing: The street of Art
Architectural Drawing: The street of Art, from project 'The Inverted Street: A City Museum & Archive of Casting Memories'
P'ng, Ren Yu
Architectural drawing: The street of Science and Technology
Architectural Drawing: The street of Science and Technology, from project 'The Inverted Street: A City Museum & Archive of Casting Memories'
P'ng, Ren Yu
Architectural drawing: Aerial view of the city of ruin
Architectural Drawing: Aerial view of the city of ruin, from project 'The Inverted Street: A City Museum & Archive of Casting Memories'
P'ng, Ren Yu
Architectural drawing: Detail sectional view of the museum and archive
Architectural Drawing: Detail sectional view of the museum and archive, from project 'The Inverted Street: A City Museum & Archive of Casting Memories'
P'ng, Ren Yu
Particulars of Elizabeth Marion Harvey's career (C.V.)
A C.V. for Elizabeth Marion Harvey from 1954, entitled 'Particulars to date of the career of Elizabeth Marion Harvey'. It states her date of birth as 22-05-27 and her age as 27. It then lists her educational history, qualifications, present employer (Lanark County Council) and her experience.
Harvey, Elizabeth Marion
Receipt of application fee to the Royal Institute of British Architects
Receipt of Elizabeth Marion Harvey's application fee for enrolment as probationer to the Royal Institute of British Architects. The receipt is for the sum of five guineas. It has a 2nd class postage stamp.
Royal Institute of British Architects
Photograph of four men dressed up on Charity Day
A photograph of four men dressed up in costumes as women. One is wearing a sign which reads 'Poppa Bobbin? Fairy Nought'
Harvey, Elizabeth Marion
Group photograph taken on Charity Day
A group photograph taken on Charity Day during Elizabeth Marion Harvey's time at the Glasgow School of Architecture. Most people in the photograph are in fancy dress and the people in the front row appear to be holding tins of paint.
Harvey, Elizabeth Marion
Group photograph taken on Charity Day
A group photograph taken on Charity Day during Elizabeth Marion Harvey's time at the Glasgow School of Architecture. Most people in the photograph are in fancy dress.
Harvey, Elizabeth Marion
First year Studio Subject No. 2 coursework instructions from session 1946/47
Coursework instructions for the class 'Studio Subject No. 3' for first year day and part time students. The instructions are from the 1946-47 session. The instructions ask the student to design a foresters' bothy.
The Glasgow School of Architecture
A typed letter from A. Mackay, the secretary of the Royal Technical College in Glasgow, informing Elizabeth Marion Harvey of her admission to the architecture diploma course beginning on the 26th of September 1945 at 9.15am. The letter contains information about the conditions of her admission. The 'Dear Sir' at the top of the letter has been scored out and replaced with a handwritten 'madam'. At the bottom left of the letter is written 'Mrs E. M. Harvey. Architecture Diploma Course'.
Royal Technical College
Architectural drawing of a mountain shelter
A coloured copy of an architectural drawing of a mountain shelter by Elizabeth Marion Harvey. The drawing shoes the south elevation, floor plan, east elevation and a cross section. Elizabeth Marion Harvey's name is written in the bottle left corner, and it says 'Design Study' and 'Session 1945-1946' in the bottom left corner.
Harvey, Elizabeth Marion
Poster for lecture 'Ron Heron Pentagram', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture 'Ron Heron Pentagram', Bourdon Lecture Theatre, Glasgow, 26 Apr. The year for the poster is not given but is believed to be late 1970s to early 1980s. As the lecture was held on a Thursday , the year would be 1979 or 1984.
*Not available / given
Design for the Dug-Out, Willow Tea Rooms, Glasgow
Design for the staircase and vestibule, West Elevation, The Dug-Out, Willow Tea Rooms, Sauchiehall Street, Glasgow. Miss Cranston and her husband Major Cochrane commissioned Mackintosh to redesign the interiors of their home Hous'hill at Nitshill. Mackintosh designed several suites of furniture in 1904 and more pieces in 1909. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
The coach house, 47 Eldon Street, Greenock: photograph
A photograph taken by the architect showing the front view of the coach house from the main road (Eldon Street), showing the Health Board Headquarters building situated on top of the hill above the coach house.
