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Part of a costume used in Glasgow School of Art Masque. The wig may have been acquired separately, after the rest of the outfit, which at one point is believed to have included a cape and dagger.

Grey metal sign, Glasgow School of Art Newbery, in modern serif black typeface.  Six fixing points for attaching to exterior of building.

Sheet of 100 x 20p stamps featuring an image of the Mackintosh Building produced to commemorate Glasgow 1990, European City of Culture, designed by Paul Hogarth RDI.  (Stamp designs Copyright Royal Mail)

Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.

Sandstone name plaque for the GSA Common Room, which was part of the building on the opposite side of Renfrew Street aquired ca. 1920 to allow the School to expand.  This building housed the Assembly Hall which was opened in 1929, so other facillities are assumed to date from around the same time. (Plaque was formerly wrongly identified as that for the Assembly Hall).

Sandstone name plaque for the GSA Staff Refectory, which was part of the building on the opposite side of Renfrew Street aquired ca. 1920 to allow the School to expand.  This building housed the Assembly Hall which was opened in 1929, so other facillities are assumed to date from around the same time.

Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.

Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).

Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.

Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.

Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.

Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).

Bound in volume, The Magazine, November 1894.

Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).

Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.

From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. These items were assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Bound in volume, The Magazine, November, 1894.

Design for a School Diploma. Front of mount labelled 'SILVER MEDAL. FOR SET.'

The 1978 Fashion Show was held in the Mackintosh Lecture Theatre from the 24th to 28th April 1978. The film comprises a combination of still images and film footage of students preparing for the show behind the scenes, and modelling on the stage. There is a mixture of men’s and women’s garments. Styles and themes include metallic fabrics, sportswear, bodysuits and off-the-shoulder dresses. Children’s clothes were also modelled in the show although these are not shown in the film. Garments were designed and modelled mostly by students or former students. Indigo Designs also designed evening dresses for the show. Students involved in the show came from a variety of subject areas and years, including: 1st year; Embroidery and Weaving; Textiles; and Graphics. Hair was by the Hely Design Group and shoes were from Ravel. The set for the show consisted of a pale, self-coloured ruched fabric backdrop. A soundtrack was recorded separately to accompany the film but GSA does not hold a copy of this. A short clip of this film is available online at https://vimeo.com/channels/504825/222346017. To view the full length film, please contact GSA Archives and Collections. Note – the full length film contains some nudity at 5:17 and 9:42. The information above has in part been provided by staff and alumni of GSA.

The exact date and location of the 1982 fashion show are unknown.  Other shows held around this time were however held in the spring, and in the Assembly building or in the Assembly Hall of the Bourdon Building. The film comprises footage of students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include rainbow, futuristic, Oriental, Egyptian, ballgowns, stripes, geometry, hats, formal, off-the-shoulder, utility wear, white, accessories, metallic, fantasy, swimwear. The show also features an extravagant period ballgown, designed by Kenny McLellan, which was subsequently shown at the “Young Blood” exhibition at the Barbican Centre in London, in November 1983 to January 1984. The set for the show consisted of a pale, self-coloured fabric backdrop. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: Fever – Little Nell, You Make Me Feel (Mighty Real) – Jimmy Sommerville, Nice 'n' Easy – Frank Sinatra, Whip it – Devo, Lullaby of Broadway – Ella Fitzgerald, Move On (Extended Version) – Fashion, Life in a Day – Simple Minds, Living Doll – Cliff Richard, Lullaby of Broadway – Ella Fitzgerald, Move On (Extended Version) – Fashion, Je ne regrette rien – Edith Piaf, Walking on Thin Ice – Yoko Ono, You Make Me Feel (Mighty Real) – Jimmy Sommerville, Nice 'n' Easy – Frank Sinatra, I wanna be loved by you – Marilyn Monroe, It ain't what you do – Bananarama, The Hunter Gets Captured By the Game – Grace Jones, Move On – Fashion, Life in a Day – Simple Minds, The Hunter Gets Captured By the Game – Grace Jones, The Farmer and the Cowman should be Friends – Oklahoma, Poison Arrow– ABC, Those Lazy Hazy Crazy Days of Summer – Nat King Cole, Poison Arrow – ABC, Fever – Little Nell, Land of Hope and Glory, plus seven unidentified pieces of music. Captions for the film were provided by the Mackintosh School of Architecture Computer Department. A short clip of this film is available online at https://vimeo.com/channels/504825/222346080. To view the full length film, please contact GSA Archives and Collections. The information above has in part been provided by staff and alumni of GSA.

