- NMC/1692
- Item
- c1960-1962
Study of Glasgow church.
Walsh, Thomas
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Study of Glasgow church.
Walsh, Thomas
Abstract study of churchyard with trees and gravestones.
Furlong, Michael
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Part of Plaster Casts
plaster cast of Saint Jerome, the patron saint of libraries.
*Not available / given
Photograph of a mural by Francis H. Newbery
The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.
Newbery, Francis Henry
St. George's Church, Edinburgh
Perspective drawing of church. Thomson submitted this design in competition with John Honeyman, whose Gothic Revival entry won the commission for a new church in Edinburgh to be know as St. George's Free Church. There are similarities with the St. Vincent Street church in Glasgow, the massive podium and tall tower, for example.
Thomson, Alexander
Perspective of church. The church was destroyed by a bomb in 1942.
Thomson, Alexander
A 13th century Gothic Sacristy
Long section. Stamped "The Glasgow School of Architecture Section...".
Paterson, William
Study of chancel window.
Revel, John D
Trinity College Chapel, Oxford
Detail of west end of chapel.
Revel, John D
Various studies of carved pilasters.
Revel, John D
Portion of choir stall from Halberstadt.
Revel, John D
Study of overmantle.
Revel, John D
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Detail of stone arch. Drawing states: St Kevern (sic), Cornwall.
Revel, John D
Detail of pulpit.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Elevation and tower plans.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
West elevation/cross section.
Revel, John D
One bay of choir stalls.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Window, mullion detail.
Revel, John D
Mouldings of refectory door.
Revel, John D
Measured drawing of column.
Revel, John D
Nave arcade/north aisle.
Revel, John D
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes.
There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
Most artworks are in pencil, while some are in ink or paint on paper. A number of loose drawings are also included in the sketchbook.
Ramsay, Mary
Part of Mary Ramsay artworks
Architectural design for an altarpiece. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Professor McGibbon as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female nude, seated and holding a cross. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', St Mungo Museum of Religious Life and Art, Glasgow. The poster advertised the Jesus 2000 Commission, to mark the millennium.
*Not available / given
Plaster cast of the Dead Christ Tended by Angels
Part of Plaster Casts
Original: Donatello, c1435–1443. Carved marble in low relief. Original currently in the collection of the Victoria and Albert Museum, London, UK. previously incorrectly referenced as 'Pieta' meaning a depiction of the Virgin cradling Christ's body, due to similarity to Donatello's relief sculpture of the same subject and style.
*Not available / given
Plaster cast of corbel of angel playing lute
Part of Plaster Casts
Medieval style.
*Not available / given
Plaster cast of capital with monk
Part of Plaster Casts
*Not available / given
Plaster cast of relief altarpiece of Adoration of the Magi
Part of Plaster Casts
Panel depicting the infant Christ being attended by the wise men. Original: Tilman Reimenschneider, c1510. Lime wood. Rothenburg ober der Tauber, Germany. Currently in the collection of the British Museum, London, UK. Annotated "D Brucciani & Co London".
D Brucciani & Co
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".
D Brucciani & Co
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".
D Brucciani & Co
Plaster cast of Virgin adoring the Child, with God the Father and angels
Part of Plaster Casts
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
*Not available / given
Plaster cast of Virgin and Child
Part of Plaster Casts
Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.
*Not available / given
Plaster cast of Mother and Child
Part of Plaster Casts
Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".
D Brucciani & Co
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of Sarcophagus of Giustina
Part of Plaster Casts
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".
D Brucciani & Co
Plaster cast of Sarcophagus of Giustina
Part of Plaster Casts
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182B Brucciani & Co, London".
D Brucciani & Co
Plaster cast of a spandrel showing censing angel
Part of Plaster Casts
Original: c19th century. Westminster Abbey, London, UK.
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Donatello, c1416. Was placed in a niche on the north wall of Orsanmichele, Florence, Italy. Original in Museo Nazionale del Bargello, Florence, Italy.
Plaster cast of Sarcophagus of Giustina
Part of Plaster Casts
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers.
*Not available / given
World Trade Center from St Paul's Churchyard
Part of 'The City As Setting'.
Trotter, Robert