Glasgow School of Art: Archives & Collections

Sea Trinity

NMC/0170
Item
1991

Part of Art, Design and Architecture collection

1 of an edition of 5.

Cassidy, Paul

Loxa

NMC/0182
Item
1560s

Part of Art, Design and Architecture collection

Hoefnagle, George

Alhama

NMC/0183
Item
1564

Part of Art, Design and Architecture collection

Hoefnagle, George

Wounded soldier with Red Cross orderly

NMC/0189
Item
1914-1915

Part of Art, Design and Architecture collection

Greiffenhagen, Maurice

Landscape

NMC/0191
Item
1936

Part of Art, Design and Architecture collection

Landscape with walled gardens and greenhouses.

Ross, John Ferguson

Female portrait

NMC/0198
Item
1958

Part of Art, Design and Architecture collection

Laurie, John

Still life

NMC/0199
Item
1958

Part of Art, Design and Architecture collection

Still life with bowl of fruit and open book.

Laurie, John

Ann Miller's Big Toed Crow

NMC/0206B
Item
c1981

Part of Art, Design and Architecture collection

Schade, William Bernard

Sea the Beautiful Sea LXV

NMC/0212
Item
c1981

Part of Art, Design and Architecture collection

Lovejoy, Margot

A Mad Tea Party?

NMC/0213
Item
1975

Part of Art, Design and Architecture collection

Lamb, Elspeth

Revised view of Yokohama (Saihan Yokoma fukei)

NMC/0214
Item
1861

Part of Art, Design and Architecture collection

Two sheets from the right side of a colour woodblock, hexaptych print. Scene depicts the foreigners' quarter in the foreground, with the east and west stone landing piers and the Japanese quarter beyond.

Sadahide, Hashimoto

Christmas card

NMC/0218B
Item
1941

Part of Art, Design and Architecture collection

Selby, Frederick

Christmas card

NMC/0218E
Item
1941

Part of Art, Design and Architecture collection

Selby, Frederick

New Year card

NMC/0220D
Item
1942

Part of Art, Design and Architecture collection

Three figures carrying picks and shovels.

Selby, Frederick

Conditional Probability Machine

NMC/0225H
Item
1970

Part of Art, Design and Architecture collection

The Moment of Perception.

Paolozzi, Sir Eduardo Luigi

Conditional Probability Machine

NMC/0225J
Item
1970

Part of Art, Design and Architecture collection

Manikins for Destruction (text).

Paolozzi, Sir Eduardo Luigi

Conditional Probability Machine

NMC/0225M
Item
1970

Part of Art, Design and Architecture collection

Untitled (U14322).

Paolozzi, Sir Eduardo Luigi

Conditional Probability Machine

NMC/0225Q
Item
1970

Part of Art, Design and Architecture collection

Pages from the Aerospace Medical Library (text).

Paolozzi, Sir Eduardo Luigi

Conditional Probability Machine

NMC/0225T
Item
1970

Part of Art, Design and Architecture collection

Geometry Relations in Electron Irradiation of the Mouse.

Paolozzi, Sir Eduardo Luigi

Conditional Probability Machine

NMC/0225X
Item
1970

Part of Art, Design and Architecture collection

From Genot to Unimate (text).

Paolozzi, Sir Eduardo Luigi

Conditional Probability Machine

NMC/0225Y
Item
1970

Part of Art, Design and Architecture collection

Sim One.

Paolozzi, Sir Eduardo Luigi

Midday

NMC/0230BB
Item
1840

Part of Art, Design and Architecture collection

Cottage near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Hazy Morning and Mid day

NMC/0230C
Item
1840

Part of Art, Design and Architecture collection

Fishermen and labourers with wagons. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Morning and Evening

NMC/0230D
Item
1840

Part of Art, Design and Architecture collection

Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Cottage roof details

NMC/0230DD
Item
1840

Part of Art, Design and Architecture collection

From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Hastings fishing boats

NMC/0230DDD
Item
1840

Part of Art, Design and Architecture collection

Studies of various Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Storm

NMC/0230E
Item
1840

Part of Art, Design and Architecture collection

View on the coast of Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Three stone bridges

NMC/0230GG
Item
1840

Part of Art, Design and Architecture collection

Study of three bridges; near Birmingham, Llanberis, (North Wales) and Arden, Warwickshire. Published in London.

Cox, David

Three wooden bridges

NMC/0230HH
Item
1840

Part of Art, Design and Architecture collection

Study of three bridges; near Knowle (Warwickshire), Leicester and North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Morning

NMC/0230K
Item
1840

Part of Art, Design and Architecture collection

Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Pastoral scenes

NMC/0230LL
Item
1840

Part of Art, Design and Architecture collection

Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Water Mill

NMC/0230N
Item
1840

Part of Art, Design and Architecture collection

Study of Water Mill. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Still Life

NMC/0230P
Item
1840

Part of Art, Design and Architecture collection

Still life with two bottles and broken bowl. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Farm structures

NMC/0230PP
Item
1840

Part of Art, Design and Architecture collection

Various farm structures - wells, sty, dovecot etc. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

A Heath Windy Effect

NMC/0230R
Item
1840

Part of Art, Design and Architecture collection

Wind mill with cart and farm building. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Morning

NMC/0230S
Item
1840

Part of Art, Design and Architecture collection

Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Rainbow Effect

NMC/0230UU
Item
1840

Part of Art, Design and Architecture collection

View on the Thames. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

An Effect after a Storm/Transient Effect

NMC/0230V
Item
1840

Part of Art, Design and Architecture collection

Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Morning

NMC/0230X
Item
1840

Part of Art, Design and Architecture collection

Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Near Llanfair, North Wales

NMC/0230XX
Item
1840

Part of Art, Design and Architecture collection

Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Fabric sample (Version 1)

DC 068/8/9/v1
Part
c1953-1990

Part of Papers and textiles of Sylvia Chalmers

Figurative textile design

Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth

Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.

Taylor, Fraser

Abstract collage design

Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth

Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.

Taylor, Fraser