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This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eva Dolgyra has designed a poster for the Dario Argento film 'Inferno'. The poster has been created using collagraph printmaking techniques.

Pine Sprite 1, Archival Print on Inkjet Paper, Wood Sprite series, 2021.

One sheet from a folder of six sheets of furniture designs,and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows a design for a fireplace with integral mantle clock.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows designs for a single wardrobe, dressing table, side view of dressing table, chair and wash stand.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows front elevations of a chair, a dressing table and a cabinet.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace. This one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor.

One sheet from folder of six sheets of furniture designs, and designs for a fireplace. Includes one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. Large sheet with double wardrobe, dressing table, cabinet and details.

Print of 'The Archer'

Wrecking Ball woodcut and cardboard print

Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.

This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.

Designed for the schoolroom, Gladsmuir, Kilmacolm. The same two metal panels first appear in the design for the fireplace and fender probably intended for Regent Park Square and were repeated in the wardrobe designed for Westdel in 1898. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for John Henderson.'One of the earliest surviving pieces with repousse panels, here designed by Mackintosh. Although probably made by cabinet makers such as Guthrie & Wells, it has none of the more traditional mouldings that appear on the commercial bedroom units, probably because Mackintosh was designing directly for a client. The pendant leaf motif at the base was slowly transformed in later pieces, into a characteristic dip in the lower stretcher or apron based upon a favorite Mackintosh motif, the swooping bird.' (Roger Billcliffe). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Typeset poster, lettering reads, 'Communication can be well mannnered, academic.....'

Half-length study of man wearing jacket (probably a Glasgow subject).

Study of an open market, Glasgow.

Study of an open market, Glasgow.

Italian farm study.

An old, four-wheeled farm wagon.

An old, four-wheeled farm wagon.

Study of church interior.

Drawing of elderly, seated woman (probably from Lincolnshire).

Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

Study of seated male model (possibly from Glasgow School of Art life class).

Study of male model (possibly from Glasgow School of Art life class).

Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

Montage of costume designs for the Masque of the City Arms.

This poster promoted an exhibition held in the Newbery Gallery on The Glasgow School of Art's campus from the 12th April to the 4th May 1990. The exhibition showcased the embroidery work of Hannah Frew Paterson who taught embroidery at GSA. The exhibition was funded by the Ian MacTaggart Trust, Glasgow District Council Festivals Budget and Anchor Dairy.

Half-length study of man wearing jacket (probably a Glasgow subject).

Study of young man (standing) and two crouching figures in background (probably a Glasgow subject).

Drawing of young man (probably from Lincolnshire).

Study of seated male model (from GSA life class).

Study of male model from behind (from GSA life class).

Study of male model (possibly from Glasgow School of Art life class).

Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of Catterline shoreline, looking northwards over the bay and showing the pier, boat shed, and salmon bothie, with 'the Watchie' building above.

Design for wall decoration - mermaids. On mount: Design for wall decoration/ Violet McGlashan/76/Owen Jones competition.

This poster advertised an exhibition held in The Mackintosh Museum at The Glasgow School Of Art that showcased the work of graduating ceramics students from across Britain. The back of the poster lists exhibiting students along with details of where they studied. The exhibiting graduates included: - Jane Frankland: Manchester Polytechnic - Liz Astbury: Wolverhampton Polytechnic - Nicola Marrison: Crewe Alsager College Of Higher Education - Maria Lindemann: Central St. Martins College of Art And Design - Mark Hailley: Loughborough College of Art And Design - Madeleine Child: Camberwell School Of Art - Susan Wade-French: Glasgow School Of Art - Rob Richard: Bristol Polytechnic - Julian Smith: South Glamorgan Institute Of Higher Education - Zoe Whiteside: Staffordshire Polytechnic - Helen Hitchcock: Leicester Polytechnic - John Alliston: South Glamorgan Institute Of Higher Education - Susan Ross: Duncan of Jordanstone College Of Art And Design - Michael Green: Bath College Of Higher Education - Dale Butroid: Bristol Polytechnic - Michael O'Connor: Goldsmiths' College - Susan Room: Middlesex Polytechnic - Marie Bonlokke: Pederson Royal College Of Art - Bryony Seymour: Staffordshire Polytechnic - Brigitte Winsor: Birmingham Polytechnic - Philomena Pretsell: Edinburgh College Of Art - Frankie McKenna: Grays School Of Art The exhibition ran from the 6th to 27th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.

The sitter was a painting student at GSA.

A photograph taken by the architect showing the front view of the coach house from the main road (Eldon Street), showing the Health Board Headquarters building situated on top of the hill above the coach house.

A photograph taken by the architect focusing on the left side of the front elevation to see what the garages are obscuring.

Cartridge paper sheet including five photos of the coach house taken by the architect focusing on the external view from different angles showing some details such as the junction of the roof, and details of ridge window where the large windows have been boarded up. One of these photos shows the front elevation of the coach house facing the driveway leading to Health Headquarters situated on the top of the hill above the coach house.

Free hand sketch showing the north elevation of Scotland Street School including some architectural descriptions, for example, "scale has been a major design factor in this building for children, windows diminish in height as they rise from the floor, and the wall has been set back to lessen the effect of three stories. Not every room in a building has the same height, each houses a different function and should be designed with that function in mind".