Printing

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Code

S22

Scope note(s)

Source note(s)

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Printing

Equivalent terms

Printing

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Printing

2121 Archival description results for Printing

2121 results directly related Exclude narrower terms

Noon

Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

North Wales cottages

Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Pack of Cards

Layout of artist's designs for a pack of cards (royal cards individually designed). A limited-edition set of playing cards was subsequently produced.

Rodger, William

Painted illustration

A painted illustration for a repeating pattern featuring a woodland scene.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Painting of floral design

A painting of a repeating pattern of a floral print design. On the reverse of this item is a sketch of a leg in pencil.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Pamphlet for 'Scotland's National Memorial in Jerusalem. The Scottish Church and College-Hostel'

The cover image features three western soldiers outside Jerusalem during the Last Crusade. The foldable pages feature a drawing of the city of Jerusalem. The third page features a map of Jerusalem and its environs by Archibald Haswell Miller and William M. Christie.

Originally located within folder (DC 098/1/2).

Miller, Archibald E Haswell

Papers and photographs of Holmes Gray, student at the Glasgow School of Art, Scotland

  • DC 016
  • Collection
  • 1949-1996

The collection includes:

  • Photographs, essays and notes made and taken by Holmes Gray while at the Glasgow School of Art, including correspondence between the GSA and Gray, 1949-1956
  • Notes given to designers for technical guidance from Johnson, Matthey & Co. Ltd, 1954
  • Recollections of Glasgow School of Art by Holmes Gray, 1996
  • Photographs of pieces designed by Gray post-GSA for Spode, Royal Worcester and others; c1949-1996
  • Correspondence with Stoke-on-Trent College, 1964-1986
  • Correspondence re: training as a part-time teacher, 1977-1986
  • Letter informing Holmes Gray of election as Fellow of the Royal Society for the Encouragement of Arts, Manufacturers & Commerce [copy], 1987
  • Letter from Commemorative Collector's Society re: address by Holmes Gray, 1997

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Gray, Holmes

Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland

  • DC 120
  • Collection
  • c1880s-1970s

A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.

William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.

Meldrum, William

Papers and textiles of Sylvia Chalmers

  • DC 068
  • Collection
  • c1943-1990

A collection of work by textile designer Sylvia Chalmers, comprising Glasgow School of Art student material; work-related designs and sketches; magazine clippings; calligraphy samples; a programme for an exhibition titled "A centenary exhibition to celebrate the founding of the Glasgow Society of Lady Artists in 1882"; photographs; textiles such as aprons, tote bags, placemats, tea towels, kerchiefs, curtains and a banner; and textile design samples.

Chalmers, Sylvia

Papers of Archibald Haswell Miller

  • DC 098
  • Collection
  • [1885-1943]

A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

Miller, Archibald E Haswell

Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland

  • DC 073
  • Collection
  • c1940s-2010s

Includes

  • a selection of Christmas cards and other ephemera collected by Conrad McKenna, a former student and staff member at The Glasgow School of Art, plus typed and handwritten materials used by McKenna to deliver teaching at The Glasgow School of Art
  • correspondence between Conrad McKenna and The Glasgow School of Art and members of staff, and correspondence and printed ephemera regarding The San Gimignano Summer School.

The cards and ephemera have been created by former Glasgow School of Art staff and students and friends of Conrad McKenna, including Gordon Huntly, Rosalind Bliss, Michael Moulder, Peter Sumsion, Michael Healey, Mark Severin and James Cosgrove.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

McKenna, Conrad

Papers of Dorothy Doddrell

  • DC 094
  • Collection
  • 1910-1925

Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

Doddrell, Dorothy Maria F

Papers of Isobel Alison Mitchell Shearer

  • DC 122
  • Collection
  • 1948-1949

3 x 2nd year GSA student notebooks belonging to Isobel Alison Mitchell Shearer:

  • History of Architecture
  • History of Styles
  • Dyed and printed fabric

Shearer, Isobel Alison Mitchell

Papers of James Cosgrove

  • DC 111
  • Collection
  • 1968-2020

Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.

Cosgrove, James

Pastoral scenes

Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Pattern design

Spot design drawn in pencil and painted in pink gouache. Two parallel stripes rendered in blue and pink gouache dominating the composition. Similar to DC 089/1/2/4/4.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Taylor, Fraser

Pattern Making book

Green book with a handwritten label saying Pattern Making. It has 24 double page spreads:

  1. Title page, with Pattern Making written on the right-hand page and two lines of potato-cut printed patterns across the top and bottom of both pages.

  2. Double-page spread with Introduction on written on the right-hand page and four photographs on the left-hand page of a baskets, fabric, a drinking glass, and a pot.

  3. Two pages with Elements of Design written on the right-hand page and examples of 10 patterns across both pages.

  4. Two pages with Techniques and Materials on written on the right-hand page and information about potato cut, lino cut, and stencils.

  5. Double-page spread with Octagon Network written on the right-hand page and examples of different patterns across both pages.

  6. Double-page spread with Diamond Network written on the right-hand page and examples of different patterns across both pages.

  7. Double-page spread with Stripe Patterns written on the right-hand page and examples of different patterns across both pages.

  8. Double-page spread with Oval Network written on the right-hand page and examples of different patterns across both pages.

  9. Double-page spread with Square Network written on the right-hand page and examples of different patterns across both pages.

  10. Double-page spread with Brick Network written on the right-hand page and examples of different patterns across both pages.

  11. Double-page spread with Half-drop Network written on the right-hand page and examples of different patterns across both pages.

  12. Double-page spread with Lozenge Network written on the right-hand page and examples of different patterns across both pages.

  13. Double-page spread with Ogee Network written on the right-hand page and examples of different patterns across both pages.

  14. Double-page spread with Circle Network written on the right-hand page and examples of different patterns across both pages.

  15. Double-page spread with Hexagon Network written on the right-hand page and examples of different patterns across both pages.

  16. Double-page spread with Composite Network written on the right-hand page and examples of different patterns across both pages.

  17. Double-page spread with Lino Cuts written on the right-hand page and three coloured images printed from lino cuts: one of two women dancing; and two of a horse and a tree which is printed in different colours.

  18. Double-page spread with Stencils written on the right-hand page and four stencilled coloured images: two patterns; a plant; and repeated stags.

  19. Double-page spread with Free Brush Patterns written on the right-hand page and examples of different patterns across both pages.

  20. Double-page spread with Oval Network written on the right-hand page and examples of different patterns across both pages.

  21. Double-page spread with Ideas may come from anything… written on the right-hand page and examples such as a photograph of flats and a pattern and the words ‘…fabric design from pattern of windows…’; another of a design from a woven chair back; ‘….idea for a garden urn….’ and ‘…bottled fruit and carrots inspire a design….’

  22. Continued double-page spread from previous pages with examples. ‘…pattern evolved from modern spoons…’ and ‘… textile design based on ceramic decoration…’

  23. Double-page spread with Hexagon Network written on the right-hand page and examples of different patterns across both pages.

  24. Double-page spread with Composite Network written on the right-hand page and examples of different patterns across both pages.

Mackie, Mary

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