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All are holding paint brushes, paper, pots, etc. There are four large pieces of art work in the background (possibly designs for stained glass windows).

This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

Black and white photograph of Fyffe Christie sketching at a lakeside at Innellan accompanied by a group of children. Handwritten note on back reads "Hotel De L’ouest, 3 Rue du Rocher (right beside Gare St. Lazare)", accompanied by a sketch of a map.

The photograph features a close-up shot of a woman wearing a light-coloured hat and outfit.

These albums were commissioned by Harry Barnes during his time as Deputy Director of the Glasgow School of Art (1946-1964). The reason for their commission is unknown yet it is known that Barnes was keen on documenting the history of the School of Art and that creating albums such as these was a way of capturing aspects of the School's life.

These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.

Photograph of the cast and crew after a performance. From left: Jenny, Lindsay Winning, Brenda, Bob and members of the makeup team.

Depicts the cast on stage during the play. Named people include Hamish Gray (left of centre), Bob Docherty (centre) and Gerald Wilks (right of centre in leopard-print costume).

Photograph of the cast receiving a trophy. From left: Lindsay Winning, Jenny Stevenson, Hamish Gray, Brenda Flowers, Bob Docherty.

Photograph of the actors on stage during the play. From left: Gerald Wilks, Dorothy Wood, Tommy Judge, Lindsay Winning.

Contains photocopies of Robert Stewart's correspondence, 1948-1979, copied from GSA Archives and Collections Centre by Liz Arthur. Includes correspondence relating to the GSA Travelling Scholarship which Robert Stewart won in 1948, 'Genesis' tapestry and Glasgow City Chambers tapestry.

Contains black and white photocopies of Robert Stewart's work.

Includes images of a design for a cushion cover, Eastwood High School mural, greeting cards, and a calendar.

Contains photocopies of correspondence relating to Robert Stewart and his works, 1965-2001, copied from GSA Archives and Collections Centre by Liz Arthur. Includes the correspondence of Jefferson Barnes regarding projects with ICI Fibres Ltd. and Pringle of Scotland in which Robert Stewart was involved and a letter from J. W. Lindsay on the subject of Robert Stewart.

Pewter mug with handle. Red marking on bottom, "SCH.298". Small indented markings on side "QUART", "A8", "Wood & Sons, Glasgow", and Queen Victoria royal cypher. Due to information in an inventory, mug can be dated pre-1958.

Personal Correspondence of Harry J Barnes, 1964-1980, on a wide variety of subjects. Includes letters to and from friends and professional acquaintances about personal matters. NB: This is personal correspondence and so will contain sensitive information about individuals. It will therefore be closed for 75 years in line with the Data Protection Act. Folders as follows: DIR/13/1/2/1/1: Personal Correspondence of Harry J Barnes, 1964-1970: Includes correspondence with: Rodgers & Howe Solicitors, about the James Kent Trust; Norman Tennent, about a visit; George Nash, the Victoria & Albert Museum, about a collection of playbills; Noel Annesley, about a Rossetti drawing; notes about the appointment of a Director of the Glasgow School of Art, 1964; the Earl of Snowden, about a visit to the Art School. DIR/13/1/2/1/2: Personal Correspondence of Harry J Barnes, 1970-1980: Includes correspondence with: the Historic Buildings Council for Scotland; the Citizens' Theatre; Harry Barnes' Clubs; the Bank of England; British Rail; the Earl of Snowden about the Council of Industrial Design. Also includes a biographical note about Barnes; a summary of applications for the Directorship of the School; and a book review about Art Nouveau Architecture and other essays.

Personal correspondence of George and Cordelia Oliver

Includes:

• DC 028/7/2/10/80/1 Application and Correspondence (1998-2000) 1 folder.

Unsigned & untitled.

Unsigned & untitled.

25 pen and ink illustrations featuring men and women engaged in various activities.

British. Whitework double caped collar of type fashionable between 1830-1840. Embroidered with sprigs and trailing border of flowers. Scalloped edge.

Includes:

• DC 028/7/2/10/92/1 Application and Correspondence (1998-2000) 1 folder.

Images are related to DC 028/7/2/10 Partnership Fund projects and additional photographs may also be found within DC 028/7/2/10/1.

DC 028/7/2/8/1-4 Photographs and Negatives (1999) 4 volumes: 33 negatives and 152 photographs; DC 028/7/2/8/5 CD ROM of images from Partnership Fund Exhibition (1999) 1 item; DC 028/7/2/8/6 Invitation to Partnership Fund Exhibition (1999) 1 item; DC 028/7/2/8/7 Postcards and index of Partnership Fund Projects (1999) 1 folder (see DC 028/3/2(a) for 94 for 99 postcards).

Cretan. Traditional design of scrolling pattern of animals, figures, birds and flowers. Dark blue silk embroidery on natural linen background, mostly in Cretan stitch.

Indian. Richly embroidered section of neck and shoulders of garment. Red, yellow, green and blue on corded black silk. Kashmir cypress cone pattern.

Includes:

• DC 028/7/2/10/35/1 Application and Correspondence (1997-2000) 1 folder.

Informational memoranda submitted to the Scottish Committee of the Council for Art and Industry. Includes information about: training Art teachers; the teaching of Art in Primary Schools; the Printing Industry; the Tweed Industry, the Silk Industry, Design and Industry, and the Empire Exhibition.

Harry Barnes' papers relating to Students at the Glasgow School of Art including: enquiries from prospective students about studying at the School; papers about student finances; and material relating to Student clubs and societies such as the Student Representative Council. NB Many of the papers may be closed for 75 years due to Data Protection Legislation. Papers divided into sub-series as follows: DIR/13/7/1: Enquiries about Courses and Studying at the Art School, 1964-1976 DIR/13/7/2: Regulations and Guidance, c1960-1970s DIR/13/7/3: Student Finances and Expenses, 1961-1969 DIR/13/7/4: Student Representative Council (SRC) and other Student Associations, 1964-1975 DIR/13/7/5: Students' Material Store, 1964-1977 DIR/13/7/6: Student Society Events and Visits, 1959-1967 DIR/13/7/7: Student Correspondence Files, 1964-1980

Harry Barnes' papers relating to staff. Sub-series as follows: DIR/13/8/1: General Staff Correspondence, 1945-1977 DIR/13/8/2: Correspondence Regarding Governors, 1964-1976 DIR/13/8/3: Staff Association, 1967-1976 DIR/13/8/4: Staff and Departments, 1964-1971 DIR/13/8/5: Staff Timetables, 1966-1969 DIR/13/8/6: Former Staff, 1964-1971 DIR/13/8/7: Application Correspondence, 1964-1972 NB the majority of these staff papers contain sensitive information about individuals and will be closed for 75 years from the date of the material, in line with Data Protection legislation.

Report on drawing in Secondary Schools. Probably written by Henderson.

Lecture/speech on the subject of art teaching in schools & the training of art teachers. Probably written by Henderson.

Reports on drawing at a) Glasgow High School for Girls, b) Hamilton Academy and c) Dumfries Academy.