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Painting sample on brown paper, depicting soldier on horseback. Small annotation in lower left corner of painting of 'ISRL'.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.

William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.

Variety of materials relating to the design work of former GSA student C A Wallace Shaw, including student work; Pringle of Scotland LTD; Donna Karan International; Braemar International; and Fornton Knitting Company LTD. The collection also includes a number of personal and professional photographs; designs and textiles; and personal papers.

Please note that some of this material is not yet fully catalogued and therefore may not be accessible.

Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

The papers listed here are the records of three private commissions undertaken by James Fulton between 1909 and 1912, while he was resident in London. The papers include correspondence with the clients, builders and tradesmen. There are rough plans only for the house for F. Hall Gibson, who appears to have been a friend of Fulton's family.

Collection includes:

• Menus and dinner invitation to artistic gatherings with a sketch by James E Christie
• London Sketch Club ephemera including menus, invitations, cards with sketches by Shepperson, W Lee Hank, Rene Butt and Jock Bere, 1902-1906
• F. Carruthers Gould ephemera containing invites to private views
• tudies for Pictures by J Moyr Smith, 1868
• Information on John Burnet, Architect, 1814-1901
• Photograph album, c1893

The photograph album contains photographs of "The Immortals", including Jessie Keppie, Charles Rennie Mackintosh, Herbert MacNair, Frances Macdonald, Margaret Macdonald and others of their circle.

The Moyr Smith sketches are from Moyr Smith's first published book Studies in Pictures. Smith trained in Glasgow, becoming influenced by Alexander Thomson and Daniel Cottier, moving to London in 1864.

Of great importance in this collection is a sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook, dating from the 1890s, consists of 19 drawings of flowers, furniture sketches, and interior sketches of Craigie Hall, Pollokshields, Glasgow.

This collection contains architectural sketches that formed part of John Hinshelwood's training as a student at The Glasgow School of Art.

These include:

• The Doric Order, 1926
• Time sketch for a Perfume Shop, Park Lane, Stranraer, Scotland, 1927-1928
• Design for a Garden Pavilion, 1927-1928
• Design for a pavilion. 0.5 inch detail, 1927-1928
• A Memorial to a Statesman, 2 copies, c1920s

This collection contains:

• Notebooks, a sketchbook, scrapbooks, and student work from John Walter Lindsay's time at The Glasgow School of Art, 1943-1950
• Recollections of staff & students and his time at The Glasgow School of Art, 1990s
• Scrapbook giving an account of his travels following the award of the Haldane Travel Scholarship, 1950
• Miscellaneous magazine cuttings concerning architecture, c1950s-1990s
• Folder arranged by Lindsay containing material relating to Charles Rennie Mackintosh, 1968-1999
• Folder arranged by Lindsay containing correspondence, 1968-2006
• Photographs of Keppie Henderson Architects building models, c1950s-1990s
• Folder arranged by Lindsay containing material relating to his architectural career, c1940s-1990s

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

This collection includes a bound volume of student architectural notes, a student thesis, and a residential house brochure by Lanarkshire Builders Limited, plus some photocopies of correspondence.

The Anderson family archive includes material of 5 of its members, namely the sisters Violet Meikle (1873-?), Daisy Agnes McGlashan (1879-1968), Daisy's husband William Smith Anderson (1877-1929) and their two daughters Daisy M Anderson (1910-1996) and Agnes Violet Neish (nee Anderson) (c1912-2005).

The Anderson Family archive contains family papers, sketchbooks, photographs and letters from 1860 to 1969.

The archive contains a number of sketchbooks kept by family members. Those belonging to the women contain flower drawings and schemes for ornamentation whilst William Anderson's books reflect his life as a commercial traveller for an ironfounder's firm and contain scenes from London and elsewhere, as well as technical drawings and plans. As many of the members of Daisy Anderson's family attended the Glasgow School of Art, the collection throws light on the work of the School from the 1880s-1950s.

Additionally the collection includes correspondence, newscuttings and photographs. Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014, and has since undergone conservation.

The collection is comprised of Lewis Ballantine's own works of art such as life drawings, self portraits, design work and sketchbooks, and photographs, as well as sketchbooks and notebooks that belonged to his mother and father.

The work in the collection by Lewis Ballantine forms a valuable record of his time at the Glasgow School of Art. They show the development of his work as an artist, and provide an example of the type of work that Drawing and Painting students were required to produce during this period.

Lewis Ballantine's mother, Alice Longmuir Nisbet was herself at Glasgow School of Art in the 1930s, and was involved in the Socialist Art Circle. The sketchbooks in this collection also contain works by other members of the group such as Stuart Henderson, Jimmy Morton, James ("Jimmy") Ogilvie, W. C. Thompson and John McLean. The photographs in the collection picture Alice Longmuir Ballantine and John ("Jack") Hendry Ballantine, and Lewis Ballantine's maternal grandfather, Robert Dow Nisbet.

