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Outgoing letters, sundries: Letters re: Artist Teachers' Exhibition Society (Mar); corresp, re: visits to High Schools on behalf of the Scottish Education Department; review of lecture given by J. Pennell on Lithography; note on Newbery being asked to contribute to the Golden Book for Hofrat Alexander Koch, with request to send sketch of GSA from C. R. Mackintosh (Nov); Draft for arrangement of class for Ecclesiastical Needlework; instructions to staff re: Out of Door work (Apr); notes for tests for Design Students by Anning Bell.

Letterbook of outgoing correspondence - includes letters to Mr Nunn Ayles re: role of art teachers (16 Feb); to Professor Britten re: use of models in the Architect's Life Class and the Composition Class (31 Jan & 1 Feb); Anning Bell re: post of Director at LCC School of Arts & Crafts being offered to Newbery (10 Mar); Anning Bell: re: post at GSA in Design Dept. (Mar-Apr); Sir William Bilsland re: the success of lectures at GSA (1 May); Reference for P. Wylie Davidson (8 Mar); Mr Ewen re: Children's drawing at Higher level (2 June); Messrs. Grindlay, Staffs. re: work by Herbert MacNair (10 Jan); Mr Gray re: the misbehaviour of architectural students (19 May); to Greiffenhagen re: officialdom, including comparison of Scottish Education Department with South Kensington system & remark about ECA (27 May); to Housekeeper at GSA re: dusting of casts and cases (10 Jan); Mr Whitelaw Hamilton re: Glasgow Artistic Circles (25 May); Mrs Talwin Morris re: the purchase of books and bookbinding equipment (May); C.R. Mackintosh re: the lift (1 Feb), invite to lunch to meet Anning Bell (11 Feb), request for name-plate for Entrance Hall (23 Mar); Baltus re: lectures at GSA (28 Jan); to Mary Newbery re: family arrangements, etc. (20 Mar); Pr. Orlik, Berlin re: exchange of students' works for comparison (Jan-Feb); Mr Orr: re art education, etc. (June); George Pirie: re becoming a Visitor to GSA Animal Class (4 & 9 June); David Rollo re: scholarship travel in Italy (23 Mar); W.G. Strickland, National Gallery of Scotland re: Henry MacManus, first Headmaster of GSA (1 Mar); to Bernard Shaw asking him to give a lecture at GSA (4 May); Mr Weeks, Bridport re: design for a memorial to John Beard (May-June).

Correspondence with Robert Anning Bell, Professor of Design, about position of Director of Design.

Correspondence with & about W.E.F. Britten, Professor of Design & Decorative Art, about teaching and timetables.

Various papers and correspondence of Newbery relating to Needlecraft instruction in Secondary Schools. Some correspondence and reports from individuals such as Ann Macbeth and Margaret Swanson. Papers and follows: DIR/5/38/5/1: Letters from Ann Macbeth to Newbery, press-cuttings and papers about the Needlework scheme, 1910-1912 (1 folder). Includes: correspondence; presscutting from the Glasgow Herald, 23 Jan 1911, about Ann Macbeth and her address to the Glasgow Ruskin Society about needlecraft; cuttings from 'The Educational News' about the scheme, 1910; copy letters from Macbeth to Newbery, 1912, reporting her findings of the standard of needlework in Queen's Park and Shawlands Schools; memo regarding the Needlework and Embroidery, Article 55, Saturday Classes. DIR/5/38/5/2: Document- 'Suggested Scheme for Secondary School Course' in Needlework, giving specific information about the curriculum and course details for different ages, c1910 (7 sheets). DIR/5/38/5/3: Document- 'Scheme of Needlecraft in Secondary Schools' report by Margaret Swanson, Instructress in the Glasgow School of Art, 22 Mar 1912 (11 sheets, 2 copies). DIR/5/38/5/4: Document' 'Killearn School Board. Killearn Public School Continuation Classes. Approved Scheme of Instruction for Art Needlework Arranged as Required under Section 17 (7) of the Education (Scotland) Act 1908.', c1910-1912 (3 sheets, 5 copies)

Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

Variety of artworks created by Dorothy Doddrell, relating to Rolls of Honour, life drawings and sketches, and other designs