The 1984 Fashion Show was held in the Assembly Building from 30th April to 5th May 1984. The film comprises images of the fashion show poster, followed by footage of the audience arriving at the venue and students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include music, pastels, metallic, rainbow, wedding, hats, white, bright colours, jewellery, off-the-shoulder, flamenco. Students involved in the show came from a variety of subject areas and years, including: Embroidery and Weaving; and Printed Textiles. All the textiles students modelling designed garments for the show. The set for the show consisted of large musical notes and staves, plus piano keyboards. It was designed and built by Minty Donald and Jean Cameron. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: In the Mood – Glenn Miller, Relax – Frankie Goes to Hollywood, Pull up to the Bumper – Grace Jones, It's Raining Men – The Weathergirls, Holiday – Madonna, Right Now – The Creatures, I Heard It Through the Grapevine – Marvin Gaye, There is Nothing like a Dame – South Pacific Male Chorus, Kick in the Eye – Bauhaus, We Live So Fast – Heaven 17, Vicious – Lou Reed, I am What I am – Gloria Gaynor, Living on the Ceiling – Blancmange, Get Up (I Feel Like Being a) Sex Machine – James Brown, Heaven Sent (extended Version) – Paul Haig, Je ne regrette rien – Edith Piaf, I Travel – Simple Minds, Bourgie Bourgie – Gladys Knight and the Pips, Propaganda – Dr. Mabuse, Loving You made a Fool out of Me – Kid Creole and the Coconuts, Small Town Creed – The Kane Gang, You Take Me Up – Thompson Twins, Free Nelson Mandela – The Specials, Fever – The Cramps, I Zimbra (12’ Version) – Talking Heads, Dancing in the Street – David Bowie & Mick Jagger, Cuentame Que Te Paso – The Manhattan Transfer The last five minutes of the film is purely instrumental music with no images. Special thanks are given to Marise and Ken Plater. A short clip of this film is available online at https://vimeo.com/channels/504825/222346130. To view the full length film, please contact GSA Archives and Collections. The information above has in part been provided by staff and alumni of GSA. With special thanks to Helena Britt for provision of information.

The 1985 Fashion Show was held in the Assembly Building from 11th to 16th March 1985. The film comprises footage of students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include African, Oriental, Egyptian, hats, bright colours, white, geometry, metallic, sleeves, fruit, accessories, Greek, graphics. Students involved in the show came from a variety of subject areas and years, including: Embroidery and Weaving; Fine Art; Sculpture; and Printed Textiles. All the textiles students modelling designed garments for the show. The set for the show consisted of a black background with white symbols. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: Free Nelson Mandela – The Specials, Je ne regrette rien – Edith Piaf, Living On The Ceiling – Blancmange, March of the Siamese Children – The King and I, We Are Ninja – Frank Chicken, Psycho Killer – Talking Heads, One Night in Bangkok – Murray Head A short clip of this film is available online at https://vimeo.com/channels/504825/222346193. To view the full length film, please contact GSA Archives and Collections. The information above has in part been provided by staff and alumni of GSA. With special thanks to Helena Britt for provision of information.

The 1986 Fashion Show was held in the Assembly Hall from 10th to 15th March 1986. The film comprises footage of students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include Egyptian, metallic, wedding, Queen of Hearts, cloaks, formalwear, masks, hats, bright colours, geometry, flamboyant, utility wear. There is also a dress made from Benson and Hedges cigarette packets – the model wearing this dress is smoking on stage. There were also a number of Harris Tweed garments in the show as Harris Tweed ran a design competition that year. Students involved in the show came from a variety of subject areas and years, including: Embroidery and Weaving; Silversmithing and Jewellery; and Printed Textiles. All the textiles students modelling designed garments for the show. It is believed that this show had a mix of professional models and students. The models were less experienced models from agencies. The set for the show consisted of a garage workshop setting with car and motor parts at the rear and sides of the stage. It was designed by the Royal Scottish Academy of Music and Drama. The hair for this show was by Taylor Ferguson. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: Metal/drums, Think – Aretha Franklin, What's New Pussycat – Tom Jones, I Heard It Through the Grapevine – Marvin Gaye, Dance of the Knights – Prokofiev, O Fortuna, Carmina Burana – Orff A short clip of this film is available online at https://vimeo.com/channels/504825/222346262. To view the full length film, please contact GSA Archives and Collections. Note – the full length film contains flashing images at 5:36 to 5:44. The information above has in part been provided by staff and alumni of GSA. With special thanks to Helena Britt for provision of information.

Long exposure photograph of Glasgow street scene with light trails.

From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even from fellow students, on the grounds of incomprehensibility.

Invitation for a social event held in the Institute of Fine Art Galleries, Sauchiehall Street, Glasgow, 25 November 1893.
Featuring two seated, semi-clothed female figures integrated amongst swirling plant forms.

Print of three images which comprise the First World War Roll of Honour of The Glasgow School of Art, designed and executed by Dorothy Doddrell.

Illuminated manuscript page mounted on paper. Written in upper right corner is 'D. Doddrell No. 101'. Lower right corner has a The Glasgow School of Art student work tag which dates the piece to 1914-15, and ascribes the work to Dorothy Doddrell. Annotation beneath the mounted calligraphy states that it is copied from an old vellum.

Originally located in folder (DC 094/1/2/1).

Sample of an illuminated initial. The Glasgow School of Art tag in the lower right corner dates the work to the academic session 1915-16, and the artist as Dorothy Doddrell.

