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Poster reading 'Art Nouveau Stock on Display in GSA Lending Library'. Poster designed by Ewan A Macdonald. The date of the poster is unknown but is thought to be late 20th century.

Poster reading 'Women's Studies Stock on Display in GSA Lending Library'. Poster designed by Ewan A Macdonald. The date of the poster is not given but is thought to be late 20th century.

These posters advertised an exhibition of work by past and present students from the School Of Design and the Mackintosh School Of Architecture at The Glasgow School Of Art. Dominating both posters is a quote from John Kenneth Galbraith who was a prominent economist during this period. The quote states "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between The Mackintosh Museum on The Glasgow School Of Art Campus and Kelvingrove Art Gallery And Museum and ran from the 9th of February to the 1st of March 1985.

Sketchbook labelled 'James Cosgrove' on inside of front cover. Variety of coloured and monochrome designs and illustrations. Several loose works including one Christmas card design.

Print of the illuminated heading for the Roll of Honour of The Glasgow School of Art. Annotation on the reverse attributes the design and execution to Dorothy Doddrell.

Material created for Project 3, First Year which relates to the history and design of The Glasgow School of Art building. Six Drawing and presentation sheets of architectural floor plans, elevations, and details.

A collection of publications featuring work by George or Cordelia Oliver, some of which is collaborative. Includes: art catalogues and magazines.

Includes:

• Newsletters and circulars, 1959-1978
• Membership records, 1960-1974
• Exhibition records including catalogues, invites, visitors' books, price lists and related correspondence, 1959-1979
• Press cuttings and notes, 1959-1976.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Includes:

• Legal and Administrative Paperwork
• Correspondence and Information on Events
• Publications (including information on starting MAC magazine).

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

The Glasgow School of Art north elevation as it drawn as it was in 1910, without any written information about the architect, the history of the building.

The Glasgow School of Art south elevation drawn as it was in 1910, without any written information about the architect, the history of the building.

West elevation: drawn from a contract drawing of 1907 re-design of the original 1896 and altered by architect amending doorway, architrave, and corbels.
East elevation: drawing shows the building as built originally planned except for slight modifications.

Presentation sheet including copies of floor plan drawings and a photo of the east staircase at first-floor level. No references included.

The presentation sheet includes photos of some wrought iron features with descriptions about the functional and aesthetics values of using such features as they were attached to the windows, above the main entrance, and balcony railings. Photos' references are unknown.

The presentation sheet includes photos of some main features of the library such: pendant cluster of pierced metal lampshades, the construction of the coffered ceiling pillars and balusters. Photos' references are unknown.

A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.

A collection of sketches, designs, photographs and lithographs by Donald Melvin completed during his time as a student at Glasgow School of Art in the 1960s.
Includes work carried out as part of courses such as, for example, Interior Design, the History of Furniture, the 2nd Year General Course, the Pre-Diploma /Foundation Course and Woodcarving.

Also includes sketches carried out during GSA summer schools abroad in Florence and in Norway, and materials relating to extra-curricular activities such as photographs of productions staged by GSA Dramatic Club and Christmas ball posters.

The collection consists of 305 photographs taken between 1853 and 1896. Sitters included local dignitaries, friends and family including John Brown, Queen Victoria's Ghillie. The collection also includes landscapes and the streets of Glasgow, particularly around the Pollokshields area on the south side of the city. Other subjects include ships, ship yards and stately houses.

The George and Cordelia Oliver Archive consists of:

• Newscuttings (featuring articles by Cordelia Oliver)
• photographs and negatives by George Oliver
• personal papers
• examples of artwork by Cordelia and George Oliver, various publications
• posters relating to cultural events in Glasgow and Scotland.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.

The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.

As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.

In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.

14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.

This overlay accompanies the poster for the screening of Bruce Lacey's "Mechanical Ballet" which can be found under reference number GSAA/EPH/10/162. Lacey is an eccentric character known for working with sculpture, sound and performance and has been featured in a number of British films including the Beatles' film 'Help'. The screening was held in The Haldane Building on the 15th of April 1971. Lacey screened a number of stills from his ICA exhibition during this event.