- DC 103
- Collection
- 2001-2009
Four boxes of press material relating to The Lighthouse.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Booth, Lesley
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Four boxes of press material relating to The Lighthouse.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Booth, Lesley
Colin D A Porteous Collection - Easthall Solar Demonstration Project
The collection consists of job files, photographs, and architectural drawings and plans related to Easthall Solar Demonstration Project.
Porteous, Professor Colin D A
The Robert Trotter Photographic Collection
The collection comprises 348 images taken between 1995-2000 from Robert Trotter's exhibition 'New York, Glasgow: from the crowd' held at Glasgow School of Art School of Design Atrium Gallery in 2004. The images are of varying sizes and are in good condition. The images of street scenes in Glasgow and New York show musicians, market vendors and passers by against city centre architecture. emphasizing the similarities between city life in Glasgow and New York.
Trotter, Robert
This collection comprises recorded interviews with the following former Glasgow School of Art staff and students:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Arthur, Liz
Fire Recovery Testimonials 2015
This collection comprises testimonials from the following individuals who were involved in the recovery of The Glasgow School of Art's Archives and Collections after the Mackintosh Building fire on 23 May 2015:
These records are held as digital files (.jpg .doc or .pdf).
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Dadson, Emma
Alan Dimmick photographs of Scottish art scene
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
5 archive photo binders featuring images of the Scottish art scene (exhibitions, openings, parties, studios) between c1997-2012 (4 x binders of 35mm black and white negatives, and 1 x binder of black and white prints).
Dimmick, Alan
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Avella, Alfredo
Records relating to Dugald Cameron
This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.
In addition it contains the following publications:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Cameron, Dugald
Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Includes
The cards and ephemera have been created by former Glasgow School of Art staff and students and friends of Conrad McKenna, including Gordon Huntly, Rosalind Bliss, Michael Moulder, Peter Sumsion, Michael Healey, Mark Severin and James Cosgrove.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
McKenna, Conrad
Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.
Cosgrove, James
Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
The collection consists of printed textiles, garments and papers relating to Fraser Taylor's time as an undergraduate student at GSA (1978-1981), a postgraduate student at RCA (1983), and items relating to other professional activities. It also includes examples of textiles and associated ephemera for design collective The Cloth (1983-1987).
Taylor, Fraser
Wing Hong Creative Residency publication
Publication created in January 2021 from Wing Hong Creative Residency, a partnership project between GSA Community Engagement and the Wing Hong Chinese Elderly Centre in Garnethill, Glasgow. Alaya Ang created the publication to capture the project which developed a series of creative and collaborative activities with service users at the Wing Hong centre, with the aim of exploring themes of ageing, ageism and isolation.
The project took place during October and November 2020 in the midst of the Covid-19 pandemic, which meant many of the activities had to be adapted to be conducted remotely. This publication is a look into the process and preservation of the delicate experience of life during the lockdown through the participants eyes, that aims to illustrate the strength and joy of the Chinese elderly with the creative and sustaining power of art.
Publication includes Chinese text and English text. The cover reads "A reunion in the place where you are".
Ang, Alaya
Variety of materials relating to the design work of former GSA student C A Wallace Shaw, including student work; Pringle of Scotland LTD; Donna Karan International; Braemar International; and Fornton Knitting Company LTD. The collection also includes a number of personal and professional photographs; designs and textiles; and personal papers.
Please note that some of this material is not yet fully catalogued and therefore may not be accessible.
Shaw, Wallace
Records of the Glasgow School of Art Students' Representative Council and GSA Student's Association
Includes:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Glasgow School of Art Students' Representative Council
Mackintosh Art, Design and Architecture Collection
Items in The Glasgow School of Art's Mackintosh collection include: furniture, watercolours, drawings, architectural drawings, design drawings, sketchbooks, metalwork and photographs.
Mackintosh studied evening classes at the Glasgow School of Art between 1883-1894, winning numerous student prizes and competitions including the prestigious Alexander Thomson Travelling Studentship in 1890. Mackintosh and his contemporaries also produced four volumes of a publication called "The Magazine" during their time as students, which included examples of their writing and artworks. GSA Archives and Collections hold Mackintosh's Italian Sketchbook, as well as all four volumes of The Magazine, all of which can be browsed on our catalogue.
