Information on John Burnet, Architect, 1814-1901, his life and buildings
- DC 004/8
- Item
- c1901
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
2 type-written pages.
*Not available / given
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Information on John Burnet, Architect, 1814-1901, his life and buildings
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
2 type-written pages.
*Not available / given
Letter received by John Henderson, Director of Glasgow School of Art
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Letter from John Burnet, architect re: the appointment of a new Professor of Architecture, Glasgow.
*Not available / given
View of the cloisters.
Burnet, Sir John James
Professional and Civil Service Supply Association Ltd, Edinburgh
Perspective of building showing main entrance.
Burnet, Sir John James
Part of Lectures by Francis Lorne
Typewritten paper by Francis Lorne describing the social and financial reasons for the modern flat typology, and outlining the fundamental requirements that they should meet. It is not known where the paper was read, however it is dated to Lorne's time as a partner in the firm of Burnet, Tait & Lorne.
Lorne, Francis
New Botanical Laboratories, University of Glasgow
Glasgow University extension. Perspective view from University Avenue.
Scott, John Oldrid
Public Library and Museum, Campbeltown
Library building with busy street scene.
McGibbon, Alexander
New Botanical Laboratories, University of Glasgow
Glasgow University extension. Plan of ground floor. Perspective view looking to University Avenue.
Scott, John Oldrid
Part of Lectures by Francis Lorne
Typewritten page briefly describing the varying options for contemporary communal living in flats. The text may be connected to a lecture by Francis Lorne on modern flats, but the page is not numbered and appears distinct. The date of the text is presumed to be within the period of Lorne's employment at Burnet, Tait & Lorne.
Lorne, Francis
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
Design in relation to building and manufacture
Part of Lectures by Francis Lorne
Typewritten paper, read by Francis Lorne at the Glasgow School of Art, concerning the relationship between designers, manufacturers, and schools of art. Lorne describes the reluctance of the three groups to co-operate and envisages a closer relationship to combat Britain’s declining status following the First World War. With regard to schools and academies, Lorne - a former student at the Glasgow School of Art - encourages the design of useful products rather than the recreation of existing styles with no connection to life. With regard to architecture, Lorne protests the imitation past styles - and also the imitation of continental Modernism without respect for unique local conditions. In setting out his vision for the future, he encourages the use of industrial methods and mass production, but calls for increased responsibility of the artist to create works fitting for the industrial age. Through the marrying of designers, manufacturers and schools of art, Lorne describes the possiblity of a 'design for our own time.' The paper is published in: Royal Incorporation of Architects in Scotland Quarterly, no. 46, 1935, pp. 5-16.
Lorne, Francis
A standard of values for architecture to-day
Part of Lectures by Francis Lorne
Typewritten paper, read by Francis Lorne to the Northern Architectural Association at Newcastle-on-Tyne. Lorne calls for architecture to be original, simple, attractive, and co-operative, before expanding on each of these four principles. A number of particularly provocative remarks are crossed out, however a report of the lecture in The Scotsman 14 Feb 1935 reveals that at least one of the remarks was included in his speech. The paper is written by Lorne, but also credits 'JM,' who has not been identified. The paper is published in the RIBA Journal for 13 Jan 1935.
Lorne, Francis
The British Steelwork Association's stand at the Building Exhibition, Olympia
Part of Lectures by Francis Lorne
Typewritten paper describing a stand designed by Francis Lorne for the British Steelwork Association. The stand was designed for display at the Building Exhibition in Olympia, Septemember 1934. The paper states that the objectives of the stand are to display the possibilities of constructing a building almost entirely in various forms of steel, and to give the opportunity to various members of the association to exhibit their manufactures. The paper is written by Lorne, but also credits 'JM,' who has not been identified.
Lorne, Francis
Nourth east/north west elevations.
Brodie, Margaret Brash
Study of cathedral, with river to the foreground.
Paterson, Alexander Nisbet
South east elevation and plan.
Brodie, Margaret Brash
Study of cloisters.
McGibbon, Alexander
Study of late 19th Century Glasgow building by John James Burnett.
