Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'La Comunita Cristiana Fiorentina e Toscana nella Dialettica Religiosa del Cinquecento' (The Florentine and Tuscan Christian Community in the Religious Dialectic of the Sixteenth Century) in Florence, Italy, 15 Mar 1980-15 Jun 1980.
Not available / given
View over the canal. Signed: "Fyffe Christie '51" (in ink), bottom right.
Christie, Fyffe
Various studies of carved pilasters.
Revel, John D
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Italian farm study.
Eardley, Joan Kathleen Harding
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Poster for a Charles Rennie Mackintosh exhibition in Certaldo
Part of Records of The Glasgow School of Art, Glasgow, Scotland
In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.
*Not available / given
Looking towards the Piazza Grande.
Selby, Frederick
View over San Pietro from the roof tops.
Selby, Frederick
View over the town's skyline.
Selby, Frederick
View of Sant'Agostino.
Selby, Frederick
View towards Sant'Agostino.
Selby, Frederick
View of the Basilica from across the square.
Selby, Frederick
View over Venetian rooftops, looking towards St Marks Basilica.
Selby, Frederick
Chigi Chapel, Santa Maria del Popolo, Rome, half section through chapel
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half elevation to church
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, panel mouldings in spandrils
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Italian.
Ferguson, Hugh C S
Probably in the Italian lakes.
Miller, Josephine Haswell
Fiesole, Italy; view through trees
"AEH Miller 1911 Fiesole 1913", bottom left.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"A E Haswell Miller. Anacapri. 1918" (in pen), bottom left.
Miller, Archibald E Haswell
Miller, Josephine Haswell
Miller, Josephine Haswell
Probably Italy.
Miller, Josephine Haswell
View of basilica from garden.
Dallachy, John Eadie Waddel
Study of building's facade.
Fulton, James Black
Elevation/Raffael Arch.
Revel, John D
Various stone details.
Revel, John D
South east elevation and plan.
Brodie, Margaret Brash
Study of a unnamed Piazza, possibly in Venice.
Jackson, Alexander Logan
View of Venice. Published by R.H. Laurie and Jas. Whittle, 53 Fleet Street, London.
*Not available / given
Street scene with the Basilica in the background.
*Not available / given
Plaster cast of the Belvedere Apollo (also called Pythian Apollo)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The Apollo is thought to be a Roman copy of Hadrianic date (120 - 140 BC) of a lost bronze original made between 350 and 325 BC by the Greek sculptor Leochares. Statue depicts the Greek god Apollo, who has just overtaken the serpent Python, the cthonic serpent of Delphi. Apollo has been variously recognized as a god of light and the sun; truth and prophecy; archery; medicine, healing and plague; music, poetry, and the arts; and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Listed in first catalogue of casts as Greco-Roman and from the Vatican Museum, and purchased from D. Brucciani. Original currently in the collection of the Vatican Museum, Rome, italy.
Plaster cast of Crouching Discobolos
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The Discobolus of Myron is a famous lost Greek bronze original that was completed towards the end of the Severe period, c460-450 BC. It is known through numerous Roman copies, both full-scale ones in marble, such as the first to be recovered, the Palombara Discobolus, or smaller scaled versions in bronze. Bought from Brucciani. Original currently in the collection of the British Museum, London, UK.
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Plant study with hemlock seedhead. Ravenna coat of arms, top right.
Fulton, James Black