The Nativity
The Nativity, by Frances Macdonald MacNair, is a watercolour, gold, and silver painting on brown tracing paper. It was bound in the Spring 1896 edition
The Nativity, by Frances Macdonald MacNair, is a watercolour, gold, and silver painting on brown tracing paper. It was bound in the Spring 1896 edition
Ellie Smith, a Summer intern from University of Glasgow’s Student Opportunities Hub, reflects on her work cataloguing the papers of architect Elizabeth Marion Harvey. I
Written by Hyeonseo Heather Park, a work placement student from MLitt Art History at University of Glasgow. Conducting private research for a collection of material
Feannagan 2 is a neckpiece by Iona Turner, recipient of the 2021 Essay Prize for Design and the Peter Wylie Davidson Memorial Prize. Crafted in
SGSAH PhD intern Molly McCracken shares her research into The Studio, a pottery workshop owned and run by three women graduates of The GSA.
Eva Dolgyra, a former student of the Glasgow School of Art, created this striking poster in 2010 as part of a course project organized by
In this blog post (part 2 of two blogs), SGSAH PhD intern, Molly McCracken shares her research about the Kinecraft Society. Though the eventual graduation
In this blog post, SGSAH PhD intern, Molly McCracken shares her research about the Kinecraft Society. While we live in a world surrounded by
Textile conservator, Tabby Gibbs, tells us about conserving the cushion for the settle from Mackintosh’s Willow Tea Rooms as her final project. Last year (2023),
‘Speculative Fictioning the GSASA Archives’ is exhibited in the GSA Assembly Building. The exhibition explores concepts of worldbuilding and speculative fiction. It aims to creatively
Reflections on the 1980s student-led newsletters in the Glasgow School of Art Archives by Celeste MacLeod-Brown While I was sitting at my laptop clicking through
The School of Art History at the University of St Andrews and The Glasgow School of Art Archives and Collections are pleased to offer a Collaborative
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