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Travel Report

This report details architecture student Harry A Wheeler's experiences when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice and the report gives biographical information on each Loggia studied. The beginning of this report lists 48 accompanying drawings.

Wheeler, Sir Harry Anthony

Drawings

These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The  Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.

Wheeler, Sir Harry Anthony

Italian Romanesque Architecture

Page titled 'Italian Romanesque' at top. This page features sketches and text relating to 'S. Michele, Pavia' and 'S Ambroggio, Milan'.

This is the seventeenth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

Roman Architecture

Page titled 'Roman Architecture'. This page features a sketch of the roman theatre at Ostia (AD 400).

This is the fifth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

Roman and Greek Architecture

Page titled 'Roman and Greek Architecture'. This page features sketches and text comparing Greek and Roman temples.

This is the fifteenth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

Etruscan Architecture

Page titled 'Etruscan Architecture' at top right. This page features sketches and text related to Etruscan influence on Roman architecture.

This is the twentieth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

Renaissance (S. Peter)

This page features sketches of 'S. Peter Rome'.

This is the twenty-fifth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

Roman Architecture

Page titled 'Roman Architecture'. This page features 'A typical Pompeian private house' and 'The Arch of Titus: Rome'.

This is the second page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

Travel Report

This report details student Christopher Grant's experiences when he travelled around Europe for six months upon receiving a travelling scholarship at The Glasgow School of Art in 1957. Grant recieved the Travelling Scholarship for Post-Diploma students which was the value of £120. Grant was a commercial art student at the School between 1952 and 1957. He used his traveling scholarship to visit the countries of Denmark, Holland, Switzerland, Germany, Italy and France. His report is coherantly split into details of the time spent in each of these countries with title pages featuring the stamps of the different countries.

Grant, Christopher

Travel Report

This report details student Pamela Mitchell's experiences when she traveled around Europe for three months upon receiving a travelling scholarship at The Glasgow School of Art in 1959. Mitchell was a student at the School between 1955 and 1959 and studied Textiles. She received the Haldane Travelling Scholarship which was a cash sum of £75. She visted the cities of Copenhagen, Hamburg, Basle, Milan, Venice, Florence, Ravena, Porto Garibaldi, Ferrara, Verona and Paris. The report is coherantly laid out with details of the time spent in each of these cities.

Mitchell, Pamela

Italy

Folder containing black & white photographs and contact sheets taken by George Oliver. Most are unidentified. Includes: Milan, Florence, interior of Galleria Vittorio Emanuele II in Milan showing Biffi Caffè, and a replica of Michaelangelo's David in Florence.

Oliver, George

Travel reports and various itinararies

This folder contains two travel reports produced by Douglas Percy Bliss when he visited Italy as well as Denmark and Sweden in 1957. It also contains several travel itineraries specific to different countries. These were presumably created as a starting point for bursary winning students going to particular countries. The are very detailed, advising students about particular areas of interest for their studies as well as offering advice about where to stay, how to use public transport and where to go for help. Within this folder are itineraries for London, Sweden, Denmark, Holland, Italy and Belgium. In addition, the folder contains general information about staying in the Halls of Residence at the National College of Rubber Technology in London.

Bliss, Douglas Percy

Student material by Donald Melvin, student at The Glasgow School of Art, Scotland

  • DC 074
  • Collection
  • 1960-1968

A collection of sketches, designs, photographs and lithographs by Donald Melvin completed during his time as a student at Glasgow School of Art in the 1960s.
Includes work carried out as part of courses such as, for example, Interior Design, the History of Furniture, the 2nd Year General Course, the Pre-Diploma /Foundation Course and Woodcarving.

Also includes sketches carried out during GSA summer schools abroad in Florence and in Norway, and materials relating to extra-curricular activities such as photographs of productions staged by GSA Dramatic Club and Christmas ball posters.

Melvin, Donald V

The Giusti Plaster Cast Collection

  • GST
  • Collection
  • Late 19th century-mid 20th century

Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.

The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.

As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.

In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.

Proudfoot, Alexander

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