McGibbon, Alexander
St. Michael's Church, Linlithgow
Perspective drawing of the south-west porch of St. Michael's Church, Linlithgow. An annotation dates the church to 1425. There is evidence of an erased sketch. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
McGibbon, Alexander
Perspective drawing of wall arcading at the chapter house of Lincoln Cathedral. A large perspective depicts a column capital, while underneath ornamental arch mouldings are drawn. Plans and sections of columns and arches are also drawn, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the spire of Free Church College, Glasgow. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
McGibbon, Alexander
Perspective drawing of the west front of Lincoln Cathedral. A note dates the section to 1230 - 1250. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Detail drawings of elements around the doors from the nave to the north and south aisles of the choir at Lincoln Cathedral. Plans and sections of the archway and perspectives of ornamentation accompany it, complete with measurements and notes. A note describes the materiality of the archway as purbeck. The drawing is reproduced in the Glasgow Architectural Association Sketch-Book Volume 3 (1888), Plate 25. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of York Minster with partially completed detailing. The drawing is annotated with the dating 'York approx. 85.' The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the north porch at Durham Cathedral. Accompanying it are several plans, sections and perspectives of the archway complete with measurements, as well as a perspective of a door knocker. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
McGibbon, Alexander
Perspective drawing of the south transcept of York Minster. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of choir stalls at Lincoln Cathedral, complete with measurements and an accompanying section. Underneath, a perspective and plan of an arm of the choir stall is also drawn. A note dates the structure to 1350 - 1380. The drawing bears the stamp of the Glasgow School of Art Library
McGibbon, Alexander
Watercolour and pencil sketch of church ruins. There is no written indication of the location or date, but the structure can be identified as St. Andrews Cathedral. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawings depicting four elements of the eastern side of Linlithgow Palace. The upper left perspective depicts the principal doorway to Parliament Hall. The upper right perspective depicts the fireplace inside Parliament Hall. The two lower perspectives depict the archway to the Loch and the niches above it. Accompanying plans and sections are also drawn, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
McGibbon, Alexander
Linlithgow Palace and St. Michael's Church, Linlithgow
Perspective drawings of Linlithgow Palace and St. Michael's Church, Linlithgow. The upper left and right perspectives depict the windows of the palace chapel and the oriel towards the loch at Linlithgow Palace. The lower left perspective depicts the west window of St. Michael's Church. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
McGibbon, Alexander
Perspective drawing of the north bay in the chancel of Melrose Abbey. No date is provided, but other dated sketches of the Abbey by McGibbon are dated 09 Oct 1886. Accompanying it are small elevations, sections and plans of column capitals and vaults. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the east window of Melrose Abbey viewed from the chancel. No date is provided, but other dated sketches of the Abbey by McGibbon are dated 09 Oct 1886. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the interior of Melrose Abbey. No date is provided, but the sketch is probably an unfinished draft of a more complete sketch of the same view, dated 09 Oct 1886. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of columns at Canterbury Cathedral. Beside it is a small plan and sections of the columns, with measurements. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the crypt of Trinity Chapel at Canterbury Cathedral. Underneath is a perspective of the capital of a column, and several sections and plans of columns and ribbed vaulting, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of St. Anselnis Chapel at Canterbury Cathedral. Underneath are elevations and sections of columns and arches, complete with measurements and notes. The structure is dated 'c. 1080' with the great window dated '1305'. The drawing bears the stamp of the Glasgow School of Art Library
McGibbon, Alexander
Perspective drawing of the Norman staircase at Canterbury Cathedral. The structure is dated 'c. 1080'. Underneath is a small section of a column. The drawing bears the stamp of the Glasgow School of Art Library
McGibbon, Alexander
Detailed perspective drawing of the east front of Lincoln Cathedral, viewed from the south. An annotation dates the structure to '1250 - 1280'. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of Crossraguel Abbey, viewed from the south-east. A note states that the abbey was founded in the early 15th century. The drawing is labelled 'Association Visit - Spring Holiday,' referring to the Glasgow Architectural Association. The drawing and backing board bear the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the south side of the western doorways at Lincoln Cathedral, complete with measurements of the columns and doorway. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Several perspective drawings of Durham Cathedral. A large perspective of the south-west tower is accompanied by smaller perspectives of the exterior and interior of the cloister, and annotated sections. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the door to the chapter house at Lincoln Cathedral. Plans of archways are also drawn, complete with measurements. A note dates the structure to 1225. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of Linlithgow Palace, viewed from the crypt. Underneath are labelled elevations, sections, and perspectives of windows and doors, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
McGibbon, Alexander
Perspective drawing of Glasgow Cathedral viewed from the north-east. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of Carlisle Cathedral viewed from the south-west. McGibbon seems to have been particularly interested in the corbel tables, annotating them with the number of individual stones. The drawing is accompanied by smaller sketches of the cathedral's detailing, including part of a portal, window tracery, a column, and a closer view of a corbel table. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the portal to the south transept at Carlisle Cathedral. Alongside it, other sketches and sections show detailing of the portal. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the east front of Carlisle Cathedral. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
McGibbon, Alexander
Perspective drawing of Jedburgh Abbey, displaying the portal leading to the cloisters in the south aisle of the nave. Underneath, plans of the archway and jamb are drawn, as well as cross-sections and perspectives of column bases and capitals. A note is written stating that the details are taken from a restored replica and not the original. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the doorway of the north transept at Beverley Minster. Accompanying it are several plans, sections and elevations of the archway and its ornamentation, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Perspective drawing of the porch to the north aisle of the nave at Beverley Minster. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander