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Glasgow, Scotland
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Different kinds of Street's lightings

Free hand sketches showing different kinds of lighting on three different street at Glasgow:

  • Maxwell Street from Howard Street,
  • St. Enoch Car Park, Pedestrian Entrance view from inside,
  • St. Enoch Car Park, Pedestrian Entrance view from outside.

Platt, Christopher

Design for the Grand Hall, Glasgow International Exhibition, 1901

The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'

Mackintosh, Charles Rennie

Design criteria: "The eight proposals"

A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space

Platt, Christopher

Daylight effects on street: Royal Bank Place

Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.

Platt, Christopher

Daylight effects on street: looking through North Court Royal Exchange from Royal Exchange Square

Free hand sketch showing the contrast between immediate shade and distant sunlit. Buildings invite you through the lane and rewards you at the other end with a street where you can check your bearings. Cobbles just past archway indicate lane running across path.

Platt, Christopher

Cosgrove 3rd Textiles

Glasgow School of art Third Year Printed Textiles sketchbook labelled 'Botanic Gardens 1969'. Abstract designs.

Cosgrove, James

Colour Negs GAO

Folder containing colour negatives of photographs taken by George Oliver. Most are annotated. Includes: Glasgow Green, Greenock, Exhibition of Scottish Art in North of England, London, Morgot's Studio, Border Warfare at Tramway 1989, Wines from Paris Opening, Holyrood Park Festival Fringe Day 1996 and Glasgow streets.

Oliver, George

Colour Negs: CMO Rolls-Royce

Folder containing colour negatives. Most are annotated. The photographs are presumed to have been taken by Cordelia Oliver as they are taken after George's death. Includes: Cordelia and her friends, Glasgow, The Vital Spark Clyde puffer and Pollokshields villas.

Oliver, Cordelia

Collection of Publications

A bundle of magazines, catalogues and booklets collected by Cordelia Oliver. Includes: Art Monthly, Art Review, Scottish Theatre News, Elizabeth Blackadder exhibition catalogue Mercury Gallery, 1991, Art in Scotland 1978-1988 catalogue, Scottish Actors Company Festival Brochure and Scottish International.

Oliver, Cordelia

Coat of Arms for the stairwell at Glasgow School of Art

This item was severely damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. Some fragments have been salvaged. The bell survives as it was not in the building at the time of the fire.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

Mackintosh, Charles Rennie

Clyde Environment

Folder containing 84 black and white photographs depicting the clyde environment taken by George Oliver and of various sizes. Some have been annotated but most are unidentified. Includes: numerous pictures of clyde puffers steaming up and down the river, Grangemouth pictured from South Alloa, St Enoch Subway in the 1950s and taxi rank, a sail to the Kyles of Bute from Glasgow, Govan, cranes, bridges and various dock scenes.

Oliver, George

City Chambers, Cathedral, Templeton's etc.

Folder containing 41 black and white photographs of various sizes taken by George Oliver. Some are annotated. Includes: washing lines at Templeton's Carpet Factory, interior of the City Chambers, interior of the Mackintosh Library showing book trolley in a Mackintosh style, Glasgow Cathedral and high rise flats.

Oliver, George

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