The majority of Mackintosh's three-dimensional work was created with the help of a small number of patrons within a short period of intense activity between 1896 and 1910. Francis Newbery was headmaster of The Glasgow School of Art during this time and was supportive of Mackintosh's ultimately successful bid to design a new art school building in 1896 - his most prestigious undertaking. For Miss Kate Cranston he designed a series of Glasgow tearoom interiors and for the businessmen William Davidson and Walter Blackie, he was commissioned to design large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. In Europe, the originality of Mackintosh's style was quickly appreciated and in 1900 he was invited to participate at the 8th Vienna Secession.
In 1902 Mackintosh was invited to participate at the International Exhibition of Modern Decorative Art in Turin and later at exhibitions in Moscow and Berlin. Despite this success Mackintosh's work met with considerable indifference at home. Few private clients were sufficiently sympathetic to want his 'total design' of house and interior and he was incapable of compromise.
By 1914 Mackintosh had despaired of ever receiving true recognition in Glasgow and together with his wife Margaret Macdonald he moved, temporarily, to Walberswick on the Suffolk Coastline (in England), where he painted many fine flower studies in watercolour. In 1915 the Mackintoshes settled in London and for the next few years Mackintosh attempted to resume practice as an architect and designer. The designs he produced at this time for textiles, for the 'Dug-out' Tea Room in Glasgow and the dramatic interiors for 78 Derngate in Northampton, England show him working in a bold new style of decoration, using primary colours and geometric motifs.
In 1923 the Mackintoshes left London for the South of France, finally living in Port Vendres where Mackintosh gave up all thoughts of architecture and design and devoted himself entirely to painting landscapes. He died in London, of cancer, on 10 December 1928.
The majority of Mackintosh's design work, (including furniture and metalwork), architectural drawings, textile designs and watercolours are in the possession of three public collections - The Glasgow School of Art, Glasgow Museums, and the Hunterian Art Gallery at the University of Glasgow - although significant (individual) pieces can be found in museums across the UK and Europe, North America and Japan. However, some of Mackintosh's most important, symbolist watercolours from the early to mid-1890s are to be found in the collection of The Glasgow School of Art.
The Glasgow School of Art Archives and Collections hold a large number of items by Mackintosh, giving us one of the largest collections of his work held in public ownership. The collection is one of 50 Recognised Collections of National Significance to Scotland. We continue to investigate new routes of engagement for the collection. For example, our Mac(k)cessibility project in conjunction with GSA’s School of Simulation and Visualisation explores digital display and loans of our Mackintosh furniture. Find out more about the Mac(k)cessibility project here.
Mackintosh, Charles Rennie
Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
The collection includes:
Matthew, Veronica
Records of The Glasgow School of Art, Glasgow, Scotland
Includes:
[b]Ephemera collection, 1890-[/b]
The School's collection of ephemera includes flyers, programmes and tickets for events at the School, such as plays, fashion shows, charities week events, exhibitions and performances.
Key records include:
[b]Newspaper cuttings, 1864-[/b]
The School's press cuttings include articles relating to staff and students.
[b]Photographs, c1880s-[/b]
The School's photograph collection provides an excellent record of events at The Glasgow School of Art, its students and their work.
Key records include:
[b]Prospectuses, 1893-1995[/b]
The Glasgow School of Art
Art, Design and Architecture collection
Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.
Items include
Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.
There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.
*Not available / given
Helen Cargill Thompson Silversmithing and Jewellery Collection
A diverse collection of mainly silver items including a wide selection of contemporary GSA undergraduate, graduate and staff works from about 1985 to 2019, as collected by Helen Cargill Thompson.
The collection includes items of contemporary, antique and period silver exhibiting a broad range of technical skills, design finesse and a selection of provincial historical Scottish silver makers marks and town marks on both functional and decorative objects.
Items included in the collection were acquired with the intention of being gifted to the Glasgow School of Art Archive as an educational resource.