- NMC/0358B
- Item
- c1907
Measured drawing of column.
Revel, John D
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Measured drawing of column.
Revel, John D
Trinity College Chapel, Oxford
Detail of west end of chapel.
Revel, John D
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Tabernacle drawing/ front & side elevation, roof & base plans: 1/4"=1"
St. George's Church, Edinburgh
Perspective drawing of church. Thomson submitted this design in competition with John Honeyman, whose Gothic Revival entry won the commission for a new church in Edinburgh to be know as St. George's Free Church. There are similarities with the St. Vincent Street church in Glasgow, the massive podium and tall tower, for example.
Thomson, Alexander
Nave arcade/north aisle.
Revel, John D
Study of chancel window.
Revel, John D
One bay of choir stalls.
Revel, John D
Various studies of carved pilasters.
Revel, John D
Perspective of church. The church was destroyed by a bomb in 1942.
Thomson, Alexander
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".
D Brucciani & Co
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".
D Brucciani & Co
Plaster cast of Virgin and Child
Part of Plaster Casts
Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.
*Not available / given
Plaster cast of Virgin adoring the Child, with God the Father and angels
Part of Plaster Casts
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
*Not available / given
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of section of architrave with vines and eagle in clipeus
Part of Plaster Casts
Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).
*Not available / given
Plaster cast of Sarcophagus of Giustina
Part of Plaster Casts
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".
D Brucciani & Co
Plaster cast of relief altarpiece of Adoration of the Magi
Part of Plaster Casts
Panel depicting the infant Christ being attended by the wise men. Original: Tilman Reimenschneider, c1510. Lime wood. Rothenburg ober der Tauber, Germany. Currently in the collection of the British Museum, London, UK. Annotated "D Brucciani & Co London".
D Brucciani & Co
Plaster cast of Mother and Child
Part of Plaster Casts
Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".
D Brucciani & Co
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Original: Portal figures from Chartres Cathedral. The central tympanum illustrates the Apocalypse with a central Christ surrounded by twenty-four Elders.
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Original: Portal figures from Chartres Cathedral. The central tympanum illustrates the Apocalypse with a central Christ surrounded by twenty-four Elders.
Plaster cast of capital with monk
Part of Plaster Casts
*Not available / given
Plaster cast of a spandrel showing censing angel
Part of Plaster Casts
Original: c19th century. Westminster Abbey, London, UK.
Plaster cast of a spandrel showing censing angel
Part of Plaster Casts
Original: c19th century. Westminster Abbey, London, UK.
Plan showing road sewer & ground levels: 1/16=1ft
Mouldings of refectory door.
Revel, John D
Details of RW outlets to gutter units: 1/2FS
Details of RW outlets to Balc Units: 1/2FS
Detail of front entrance screen
Part of Mary Ramsay artworks
Architectural design for an altarpiece. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Professor McGibbon as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Church of St Akeveranus, St Keverne, Cornwall
Detail of stone arch. Drawing states: St Kevern (sic), Cornwall.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
West elevation/cross section.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Window, mullion detail.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Elevation and tower plans.
Revel, John D
Portion of choir stall from Halberstadt.
Revel, John D
Study of overmantle.
Revel, John D
Detail of pulpit.
Revel, John D
A 13th century Gothic Sacristy
Long section. Stamped "The Glasgow School of Architecture Section...".
Paterson, William