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The printed ephemera collection includes posters, catalogues, programmes and tickets for Glasgow School of Art exhibitions, pageants and theatrical events, as well as other miscellaneous items such as Christmas cards, dating from 1890 to the present.

Printed ephemera relating to the design work of C A Wallace Shaw for Pringle of Scotland.

Printed ephemera relating to the design work of C A Wallace Shaw for Donna Karan.

Printed ephemera related to designs created for Braemar International.

Note: Education print and publications can also be found in DC 028/3/2.

• DC 093/4/1 Picture Post magazine published 7th February 1953, includes an article on the GSA Fashion Show; donated by Eirene Hunter (nee Paton), plus a loose copy of the article donated by Rena Hume.
• DC 093/4/2 News cutting from 1961, donated by Sheila Bates
• DC 093/4/3-5 Three press cuttings from 1975, donated by Judith MacKechnie and relating to the donor’s work, see DC 093/1/5-8
• DC 093/4/6, News cutting from 1977, donated by Sheila R McDonald

Sketch completed as part of Pre-Diploma/Foundation course.

Posters from exhibitions of work of James Cosgrove, and his students. Also posters advertising bands and lectures.

Posters relating to a variety of events and subjects.

Cordelia Oliver's collection of posters for exhibitions and events. Please note this material has not been fully catalogued to item level and may therefore not be accessible to researchers. One item, a poster for Perth Theatre, was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

Collection of posters relating to events at The Glasgow School of Art, such as exhibitions, fashion shows, lectures, Activities Week events, or events relating to work by GSA student, staff and alumni. Many of the posters for GSA events were designed and printed in-house by students and members of staff. Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

The postcard collection consists of images of buildings and artworks, with postcards dating between c1900 and the present. Many of the more modern postcards from the 1970s onwards within the collection are produced by the Glasgow School of Art and depict student work. The postcard collection also includes images used as teaching aids. These images date from the 19th-20th Century and include images of Renaissance architecture, the works of Glasgow Boy George Henry, Moorish architecture, Roman architecture, Egyptian architecture, Irish architecture, British architecture and European Architecture.Many images are stamped "Haldane Academy".

Work from Dugald Cameron's Post Diploma year at GSA. Includes a variety of drawings resulting in 3 designs for 3 ultrasonic diagnostic machines: bed table scanner, automatic scanner and diasonic.

Papers relating to institutional plans for the Glasgow School of Art. Including: GOV/8/1: Strategic Plans, 1988-2015 GOV/8/2: Development and Planning Committee, 1991-1992 GOV/8/3: Commercial Planning, 1989-1993 GOV/8/4: Bid for Designation, 2000

Includes:

• DC 028/5/1/1 Exhibitions Proposal (1997) 1 folder
• DC 028/5/1/2 Project Management Time-line (1997) 1 folder
• DC 028/5/1/3 Team Structure Document (c1997) 1 folder
• DC 028/5/1/4 Exhibitions Programme (c1997) 1 folder
• DC 028/5/1/5 Venue Information (1997) 1 folder
• DC 028/5/1/6 Guide for designing exhibitions suitable for visitors with disabilities (1997) 1 folder.

Collection of photographs used in research and to accompany published articles by Clare Henry.

A variety of photographs from Georges-Marie Baltus' personal memories featuring landscapes and rural scenes captured during his Italian and Europeans tours.

A collection of photographs of the Mackintosh Building, including: aerial photographs and site plans; photographs of the exterior of the building; photographs of the interior of the building including the entrance, corridors, studios, offices and other rooms; photographs of furniture; photographs of scale drawings of furniture; photographs of metalwork and other details.

Photographs of architectural models of buildings. Buildings include Shopping Centre Falkirk, Bellahouston Academy, Glasgow University Rankine Building, Offices for County Council of Dunbarton, Burgh of Hamilton development complex, Beaumont Hospital, Dublin, GKN complex. Book containing plans and photographs of buildings by Keppie Henderson & Partners.

Black and white.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

Volume 3 contains 37 images. The images are mainly portraits but also include some scenes of Edinburgh and St Andrews. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/

Volume 5 contains 50 images. The images are mainly portraits but also include some scenes of Edinburgh and St Andrews. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/

Volume 1 contains 46 images. The images are mainly portraits but also include some scenes of Edinburgh and St Andrews. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/

Volume 2 contains 44 images. The images are mainly portraits but also include some scenes of Edinburgh and St Andrews. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/

Volume 4 contains 29 images. The images are mainly portraits but also include some scenes of Edinburgh and St Andrews. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/

7 loose photographs. The images are mainly portraits but also include some scenes of Edinburgh and St Andrews. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/

• DC 093/3/1, Portrait of Sheila Bates, 1961, one photograph
• DC 093/3/3-6, ‘Penny Daintee’ dresses by Sheila McDonald, 1977 (see: DC 093/1/9-11) , four images
• DC 093/3/7-14, Two photographs, one contact sheet, one contact sheet cut into five strips plus five negative strips relating donated by Elizabeth (Lyz) Armstrong, 1970s
• DC 093/3/15, Copy of a photograph of Rena Hume, née Harris (Interior Design student) modelling a dress, 1950.

Includes:

• one colour photograph of a Tuar Fabrics display
• 2 black & white photographs of unidentified people with aprons.

One item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

Collection of photographs. Most are of H.Y. Alison and his works.

A variety of photographs featuring loose photographs of artworks and GSA students and staff.

Photographic portraits of Mackintosh and associated individuals.

Photographs relating to the design work of C A Wallace Shaw for Fornton Knitting Company.

5 photographs of Fyffe Christie

Includes two black and white photographs of women. The first features Sadie McLellan. The second features Grace Chisholm and Everilde.

A number of photographs featuring Sheena Reid and other GSA students.

Photographs relating to the design work of C A Wallace Shaw for Pringle of Scotland.

Photographs related to C A Wallace Shaw's design work for Braemar International.

Includes a sepia photo of Veronica Matthew, Valerie Wilson, Alan Fletcher, and Douglas Abercrombie; a photograph of Veronica Matthew wearing a white dress photo made by Valerie Wilson in 1956/1957; a photograph of Mrs Kopaloff in 1977 and three photographs of Valerie Bloomfield-Ambrose in Florida in 2010.

Photographs of Garcia Hunter.

Photographs relating to the design work of C A Wallace Shaw for Donna Karan.

This series of negatives contains images chiefly of student work, exhibitions and Glasgow School of Art events from 1969 to 1999. Please note, the following negatives are missing: 16, 22, 26, 30, 31, 40, 41, 47, 53-54, 60-63, 84, 86, 88-89, 93, 97-98, 102-104, 108, 114, 117, 125, 134-135, 141-142, 161-162, 164, 169-170, 187, 188, 242-243, 249

These albums were commissioned by Harry Barnes during his time as Deputy Director of the Glasgow School of Art (1946-1964). The reason for their commission is unknown yet it is known that Barnes was keen on documenting the history of the School of Art and that creating albums such as these was a way of capturing aspects of the School's life.