A photograph of a photograph of five women in front of a mural in the Mackintosh building first floor gallery. It is believed the women are, from left to right and top to bottom, Sheena Robertson, Elizabeth Roxburgh, Rose Sarna, Judy McAinsh, and Rayne Walker.

A photograph of a photograph of 18 men and women posing for a picture. it is believed that the people photographed belonged to section four first year at The Glasgow School of Art (GSA), including John Taylor.

Part of 'The City As Setting'.

Part of 'At Work'.

This poster advertised an exhibition of photography held in the Victoria Cafe from the 9th to the 20th of October 1978. Exhibiting in this show were a number of artists including: Elizabeth Urquhart, Ray McKenzie, Douglas Bryce, Chris Webster, Denis Crossan and Jack Fordy. The Victoria Cafe, where the show was held, was part of the original student union across from the Mackintosh building on GSA campus. The name "Douglas R. Bryce Graphics '78" is handwritten on the back of the poster.

This poster promoted an exhibition in London showcasing embroidery and weaving work from The Glasgow School of Art. The exhibition was held in the Embroiders Guild on 73 Wimpole Street London, with a private view "tea party" for the event held on Sunday the 4th November 1979. The exhibition itself was open from the 5th to the 29th of November 1979.

This poster advertised a series of exhibitions featuring the work of contemporary artists from the province of Ontario in Canada. The exhibitions were organised by Visual Arts Ontario and were held in the Mackintosh Museum and the Newbery Gallery within The Glasgow School Of Art campus from the 25th February to the 22nd March 1985.

This poster advertised the degree show exhibition for the MA Design class of 1985. Exhibiting were designers Willie Aitken, Janice Kirkpatrick, Adele Patrick, Heather McMurchie, Gary Morgan and Ian Roberts. The exhibition was held at The Glasgow School Of Art.

The Glasgow School Of Art Fashion Show was held in the Assembly Building on The Glasgow School Of Art campus. The show ran once per day from the 11th to the 16th of March 1985. Tickets for this event were priced at £2 with a discounted price of £1.50 for students, O.A.Ps, parties and the unemployed.

This poster advertised an exhibition of work from The Private Press Movement with pieces ranging from the work of William Morris to the work of modern day artists. The exhibition was held in The Glasgow School of Art's Mackintosh Museum and ran from the 1st to the 12th of May 1973.

This poster advertised an event held in the staff lounge at The Glasgow School Of Art in honour of maintenance staff member Bob Mitchell. The poster features a caricature of Bob Mitchell illustrated by Danny Ferguson who was a lecturer at The Glasgow School Of Art. Although his main duty was maintaining the school's boiler system, Mitchell was also a reliable handy man. He is credited for constructing huge billboards which were errected in front of The Glasgow School Of Art's Newbery Tower to advertise events happening during Activities Week. These various talks and events were advertised on large scale posters, many of which can now be found in The Glasgow School Of Art's poster collection.

This poster advertised screenings of the films 'Midnight Cowboy' and 'The Connection' which took place in the Mackintosh Lecture Theatre within The Glasgow School Of Art from the 12th of April to the 4th May 1990. Tickets for the event were priced at 30p per screening or £1 for five screenings.

This poster advertised The Glasgow School Of Art fashion show held in the school's Assembly Hall between the 30th April and the 5th May 1984. Tickets for this event were priced at £2 with a discounted price of £1.50 for students, O.A.Ps and the unemployed.

This poster advertised the undergraduate BA Honours degree courses offered by The Glasgow School of Art. The poster states that those interested should write to The Glasgow School Of Art registrar for more information.

This poster advertised a series of talks held in the Mackintosh Lecture Theatre between the 25th of October and the 29th November 1982. Five talks were given by Donald Forbes of the Conservation Department and The National Galleries of Scotland. These talks were obligatory for second year drawing and painting students to attend.

This poster advertised the 2005 Glasgow School Of Art Fashion show. The event was held in the Mackintosh Lecture Theatre on The Glasgow School Of Art campus with performances running daily from the 1st to the 5th of March. Tickets for the event were priced at £5 with a discounted offer of £3 for concessions.

This poster advertised a film screening of both Pier Paolo Pasolini's 'Arabian Nights' and Otto Preminger's 'Laura' on the 2nd of November 1975. The event was organised by The Glasgow School Of Art's film society and was held in the Mackintosh Lecture Theatre in The Glasgow School Of Art's Mackintosh Building.

This poster advertised the work of printmaking graduates in one of The Glasgow School Of Art's degree shows which took place in The Glasgow School Of Art's Mackintosh Building.

This poster advertised an exhibition of work by postgraduate textile students at The Glasgow School Of Art. The exhibition was held in The Glasgow School Of Art's Mackintosh Building from the 14th to the 19th of June 1986.

This poster advertised a screening of Fritz Lang's 'Fury' which was organised by The Glasgow School Of Art Film Society and held in the Mackintosh Lecture Theatre. The poster was designed by Dennis Crossan who went on to work as a cinematographer.