Sample of an illuminated poem entitled 'Golden Slumbers'. On the reverse, there is a The Glasgow School of Art student work tag.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Papers and correspondence relating to the development of the teaching of Design at the Glasgow School of Art. Papers as follows: DIR/5/38/4/1: Letter from Robert Anning Bell to Newbery regarding the post of Head of Design, 07 Jun 1910 (4 sheets). DIR/5/38/4/2: Letter from Lindsay P Butterfield to Mr Morton regarding Butterfield's professional opinions on the teaching of Design,14 Jun 1910 (5 sheets). DIR/5/38/4/3: Correspondence, mostly between Newbery and James Morton, about the teaching of Design at the School of Art, Jun 1910 (5 letters): (a) Letter from James Morton to Newbery about his collecting reports and experiences of the teaching of Design from Boston and Vienna, 11 Jun 1910 (1 sheet). (b) Letter from James Galbraith to Newbery about his opinions on the teaching of Design, 14 Jun 1910 (2 sheets). (c) Letter from James Morton to Newbery regarding the School of Art in Vienna and acquiring information from them about the teaching of Design,30 Jun 1910 (1 sheet). (d) Letter from James Morton to Newbery suggesting individuals with good experience in the area of Design to consult regarding the reaching of Design at the School of Art, for example Lindsay Butterfield, Sidney G. Mawson, Vesper Lincoln George, etc, 26 Aug 1910 (2 sheets). (e) Letter from John James Burnet to Newbery about Burnet's opinions on the teaching of Design, c.Jun 1910 (1 sheet). DIR/5/38/4/4: Francis Newbery's report on tours of London, Paris & Berlin, c.Jun 1910 (12 sheets). DIR/5/38/4/5: Letter from Vesper Lincoln George to James Morton about his opinions regarding the teaching of Design, 28 Jul 1910 (3 sheets). DIR/5/38/4/6: Letter from Sidney Mawson to Mr Morton regarding his opinions on the teaching of Design, 08 Aug 1910 (3 sheets). DIR/5/38/4/7: 'Design-Opinions of Experts'- table of remarks of Artists regarding the teaching of Design. Names include: Anning Bell; James Galbraith; Lindsay P Butterfield; Sidney Manson; Vesper L George, Boston; Mr James Morton; Vienna School of the Arts and Crafts, c1910 (1 sheet). DIR/5/38/4/8: Letter from Ann Macbeth, Queen Margaret Hall, to Newbery regarding her opinion on the teaching of Design, c1910 (2 sheets). DIR/5/38/4/9: Letter from Robert Anning Bell expressing his opinions on the teaching of Design, c1910 (1 sheet).

Letterbook of outgoing correspondence, pages 360-718 - includes letters to Frances MacNair re: unable to undertake enamel and metalwork classes (367); W Heath Wilson re: a visit to the School (374); to Rodin requesting the reproduction of one of his statues (403); Hilaire Belloc re: lecturing at GSA (424); the Formal Opening Masque (448, 474-5, 477, 504, 621, 645, 653, 666 & 683); notes to Mr. Baltus about presenting a lecture (498); to Charles McLure & R. Currie Robertson re: scholarship travel in Spain (518, 577); the Opening Exhibition of past student's work (548); E. Lagorara, Italian Consul General for Italy re: explanation of 1902 Turin Exhibition (575); E.A. Hornel re: the loan of a painting (599); correspondence, re: the Diploma and design for the certificate (608-9, 629); to Mr Rennie re: the best way to lecture to Art Students (620); to Dr. Struthers, Scottish Education Department re: a visit by Newbery to Egypt, Greece and Constantinople (695). Letters re: the New Building: choice of School Chairs by Mackintosh & Newbery (382); fittings required by Pr. Baltus for the Composition Department (387); to Mackintosh requesting that the furnishing of rooms be hurried forward (397); Scott St. Railings -problems with children climbing on them (407); the furnishing of the Dark Room as (410); to Professor Britten re: the Professor's Private Studios (418); to architects re: easels (428); stone carving room (445); coloured stickers on furniture to keep them in their correct rooms (491); to A. Proudfoot re: furnishing the Common Room (514); to Mackintosh re: fittings for the Metalwork Rooms (528); to Mackintosh re: tree trunk in Metalwork rooms (572); to Mackintosh re: screens between Architecture and Ornament Rooms (673). Please note: DIR/5/5 is Vol 2 of DIR/5/4.