Platt, Christopher
The coach house, 47 Eldon Street, Greenock: photograph
A photograph taken by the architect focusing on the left side of the front elevation to see what the garages are obscuring.
Platt, Christopher
The coach house, 47 Eldon Street, Greenock: photos
Cartridge paper sheet including five photos of the coach house taken by the architect focusing on the external view from different angles showing some details such as the junction of the roof, and details of ridge window where the large windows have been boarded up. One of these photos shows the front elevation of the coach house facing the driveway leading to Health Headquarters situated on the top of the hill above the coach house.
Platt, Christopher
Scotland Street School, North Elevation
Free hand sketch showing the north elevation of Scotland Street School including some architectural descriptions, for example, "scale has been a major design factor in this building for children, windows diminish in height as they rise from the floor, and the wall has been set back to lessen the effect of three stories. Not every room in a building has the same height, each houses a different function and should be designed with that function in mind".
Platt, Christopher
Different kinds of Street's lightings
Free hand sketches showing different kinds of lighting on three different street at Glasgow:
Platt, Christopher
Daylight effects on street: Royal Bank Place
Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.
Platt, Christopher
Design for Windyhill, Kilmacolm, perspective from south-west
Design for William Davidson. In the mid 1890s Mackintosh met William Davidson, a young Glasgow businessman, who commissioned him to design some furniture for his flat in Gladsmuir, his parents' house at Kilmacolm. About 1899 Davidson decided to build his own house, and Windyhill was the first of Mackintosh's private houses. It was completed in 1901 and still survives. Mackintosh designed the furniture for the hall, drawing room, schoolroom and principal bedroom, much of which survives in the GSA collection.
Mackintosh, Charles Rennie
St. George's Church, Edinburgh
Perspective drawing of church. Thomson submitted this design in competition with John Honeyman, whose Gothic Revival entry won the commission for a new church in Edinburgh to be know as St. George's Free Church. There are similarities with the St. Vincent Street church in Glasgow, the massive podium and tall tower, for example.
Thomson, Alexander
Perspective of church. The church was destroyed by a bomb in 1942.
Thomson, Alexander
A 13th century Gothic Sacristy
Long section. Stamped "The Glasgow School of Architecture Section...".
Paterson, William
Study of chancel window.
Revel, John D
Trinity College Chapel, Oxford
Detail of west end of chapel.
Revel, John D
Various studies of carved pilasters.
Revel, John D
Portion of choir stall from Halberstadt.
Revel, John D
Study of overmantle.
Revel, John D
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Detail of stone arch. Drawing states: St Kevern (sic), Cornwall.
Revel, John D
Detail of pulpit.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Elevation and tower plans.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
West elevation/cross section.
Revel, John D
One bay of choir stalls.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Window, mullion detail.
Revel, John D
Mouldings of refectory door.
Revel, John D
Measured drawing of column.
Revel, John D
Nave arcade/north aisle.
Revel, John D
Plate 14 The Dining Room from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection. Like the hall, this room is wood panelled. The sombreness of the dark panelling is relieved by a frieze of coloured panels using the standard Mackintosh theme of a stylised female figure, and the coloured lights handing from the barrel vaulted ceiling. As in the reception room, Mackintosh makes use of furniture designs he has already used elsewhere, the stone surround of the fireplace is based on that in the original Board Room in the GSA, the table (the flat, plank like surfaces echoing the construction of the sideboard) on the dining table designed for Windyhill, and the chairs recall the oval backrail armchairs used in the Mains Street dining room. The central feature of the room is the fireplace, set in a deep recess decorated with fanciful female figures, details picked out in rose against a strong blue ground which dominates the otherwise severe room. The colours are echoed in the wall panels, the decorative insets on the sideboard, the china and even the table runner and roses on the table.
Mackintosh, Charles Rennie
Plaster cast of Parthenon Frieze (South Frieze XLIV)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
*Not available / given
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
*Not available / given
15th century carved oak English reading desk.
Revel, John D
End of a bedstead of carved oak. English 16th century.
Revel, John D
Plan and elevation of villa.
Revel, John D
Measured drawing of cornice/column.
Revel, John D