- NMC/0358EE
- Item
- c1906-1907
End of a bedstead of carved oak. English 16th century.
Revel, John D
End of a bedstead of carved oak. English 16th century.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
West elevation/cross section.
Revel, John D
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black
Franco-British Exhibition - Australian Section
Design for principal elevation.
Fulton, James Black
Photograph of drawing that appears in La Revue Moderne magazine
Photograph of a drawing by Ferguson of an Insurance Office on St James's Street in London which appeared in the French magazine, La Revue Moderene, of March 1972.
Ferguson, Hugh C S
Letter about a drawing that appears in La Revue Moderne magazine
Letter from Sun Alliance & London Insurance Group about the company's building at 88 St James's St, London, the subject of a drawing by Ferguson which appeared in the French magazine, La Revue Moderene, of March 1972.
Ferguson, Hugh C S
East elevation - Layout of tiles in entrance hall: 1/2"
Gillespie, Kidd and Coia
Gillespie, Kidd and Coia
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of miniature copy of the Parthenon Panathenaic frieze on framed panel
Part of Plaster Casts
Original: Possibly a cast of a copy after John Hennings miniature carvings of the frieze using the Parthenon Marbles and sketches made prior to the acropolis explosion.
*Not available / given
Plaster cast of top capital with foliate ornament
Part of Plaster Casts
Capital decorated with stylized leaves with portion of pilaster.
*Not available / given
Plaster cast of stele with decorative strapwork
Part of Plaster Casts
Stele with strips or ribbons of ornamentation. Annotated with "7".
*Not available / given
Plaster cast of fragment of window arch
Part of Plaster Casts
Part of larger scale arch, decorated with two stylised leaves.
*Not available / given
Plaster cast of fragment of base of column with laurel leaf decoration
Part of Plaster Casts
Bears possible illegible maker's stamp (overpainted).
*Not available / given
Design for an Artist's Town House and Studio: east elevation
Proposed east elevation of building.
Mackintosh, Charles Rennie
Design for The Hill House, Helensburgh, perspective from south-west
Design for Walter Blackie. 'When in 1902, Walter W Blackie, the publisher, decided to have a new house built on a site he had acquired overlooking the Firth of Clyde, he asked Talwin Morris, the art manager of his firm, for advice in the choice of an architect. Morris had no hesitation in recommending Mackintosh and when Blackie met him they found themselves very much in sympathy with each other. This happy relationship between clients and architect resulted in the largest and perhaps finest example of Mackintosh's executed domestic architecture.' (McLaren Young). The house survives in good condition and still containing much of the furniture which Mackintosh designed for it. The plan is similar to his design for Haus Eines Kunstfreundes, and the schemes for decoration and furnishings throughout the house were executed according to his designs.
Mackintosh, Charles Rennie
Design for Liverpool Cathedral: preliminary sketch
Preliminary sketch for building. The competition for the Liverpool Anglican Cathedral was won by Giles Gilbert Scott. Mackintosh's degin was unpremeditated, although it drew comment.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing plan of basement floor.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: back elevation
Architectural drawing showing back elevation.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line AA/section on line BB
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of sub-basement floor
Architectural drawing showing sub-basement plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing basement plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan. The addition of this floor in the 1907-09 stage of building did not change the external appearance of Mackintosh's original two storey facade as the set back series of studios are not visible from street level. The plan shows how Mackintosh linked the two ends of the floor, by passing the already built Director's studio with the 'Hen-Run'.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: south elevation
Architectural drawing showing back elevation of building.'Even after his revisions to the first half of the building, and the proposed alterations pencilled on the 1907 elevation, Mackintosh made a few others. This drawing, from a set made in 1910 of the completed building, shows the facade as it is, including the parts that are now virtually invisible' (McLaren Young).
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plans for drainage
Architectural drawing showing drainage plans for the building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of ground floor - East wing
This sketch shows how accommodation was arranged in the East wing ground floor before the GSA was completed in 1906-09.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower centre
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: platform in Animal Room
Architectural drawing of room in basement of Mackintosh Building. Signed: Artot (t.r.).
Mackintosh, Charles Rennie
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.
PRESENTATION DRAWINGS, DESIGN SCHEMES
Gillespie, Kidd and Coia
Gillespie, Kidd and Coia
Gillespie, Kidd and Coia
Nave arcade/north aisle.
Revel, John D
One bay of choir stalls.
Revel, John D
Detail of pulpit.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Detail of stone arch. Drawing states: St Kevern (sic), Cornwall.
Revel, John D
Portion of choir stall from Halberstadt.
Revel, John D