Original letters between Baltus & Newbery re: contract & pay.

Copy of minutes of meeting of the School Committee re: the appointment of a Professor for Technics and History of Art.

Includes correspondence with M. Baltus, Professor of Technics & History of Art.

Testimonials for M. Baltus.

Copies of letters between G.M. Baltus and GSA re: duties and salary.

Letterbook of outgoing correspondence, pages 1-359- includes letters re: Decorative Art Studios Teachers (357); letters to Professor Bourdon re: Architectural Studies Class (85) and the lecture scheme (324); letters about the progress of Highland Society Bursars (251); letters to the British Empire Shakespeare Society re: Recitals (24); letter to C Thorpe Davie re: invitation to a Vocal Recital (145); letter to Sir James Fleming re: Reception at the Art Club (44); letters to Honeyman, Keppie & Mackintosh re: the new lecture theatre (16) and updates on the progress of various parts of the School (79), etc; letter to Hutcheson's Boys Grammar School (254); letter to Sir John Stirling Maxwell about what was discussed at a meeting he could not attend (92); correspondence with Charles Rennie Mackintosh about details of the School of Architecture (55) etc; letters to Baron Van Overloep (53); letters to Dorothy C Smyth re: costumes for the School wardrobe (319).

The papers listed here are the records of three private commissions undertaken by James Fulton between 1909 and 1912, while he was resident in London. The papers include correspondence with the clients, builders and tradesmen. There are rough plans only for the house for F. Hall Gibson, who appears to have been a friend of Fulton's family.

Letterbook of outgoing correspondence, pages 1-500 - includes letters re: reference for James Huck (86); letter to C F Voysey re: post of Design Professor (90, 97 & 131); to Bourdon re: the design of the Architectural rooms in the new building (121); Newbery's ideas about decorative art and its place in GSA (174); visits of Newbery & C R Mackintosh to Technical Studios at Birmingham School of Art & in London (188 & 204); to Frances MacNair re: teaching metalwork and enamels at GSA (225, 269); to Henry Wilson re: reservations about the new Professor of Design, Mr Britten (316). Extension to School building: requesting for a fireplace for Headmaster's studio (239), cleaning of windows and pigeons (244), heating arrangements & partitions in the Life School (279), school dances and architect's fears about unsafe floors (339).

A variety of designs completed by Archibald Haswell Miller, including book covers, commercial artworks, and religious designs. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

Letterbook of outgoing correspondence, pages 1-500 - includes letters re: appointment of Maurice Greiffenhagen (23, 49); to Charles Rennie Mackintosh re: the proposed extension (48, 55, 82, 84); to Norah Neilson Gray re: establishment of "Drawing for Fashion" classes (60, 182, 203, 396); gaining a diploma (162); Allan D Mainds re: scholarship trip to Europe (189, 251); reference to new building - "good and useful structure" (214); the use of animals in the Animal Room (240); students' balls (428, 452); Decorative Art at the Edinburgh International Exhibition of 1907 (442); general School administration, in particular finding a successor to Mr Delville.

Letterbook of outgoing correspondence, pages 1-500 - including letters to Scottish Education Department; to Muthesius; to Professor Behrens of Düsseldorf, re: a visit to German Art Schools (232); award of the Haldane Traveling Scholarship to D. Forrester Wilson; Adolphe Giraldon re: the Design Section (116, 197 & 207); Eugene Bourdon re: the teaching in the School of Architecture (115); the Masque of the City Arms (133); Delville re: models required for the Life Classes (143); Professor Geddes re: directing the Masque and personal news (146); James Dunlop re: work by Design students (201); woman designers in Glasgow (249); the Bram Stoker Medal (311); Professor Baltus re: lectures to be given at GSA (343 & 350); Lavery re: the International Society (365); replacement for Delville (403-404); absenteeism among architectural students (434); general School administration.

Papers and correspondence relating to the 'Masque of the City Arms', a show organised by the School of Art in 1905. (13 items) Papers and correspondence include: passage explaining that the 'Masque of the City Arms' was performed by students of the School of Art in Dec 1904, and outlining the circumstances for its repeat in March 1905; lists of names of cast and orchestra members; correspondence regarding obtaining musicians, and organising venues, for the Masque; flier for the 'Masque of the City Arms', in St Andrew's Halls, 30 Mar 1905.

