Plaster cast of the meeting of St Francis and St Dominic
- PC/045B
- Item
- Mid 19th century-early 20th century
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
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Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic (Version 2)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of foundling roundel (Version 2)
Part of Plaster Casts
Plaster cast of foundling roundel (Version 1)
Part of Plaster Casts
Plaster cast of foundling roundel
Part of Plaster Casts
Foundling roundel, originally glazed blue and white terracotta. Original: Andrea della Robbia, 1487, at the Ospedale degli Innocenti, Florence, Italy. Annotated with numbers on reverse.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of the Dead Christ Tended by Angels (Version 2)
Part of Plaster Casts
Plaster cast of the Dead Christ Tended by Angels (Version 1)
Part of Plaster Casts
Plaster cast of Saint George (Version 1)
Part of Plaster Casts
Plaster cast of Sarcophagus of Giustina
Part of Plaster Casts
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".
D Brucciani & Co
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 2)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 1)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Original: Portal figures from Chartres Cathedral. The central tympanum illustrates the Apocalypse with a central Christ surrounded by twenty-four Elders.
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 2)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 1)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Original: Portal figures from Chartres Cathedral. The central tympanum illustrates the Apocalypse with a central Christ surrounded by twenty-four Elders.
Part of Plaster Casts
Plaster cast copies of sculptures from the church of Notre-Dame de Corbeil, Essonne, France. The original sculptures were previously displayed in the Musée des Monuments as King Clovis I of the Franks (465 - 511) and his wife Queen Clotilde (474 – 545). However, they are now housed in the Louvre where they are catalogued as possibly the Old Testament monarchs, King Solomon and the Queen of Sheba.
Part of Plaster Casts
Plaster cast copies of sculptures from the church of Notre-Dame de Corbeil, Essonne, France. The original sculptures were previously displayed in the Musée des Monuments as King Clovis I of the Franks (465 - 511) and his wife Queen Clotilde (474 – 545). However, they are now housed in the Louvre where they are catalogued as possibly the Old Testament monarchs, King Solomon and the Queen of Sheba.
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 5)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 4)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 3)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 2)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 1)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Also known as the Porte Royale, the West Portal was carved by 1150. The sculptures and reliefs were modelled on those in the triple west portal at St. Denis and at Chartres Cathedral.
Plaster cast of a spandrel showing censing angel
Part of Plaster Casts
Original: c19th century. Westminster Abbey, London, UK.
Plaster cast of a spandrel showing censing angel
Part of Plaster Casts
Original: c19th century. Westminster Abbey, London, UK.
Plaster cast of a Centaur and Lapiths (Metope South II), part of Parthenon Frieze (Version 2)
Part of Plaster Casts
Plaster cast of a Centaur and Lapiths (Metope South II), part of Parthenon Frieze (Version 1)
Part of Plaster Casts
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (West Frieze II)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
Plaster cast of Parthenon Frieze (South Frieze XLIV)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Art, Design and Architecture collection
Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.
Items include
Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.
There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.
*Not available / given
This collection includes works by a number of artists, designers and architects associated with Charles Rennie Mackintosh, including his wife Margaret Macdonald Mackintosh, his sister-in-law Frances Macdonald MacNair and his sister-in-law's husband Herbert MacNair. These works include textiles, designs, and four volumes of a Glasgow School of Art student publication called The Magazine, as well as several individual watercolours now separated from the publication. The collection also includes a number of models for proposed architectural schemes by Mackintosh.
Mackintosh, Charles Rennie
Poster for Royal Scottish Academy Students Competition, Edinburgh
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for Royal Scottish Academy Students Competition, Edinburgh, 1987. Featuring red and pale green artwork. The poster gives dates in February and March for handing in, exhibition and removal of works.
*Not available / given
Poster for Royal Scottish Academy Students Competition, Edinburgh
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for Royal Scottish Academy Students Competition, Edinburgh, 1987. Featuring orange and blue artwork. The poster gives dates in February and March for handing in, exhibition and removal of works. The poster is signed 'Joseph Davie'.
*Not available / given
Folder containing 22 contact sheets and 224 negative of photographs taken by George Oliver. Majority are annotated. Includes: Museum of Childhood, Royal Scottish Museum, Henry Moore statues at Inverleith, New Town, Edinburgh University and Greyfriars graveyard.
Oliver, George
A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.
Oliver, George