Collection includes:

• Notebooks belonging to Robert Dow Nisbet, 1930s
• Sketchbook belonging to Robert Dow Nisbet, 1930s
• Sketchbook of Jack Hendry Ballantine, 1930s
• Sketchbook of Alice Longmuir Nisbet, includes sketches from other members of the Socialist Art Circle, 1936
• "Dun Breatann" Sketchbook of Lewis Ballantine, 1966
• "History of Costume" Sketchbook of Lewis Ballantine, 1967
• Photographs of Robert Dow Nisbet, Alice Nisbet, c1945, Jack Hendry Ballantine c1970, Alice and Jack Ballantine, June 1995.
• Correspondence to Alice Nisbet, 4 letters, 1938-1995

The collection includes material related to Helen Biggar, Sydney d'Horne Shepherd, Hugh Biggar, and the Kino Film Group.

A4 and A5 papers showing the required data for the all suggested activities inside the study bedroom including the environmental factors, and the space criteria.

Job files and drawings related to the project (no photographs).

Drawings and job files related to the project.

Seven pieces of teaching examples for pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.

15 painted pattern designs featuring floral, organic, and geometric motifs, including one book cover design for 'Gulliver's Travels' by Jonathan Swift. Most of these designs are likely intended for use in wallpaper, textiles, or graphics, and attached to black backing paper. Some include annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A one-point perspective drawing depicting the side elevation of Galla Placidia. Stamped "The Glasgow School of Architecture, Session 1935-36."

A tracing paper showing the plan and elevations of the proposed study bedroom at Mc Alpine Studio, Hill Street, Glasgow.

A series of watercolour drawings featuring plant subjects (namely Anemone, Holly, Lilly, and Violet flowers) and a folder for storing the paintings. Half of the items have been signed "G. Murphy, No. 71", and one drawing has been annotated.

A life sketch portraying a woman.

A small-sized life sketch portraying an old man. The sheet is attached to backing paper.

A life sketch portraying an old woman.

Drawings and job files relating to the project.

Drawings and job files relating to the project.

This work is presumed from the same series as "Pressed seaweed art (DC 120/1/1)," but not dated. Two pieces of kelp and red dulse seaweed are attached to the paper.

A drawing made of dried kelp and red dulse seaweed from the sea near Millport in Ayr, Scotland. Annotated "Millport. ap 3. 36." presumed to be the creation date. The pieces of seaweed adhere to the paper, maintaining their natural shapes.

Print of a bookplate, with the name L.C. Mackintosh. Lower right corner of print shows Dorothy Doddrell's monogram.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Six pieces of teaching examples for printmaking, attached to backing paper. A few prints have been engraved with letters indicating that these prints are intended for school activity poster designs. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Material created for Project 1, First Year including Site Analysis and buildings' facades for selected locations, one from global and the other from Glasgow Area. 6 Drawing sheets of architectural elements and details.

Architectural drawing on a tracing paper presenting the ground floor plan of the exhibition stand project in scale of 1:20, on an area of (6 x 4 m) including the description:
" Ground floor comprises charts and maps around the walls depicting how aluminium is manufactured from bauxite and also pictures of very large products. There is also an area for displaying large products (window sections, etc) and in the centre of the floor is a model of an aeroplane with information showing which parts are made from aluminium."

Architectural drawing on a tracing paper presenting the first floor plan of the exhibition stand project in scale of 1:20, including the description:
"1st floor comprises aluminium drums of various sizes displaying small products, e.g. pots and pans, and small industrial ware."

Architectural drawing on a tracing paper presenting the second floor plan of the exhibition stand project in scale of 1:20, including the description:
"2nd is the office and interview floor, where anyone requesting further information or wanting to purchase anything can come and talk to the representatives of the various firms."

Architectural drawing on a tracing paper presenting section across the floors of the exhibition stand project in scale of 1:20, including the details of the construction structure and martials used, furniture, and figures. The total height of the building is 9.3 m.

Architectural drawing on a tracing paper presenting the elevation of the exhibition stand project in scale of 1:20.

Architectural drawing on a tracing paper presenting detail of the aluminium stands in scale of 1:2 showing the method of bolting the panes of glass to aluminium T-beam sections.

Material created for Project 2, First Year which relates to the study of the historical buildings, in particular the Greek Temple.

Free hand drawing showing the site plan for project 2 Evergreen Club identifying the two main points to enter the site, the main roads surrounding the site, and trees and grass.

Free hand drawing on tracing paper showing the site plan for project 2 Evergreen Club identifying the natural environmental factors (sun path/during one day), with the north arrow to indicate wind direction, the names of the main roads surrounding the site, the types of trees and grass, infrastructure, and the types of materials within the site.

Free hand drawing related to the site analysis for project 2 Evergreen Club showing the elevation to Naseby Avenue and tenements indicating the types of trees and grass, and the types of materials of the surrounding buildings and their heights.

Free hand drawing related to the site analysis for project 2 Evergreen Club showing the elevation to Rowallan Lane and church indicating the types of trees and grass, the types of materials of the surrounding buildings and their heights, and path slopes to give drainage.

Free hand drawing related to the site analysis for project 2 Evergreen Club showing the elevation to Marborough Avenue indicating the types of trees and grass, and the types of materials of the surrounding buildings and their heights.