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Scottish. Crewel work on natural linen. Basket of flowers motif, worked predominently in shades of green, orange and pink. Woollen fringe. Has label from G.S.A. Needlework Exhibition of 1916. Designed by Mrs. Newbery (Jessie Newbery). Worked by Mrs. Rowat (her aunt), Glasgow.

Includes:

• Newsletters and circulars, 1959-1978
• Membership records, 1960-1974
• Exhibition records including catalogues, invites, visitors' books, price lists and related correspondence, 1959-1979
• Press cuttings and notes, 1959-1976.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Stool top in canvas stitches, dogs' hair and hand spun wool (natural brown and vegetable dyed). Label on back for The Unbroken Thread exhibition.

"Eskimo" doll with snowshoes, bag and "Eskimo" baby, holding a fish.

Symbolic Masonic apron.

The publications of the Needlework Development Scheme were central to its aims. The two bulletins, "And So to Sew" and "And So to Embroider" published three times a year, were issued free until 1958 until demand led to a charge being levied for orders of over 24 copies. At its height in the 1950s, the scheme spent the current equivalent (2003) of £1 million printing the bulletin and distributing it primarily to school girls as well as other interested parties. Other publications featured accounts of the Scheme's development along with images of selected needleworks or focused on particular themes within the collection, such as Swedish needlework.

Includes 3 adverts and order forms for the NDS bulletin publications. Each of the adverts includes short synopses of the new issue and other publications under the NDS such as some of their books.

Ten figures in various reclining poses, printed/hand painted on textile and mounted on board. The figure outlines are printed in a dark brown/black, whilst their bodies are filled and shaded in peach and white (possibly hand-painted).

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ten figures in various reclining poses, painted on textiles and mounted on board. In this pull of the print the figure outlines have been printed in a pale shade which almost matches the backing textile. There is no fill for the figures, only some patches of colour, possibly hand painted, in a red-ochre shade.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Ten figures in various reclining poses, painted on textiles and mounted on board. Only four of the figure outlines have been filled with colour.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Textiles, student papers and artworks from Fraser Taylor's time at The Royal College of Art (RCA) as a postgraduate student.

Three copies of press releases and Six copies of photographs for Lynne Franks PR agency. Promotion and development of fabrics for designers including The Cloth, Sue Clowes, Hilde Smith and Pazuki Prints.

Catwalk photograph for The English Rose collection of prints for Betty Jackson. Designed by Brian Bolger. Summer 1985. Black and white photograph.

Ten figures in various reclining poses, printed/hand painted on textile and mounted on board. The figure outlines are printed in a dark brown/black, whilst their bodies are filled and shaded in a red-ochre and dark peach (possibly hand-painted).

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Embroidered fire screen depicting a young girl flanked by roses, with three rabbits at her feet.

Attributed to Ann Macbeth.

Double sided fabric panels featuring various embroidery techniques.

Embroidered panel on silk, framed

Tapestry panel showing green figure touching thin plant on a blue backdrop with a bright green border.

Stiching sampler in blue pink and black wool on heavy fabric.

Screen-printed poster on fabric. Signed 'Chuck Mitchell '74'.

Green apron with blue and white embroidery details chicken and tree motifs, made by a third year Embroidery & Weaving student at The Glasgow School of Art.

A number of the GSA fashion shows were filmed and some of these films are held by GSA Archives and Collections, namely the films for 1978, 1982, 1984, 1985 and 1986. These show models on the stage plus in some cases backstage footage and/or stills, and the audience arriving at the venue. For four of the films held by GSA Archives and Collections, the soundtracks have been incorporated at the editing stage and reflect the songs played at the show.

Printed textiles with designs for handkerchiefs, headscarves and posters.

The Anderson family archive includes material of 5 of its members, namely the sisters Violet Meikle (1873-?), Daisy Agnes McGlashan (1879-1968), Daisy's husband William Smith Anderson (1877-1929) and their two daughters Daisy M Anderson (1910-1996) and Agnes Violet Neish (nee Anderson) (c1912-2005).

The Anderson Family archive contains family papers, sketchbooks, photographs and letters from 1860 to 1969.

The archive contains a number of sketchbooks kept by family members. Those belonging to the women contain flower drawings and schemes for ornamentation whilst William Anderson's books reflect his life as a commercial traveller for an ironfounder's firm and contain scenes from London and elsewhere, as well as technical drawings and plans. As many of the members of Daisy Anderson's family attended the Glasgow School of Art, the collection throws light on the work of the School from the 1880s-1950s.

Additionally the collection includes correspondence, newscuttings and photographs. Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014, and has since undergone conservation.

Hand printed silk-screen handkerchief on fine silk twill. Print on cream background.

Image shows a Bank of England pound note underneath a suspender holding up a stocking.

Handprinted silk-screen headsquare or scarf on shantung silk.

Image is a red, yellow and orange pattern on a black or dark grey background.

Screen-printed poster on fabric with four Alsatian dogs and the text ' Circus. Act 9. The curtains open to reveal the painted backdrop of the interior of a church. At the front of the stage, facing the auditorium and illuminated from below by the footlights, is an Alsatian dog that snarls, growls and barks incessantly for five minutes, then the curtains close'.

Screen-printed poster on fabric advertising a lecture by Vico Magistretti on 13 June (no year) in the Mackintosh Lecture Theatre.

Hand printed silk-screen handkerchief on fine silk twill, 1978. Hemmed with lace in the shape of hearts.

Image shown is a Bank of England pound note appearing from underneath a pink brassiere.

Handprinted silk-screen handkerchief on fine silk twill. Print on cream background.

Image shows a woman's face with hands over it.

Handprinted silk-screen headsquare or scarf on wool varuna.

Image shows in head with leaves, flowers and birds emerging from it, on orange, pink and white stripes.

Screen-printed poster on fabric advertising a lecture by Zandra Rhodes on 6 May 1981 in the Mackintosh Lecture Theatre.

Portrait of Zandra Rhodes and includes the headline text 'You can take the stigma out of punk but safety pins stay - ok?'.

Stencilled poster on fabric advertising events for Activities Week including a lecture by Jonathan Hodgson (animator); Jazz music; Film called 'Jazz in the Thirties'; the Frank Patrini Quartet; and cabaret by Three of a Different Kind.

Screen-printed poster on fabric with a portrait of Charles Rennie Mackintosh, his signature and the text/quote '"There is hope in honest error. None in the icy perfections of the mere stylist" Chas. R Mackintosh. Glasgow 1901'

Screen-printed poster on fabric with an advert for a lecture by Gerry Taylor headlined 'Memphis, Milano'. Text reads 'Gerry Taylor, GSA 1978, currently with Scottsass Associati and Memphis. Milan. Mackintosh Lecture Theatre Monday 16th May 2.15pm'.

Screen-printed poster on fabric with an advert for a lecture by Michael Vickers headlined 'Carry on caryatids'. Text reads 'First floor lecture theatre. Friday 2.30pm Bourdon Building'.