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Folder containing black & white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: 1951 Festival of Britain, 1949 Richmond Horse Show, London buildings and cars, Bath, Rye, Dover and Canterbury. The original packaging contains technical photographic information including the type of camera used.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most are annotated. Also includes a handwritten list. Includes: Leith docks 1966, Edinburgh, cars, Catterline, Crail, Rossyln Chapel, Festival of Britain 1951, start of Monte Carlo Rally at Blythswood Square in 1955, vintage motor cars in various locations, Richmond Horse Show 1948 and Glasgow.

These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The  Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.

Folder containing 84 black and white photographs depicting the clyde environment taken by George Oliver and of various sizes. Some have been annotated but most are unidentified. Includes: numerous pictures of clyde puffers steaming up and down the river, Grangemouth pictured from South Alloa, St Enoch Subway in the 1950s and taxi rank, a sail to the Kyles of Bute from Glasgow, Govan, cranes, bridges and various dock scenes.

Folder containing black & white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: general street scenes of London, London streetscenes featuring cars, Brighton, Liverpool, Tunbridge Wells and Burlington Arcade. The original packaging contains information about the camera George used and technical photographic information.

Includes E. McLaren's Travel Report.

This report details architecture student E. Mc Laren's experiences when travelling to Italy upon receiving the John Keppie Scholarship in 1947. The account is beautifully illustrated with his own photographs and highly detailed drawings in pencil, pen and watercolour.

Job files, images and drawings relating projects undertaken for the University of Glasgow.

Job files, images and drawings related to the project.

This collection contains the research materials of Liz Arthur used in writing 'Robert Stewart : Design 1946 - 95'.

It includes:

• copies of press cuttings and ephemera relating to Robert Stewart
• correspondence and notes relating to the book and associated exhibition held at Glasgow School of Art in 2003
• photographs, strip negatives and slide negatives of Robert Stewart's works
• and a small number of Robert Stewart's original works, including Christmas cards and textiles.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Job files, images and drawings related to the project.

A folder containing 62 black and white photographs of Glasgow people and children, taken by George Oliver and of various sizes. Mostly unidentified. Includes: general street scenes, the Gorbals, Hutchesontown, demolision of tenements, Barrowlands, Ibrox, Glasgow Green, shops, and the Old Fruitmarket. Also includes a leaflet for 'Swing Hammer Swing' Citizen's Company, May 1996.

Folder containing 84 black and white photographs taken by George Oliver, of various sizes and depicting Glasgow city scenes from the 1950s-1980s. Some have been annotated. Images include: St Enoch Station, Glasgow Coliseum, Lesser Hampden, Gorbals tenements, Glasgow Central Mosque, Exhibition Centre and Pollokshields.

A number of photographs featuring Sheena Reid and other GSA students.

Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.

Folder containing 68 black and white photographs taken by George Oliver, of various sizes and depicting Glasgow streets and buildings. Some have been annotated. Includes: Exhibition Centre, Gorbals, Necropolis, West End. "Moon 4.3.5/f8 AB/1"; "60/f8 AB1 Wj 50/f8 AB1 Simbey (?) 70/f8c"; "51/f5.6 Kantor 45/5.6" annotated on original packaging.

Folder containing 20 black and white photographs of people in Glasgow, taken by George Oliver and of various sizes. Mostly unidentified. Includes: Barrowlands, Hutchesontown C area with Sir Basil Spence tower blocks, Humphrey Lyttelton performing on stage, and scrap metal collector with horse and cart.

Job files and images relating to the project (no drawings).

One of 15 images documenting a catamaran under sail. The design was built by a firm in the Airdrie area.

The collection includes:

• Textiles by Veronica Matthew;
• Artworks on paper by Veronica Matthew;
• Material relating to Art Therapy;
• Newspaper cuttings;
• Photographs;
• Personal papers.

Job files, images and drawings related to project.

Folder containing 50 black and white photographs of buildings of various sizes, taken by George Oliver. Some annotated. All buildings featured are in Glasgow except one of a pub in London which dates from 1948. Also contains 2 photocopies of a line drawing by Thomas Williams depicting a busy cityscene beside a river. Photographs include: Templeton's Carpet Factory, Hampden Park, Glasgow Cathedral, St Enoch Station and Bute Hall.

Folder containing 49 black and white photographs of various sizes. All are taken by George Oliver with the exception of one which has been taken by Flora Ritchie, the cousin of George's wife, Cordelia Oliver. This photograph depicts a street scene in Townhead, Glasgow, c1950s. The remaining photographs depict various street scenes in Glasgow from 1948-1980s, most of which have been annotated. The earliest photograph dates from 1948 and depicts traction engines pulling North British Loco. Co. engine along Sauchiehall Street en route for the docks. Other scenes include: the construction of the M8, Gorbals, Queen Street Station and trace horses on West Nile Street c1948.

Folder containing 68 black and white photographs of various sizes. Taken by George Oliver and depicting Glasgow cityscenes from 1948-1980s.  Most have been annotated. Also contains a programme for Glasgow Coliseum dating from 1924. Includes general scenes of Glasgow including: Merchant City, construction of new flats at Anderston, Charing Cross and high rise flats of the Gorbals.

Job files, images and drawings related to project.

This collection contains:

• Original and typescript of Christine Shaw's diary, Jan 1940-Dec 1940
• Photographs taken in the grounds of Glasgow School of Art featuring fellow students Carlo Rossi, Joe O'Donnell, Christine Cramond, Charlie McNamee and Nita Begg [c1940]
• Presscutting featuring fellow students Leonard Clegg, Christine Cramond and Tony Brook preparing a decorative paper figure for the GSA Christmas Ball, 1940

Black and white photograph of a bronze male head sculpture sitting on a box. Male figure has a chin strap beard and prominent nose. Says ""Jack Dalziel" - by Helen Biggar - c. 1939" written in blue pen with "92B" circled verso. Jack Dalziel (real name "John") was likely a friend of Helen's.

Black and white photograph of a bronze male head sculpture sitting on top of a box. Male figure has a chin strap beard and prominent nose.

A collection of work by textile designer Sylvia Chalmers, comprising Glasgow School of Art student material; work-related designs and sketches; magazine clippings; calligraphy samples; a programme for an exhibition titled "A centenary exhibition to celebrate the founding of the Glasgow Society of Lady Artists in 1882"; photographs; textiles such as aprons, tote bags, placemats, tea towels, kerchiefs, curtains and a banner; and textile design samples.