Note from Baltus regarding a female student sent to Newbery because she is a bad example to other students.

A collection of Kath Whyte's personal papers which comprises:

• Family papers, press cuttings and photographs, c1909-1981
• School certificates, c1922
• Correspondence, 1927-1996
• Early sketches and drawings, 1920s
• ketchbooks, notebooks, photographs and correspondence from Gray's School of Art, c1922-1947
• Personal correspondence, 1922-1996
• National Identification Card, 1943
• Travel diary, c1940s
• Lecture notes, sketchbooks and notebooks, 1948-1974
• Assorted textile samples, sketch books and notebooks, 1950s-1970s
• Examples of weaving by Kath Whyte and her pupils, c1950s-1970s
• Diaries 1974-1988 and miscellaneous books owned by Kath Whyte
• Photographs (professional and personal), 1909-1996
• MBE medal and associated correspondence and photograph
• Extensive collection of undated slides
• Exhibition catalogues
• Textile and design pieces, c1930s-1970s

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Notebook containing lecture notes and a letter to James Salmon from Frances Newbery. Also includes several sheets of notes on loose paper.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Original mount with captions.

86 Architectural Postcards belonging to former Architecture student William B F Williamson. Locations include Italy, Brazil, France, Glasgow, Canada, Egypt, Spain.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Working Papers of Francis Newbery. Reports and papers from Newbery's time as Director of the School. Papers as follows: DIR/5/38/2/1: Total Abstinence Pledge card signed by the School Janitor Alex Russell and countersigned by Francis Newbery as witness, in envelope, 07 Jan 1902 (1 item). DIR/5/38/2/2: Typewritten report on the Turin Exhibition by Newbery, 1902 (11 pages). DIR/5/38/2/3: Handwritten document: 'School of Art, Central Institution, Resolutions', regarding topics such as the scheme of work and the Scottish Education Department. Looks like comment on another document with paragraphs numbered, c1910 (6 pages). DIR/5/38/2/4: Correspondence and papers relating to the National Art Survey, 1909-1912 (1 folder).

Collection of testimonials written in support of James A Dron, a former student of Glasgow School of Art.

Includes:

• testimonials written by Francis H Newbery, Director of Glasgow School of Art, 1885-1918
• Robert L Sutherland, Head Master of Gorbals Art Class
• and Allan Gillespie, Secretary of Bonnybridge Art Classes.

The collection also includes a letter of application written by Dron for the post of Painting and Still-Life Master at Belfast School of Art in 1901 plus accompanying correspondence.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

The collection is comprised of Lewis Ballantine's own works of art such as life drawings, self portraits, design work and sketchbooks, and photographs, as well as sketchbooks and notebooks that belonged to his mother and father.

The work in the collection by Lewis Ballantine forms a valuable record of his time at the Glasgow School of Art. They show the development of his work as an artist, and provide an example of the type of work that Drawing and Painting students were required to produce during this period.

Lewis Ballantine's mother, Alice Longmuir Nisbet was herself at Glasgow School of Art in the 1930s, and was involved in the Socialist Art Circle. The sketchbooks in this collection also contain works by other members of the group such as Stuart Henderson, Jimmy Morton, James ("Jimmy") Ogilvie, W. C. Thompson and John McLean. The photographs in the collection picture Alice Longmuir Ballantine and John ("Jack") Hendry Ballantine, and Lewis Ballantine's maternal grandfather, Robert Dow Nisbet.

Collection includes:

• Notebooks belonging to Robert Dow Nisbet, 1930s
• Sketchbook belonging to Robert Dow Nisbet, 1930s
• Sketchbook of Jack Hendry Ballantine, 1930s
• Sketchbook of Alice Longmuir Nisbet, includes sketches from other members of the Socialist Art Circle, 1936
• "Dun Breatann" Sketchbook of Lewis Ballantine, 1966
• "History of Costume" Sketchbook of Lewis Ballantine, 1967
• Photographs of Robert Dow Nisbet, Alice Nisbet, c1945, Jack Hendry Ballantine c1970, Alice and Jack Ballantine, June 1995.
• Correspondence to Alice Nisbet, 4 letters, 1938-1995

Printing block with Glasgow style female figure, stylised trees and flowers forming the border design. 
Central text block with

• The Glasgow School of Art address
• Local prize awarded to: 
• For excellence in:
• Session:

Heavy metal embosser for stamping paper with the GSA badge.  Maker's mark reading D. Cunninghame Die Sinkers & Co., 48 Buchanan, Glasgow.  Working order, but some rusting.

