Series MC/P - Photographs

Portrait of Charles Rennie Mackintosh Portrait of Charles Rennie Mackintosh Portrait of Charles Rennie Mackintosh Portrait of Charles Rennie Mackintosh Portrait of Charles Rennie Mackintosh Portrait of James Herbert MacNair Portrait of Margaret Macdonald Mackintosh Interior of Hous'hill, Glasgow - entrance porch Interior of Hous'hill, Glasgow - the drawing room Interior of Hous'hill, Glasgow - the music room Interior of Hous'hill, Glasgow - the blue bedroom Interior of Hous'hill, Glasgow - the blue bedroom Interior of Hous'hill, Glasgow - the music room Portrait of Margaret Macdonald Mackintosh (Version 1) Portrait of Margaret Macdonald Mackintosh (Version 2) Mirror frame in lead Interior with two chairs, fireplace and lampshade Interior with fireplace, chair and lampshade Interior with table, two chars and ceiling light "Honesty" Mirror frame Beaten brass sconce Ceiling light Two candlesticks Beaten silver pendant Decorative frame depicting two women Owl screen Brass clock standing on wooden frame Entrance drive showing front door East view from orchard Front view facing south with turret Front view facing south not showing turret Tea Caddy Striped bedroom Silver pendant depicting woman Wall hanging clock Two brooch and earring sets Portrait of Margaret Macdonald Mackintosh (Version 3)

Key Information

Reference code

MC/P

Title

Photographs

Date(s)

  • c1893-1920 (Creation)

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Series

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Scope and content

Photographic portraits of Mackintosh and associated individuals.

Appraisal, destruction and scheduling

This material has been appraised in line with Glasgow School of Art Archives and Collections standard procedures.

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General Information

Name of creator

(1878-1972)

Biographical history

Emil Otto Hoppé (1878-1972) was one of the most important art and documentary photographers of the modern era whose artistic success rivaled those of his peers, Alfred Stieglitz (1864-1946), Edward Steichen (1879-1973) and Walker Evans (1903-1975). Hoppé was one of the most renowned portrait photographers of his day, as well as a brilliant landscape and travel photographer. His strikingly modernist portraits describe a virtual Who’s Who of important personalities in the arts, literature, and politics in Great Britain and the US between the wars. Among the hundreds of well-known figures he photographed were George Bernard Shaw, H.G. Wells, A.A. Milne, T.S. Eliot, Ezra Pound, G.K. Chesterton, Leon Bakst, Vaslav Nijinsky and the dancers of the Ballets Russes, and Queen Mary, King George, and other members of the Royal Family. Beginning art photography in 1903 Hoppé was admitted as a member of the Royal Photographic Society where, over the next four years, he regularly exhibited his amateur photographic works. In this same year Hoppé was also associated with The Linked Ring Brotherhood and fellow members Alvin Langdon Coburn, Henry Peach Robinson (1830-1901), and George Davidson (1854-1930), who played an important role in international art photography, maintaining close ties with continental and American groups including the Vienna Camera Club and the Photo Secession, New York.

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