The George and Cordelia Oliver Archive consists of:

• Newscuttings (featuring articles by Cordelia Oliver)
• photographs and negatives by George Oliver
• personal papers
• examples of artwork by Cordelia and George Oliver, various publications
• posters relating to cultural events in Glasgow and Scotland.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Various correspondence of Francis Newbery, and relating to Francis Newbery. Some correspondence dates from his time as Director of the School but other correspondence dates to after Newbery's retirement. Most of the correspondence is Newbery's but some is from the School Secretary or others connected with the School of Art. The letters include correspondence with artists, writers and architects such as: William Morris, Charles Francis Annesley Voysey, P Wilson Steer, David Young Cameron, Auguste Rodin, John Lavery, Walter Crane, and H.G. Wells. Correspondence as follows: DIR/5/38/1/1: Letters from William Morris to Mr Mavor, 1889 (4 letters): (a) Letter about Morris visiting Glasgow to give a lecture and about his travelling expenses,14 Jan 1889 (1 sheet). (b) Letter about a series of lectures Morris was to give upon his visit to Glasgow to groups such as 'the Glasgow Branch of the S. L.' , the students of the School of Art, and the Edinburgh Socialists, 21 Jan 1889 (1 sheet). (c) Letter addressed 'Dear Sir' about lectures Morris plans to deliver on his visit: 'Arts & Crafts', and 'Gothic Architecture' for the Haldane Students, 24 Jan 1889 (1 sheet). (d) Letter about Morris' travel arrangements to Glasgow, 06 Feb (1 sheet). DIR/5/38/1/2: Postcard, perhaps from T. P. C..(?) of 146 Blythswood Drive (portion of postcard damaged) to Francis Newbery about an engraving of a brooch found at Duncan Keith's auction rooms, called 'The Macgregor Brooch', 14 Mar 1896 (1 item). DIR/5/38/1/3: Letter from Edward J Poynter to Newbery conveying thanks for Newbery's congratulations on Poynter's election, 04 Dec 1896 (1 sheet). DIR/5/38/1/4: Letter from John Lavery to Newbery about his seeing Newbery's paintings at an exhibition in Venice,18 May 1897 (1 sheet). DIR/5/38/1/5: Letters from Walter Crane to Newbery, 1897-1913 (3 letters): (a) Letter to Mr & Mrs Newbery thanking them for their hospitality during his short stay, 12 Dec 1897 (1 sheet). (b) Letter to Newbery thanking Newbery for his kind letter on Crane's appointment, 28 Aug 1898 (1 sheet). (c) Letter to Newbery thanking Newbery and his wife for their hospitality during his visit, 12 Jun 1913 (1 sheet). DIR/5/38/1/6: Letters from staff to Newbery requesting an increase in salary, 1898 (5 letters): (a) Letter from John Dunlop, 12 Sep 1898 (1 sheet). (b) Letter from James M Dunlop, 13 Sep 1898 (1 sheet). (c) Letter from A Aston Nicholas, 15 Sep 1898 (1 sheet). (d) Letter from Johan Keller, 17 Sep 1898 (1 sheet). (e) Letter from James Gray, 19 Sep 1898 (1 sheet). DIR/5/38/1/7: Draft letter to Mr R S Allan about classes at the School, c1900 (3 sheets). DIR/5/38/1/8: Correspondence to Newbery about a fire escape stair, 1900 (2 letters): (a) Letter from W Forrest & Salmon cover letter returing documents sent by Newbery concerning a proposed escape stair, 07 Dec 1900 (1 sheet). (b) Letter to Honeyman & Keppie from Robert Scott, Measurer & Valuator about the cost of a fire escape stair for the Glasgow School of Art, 01 Aug 1900. Enclosure of the above (1 sheet). DIR/5/38/1/9: Letters from Auguste Rodin to Newbery, 1901-1903 (2 letters): (a) Letter, in French, about the return of plaster casts to Rodin and about an exhibition of plaster casts, 29 Apr 1901 (1 sheet). (b) Letter, in French, thanking Newbery for his kind wishes, 11 Dec 1903 (1 sheet). DIR/5/38/1/10 Correspondence between Newbery and Vanderstappen about proposing Mr Delville and Mr Paul Artot as Professors at the School, 1902 (4 letters). DIR/5/38/1/11: Letter and transcription of letter from William Leiper, Architect, to Newbery, 1904-1905 (2 letters): (a) Letter from Leiper to Newbery congratulating Newbery on the work of the School observed by Leiper on a recent visit, 13 Dec 1904 (1 sheet). (b) Typed transcript of the above letter from William Leiper to Newbery, 13 Dec 1904. Also on this sheet is a typed transcript of a letter from Alexander Roche to Newbery about an enclosed cheque for a supplementary travelling studentship, 22 May 1905 (1 sheet). DIR/5/38/1/12: Letter from W Forrest Salmon of Salmon & Son & Gillespie Architects to E Catterns, School Secretary, apologising that Salmon will be unable to attend the next Governors' meeting and recording his thoughts on some business such as his support for the re-election of W Fleming to the Chair, 26 Sep 1906 (1 sheet). DIR/5/38/1/13: Letter from George Gregory to Newbery about arrangements for Mr Wilson's class coming to 'modelling' (the sculpture department), 12 Oct 1906 (1 sheet). DIR/5/38/1/14: Correspondence about a letter to Newbery from Sir Henry Craik, Oct 1906 (2 letters): (a) Letter from Newbery to James Fleming requesting Fleming to telephone him to discuss an enclosure. On the back is a draft reply to the enclosure that Newbery wishes to discuss with Fleming (see below for enclosure), Oct 1906 (1 sheet). (b) Letter from H Craik to Newbery enquiring about the possibility of a position for a 'W Kennaway' who was at the Athenaeum School of Art in Glasgow until it closed. (enclosure of above correspondence), 23 Oct 1906 (1 sheet). DIR/5/38/1/15: Correspondence with Mr Robertson Weir, 1909-1919 (3 letters): This correspondence was donated to the School of Art Archives and Collections by the daughter of Robertson Weir in 1994. (ACC 52) (a) Letter from Newbery to Robertson Weir about Weir's trasmission to the Scotch Education Department. Refers to the course of study and Training of Teachers in the Special Subject of Art (Article 47), 04 Nov 1909 (1 sheet). (b) Letter from Newbery to Robertson Weir expressing his relief that Weir survived the War, 19 May 1919 (1 sheet). DIR/5/38/1/16: Letter from J Struthers of the Scotch Education Department to Newbery about the possible uses of the bursary of a student Mr Alexander Gordon, 28 Jul 1910 (2 sheets). DIR/5/38/1/17: Letter from H G Wells to Newbery thanking him for sending a copy of the Art School 'Masque', 10 Jun 1927 (1 sheet). DIR/5/38/1/18: Letters from Charles Francis Annesley Voysey to Newbery, 1927-1931 (2 letters): (a) Letter about a letter Newbery sent to 'MacAlister' that was flattering to Voysey and thanking Newbery for his support, 15 Nov 1927 (1 sheet). (b) Letter to Mr and Mrs Newbery apologising for having missed them when they went to his show and asking them if they have ever visited Sir Herbert Cook who lives in a house built by Voysey for Alfred Sutro, 05 Oct 1931 (1 sheet). DIR/5/38/1/19: Letter from P Wilson Steer to Newbery thanking Newbery for his congratulations and reminiscing about Walberswick, 19 Jan 1931 (1 sheet). DIR/5/38/1/20: Letter from D. Y. Cameron to Mr & Mrs Newbery thanking them for their sympathy on the death of his partner, c1930s (1 sheet). DIR/5/38/1/21: Letter from Archibald A McGlashan to 'Alick' thanking Alick for sending a painting of Francis Newbery and reflecting on the character of Newbery, 03 May 1947 (1 sheet).

Front cover, held loose in bound volume.

The cover text states 'Prospectus of the Glasgow School of Art and Haldane Academy, Session 1891-92'

Asks Simmonds to write a GSA Headmaster's report for 1885.