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The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.

The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.

The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.

The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".

An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.

The image features two workers discussing their work responsibilities.

The photograph features a senior group of ten men and two women. Archibald Haswell Miller is standing in the back, fourth from the left.

The supporting text reads "Yesterday was "touching-up day" for the R.S.W. Exhibition in the M'Lellan Galleries, Glasgow, where our camera man secured this interesting study. The group includes Robert Eadie, Norah Neilson Gray, R. C. Young, James Kay, Haswell Miller, A. M'Bride, J. W. Wright, A. P. Thomson (sitting), Tom Hunt, Miss Raeburn, Arch. Kay, and D. Fulton."

An annotation on the top right corner of the cardboard shows "1928?".

The photograph features two students portraying two female subjects in class. Two men can be spotted in the background.

The reverse of the photograph shows the text "Mr. Miller – [...] 1927. June" and "2/53".

A variety of photographs from Georges-Marie Baltus' personal memories featuring landscapes and rural scenes captured during his Italian and Europeans tours.

Blackie & Son Ltd. requests a new cover design for a book titled 'A Lad of Grit'.

Blackie & Son Ltd. requests covers and a cloth design for a book titled 'The Rover's Secret'.

Blackie & Son Ltd. informs Archibald Haswell Miller that the prices he charged for the covers of 'Tales from Northern Sagas' by Donald MacKenzie are above the company's normal scale. The publisher states the rates they can offer for the different drawings.

The cover image features two soldiers fighting and a dead man. The spine image features a soldier.

The photograph features a group of six men looking at a set of paintings hung on the wall.

The newscutting is titled "At a Scottish Art Club's Show". The supporting text reads "A group of artists and members of the Hanging Committee at the annual exhibition of work by members of the Glasgow Art Club, which is being held in the club's premises just now.–"Bulletin" Photograph."

An annotation on the top right corner of the cardboard shows "1926?".

Blackie & Son Ltd. requests colour jackets for two books titled 'For Life and Liberty' by Gordon Stables and 'Silas Verney' by Edgar Pickering.

Blackie & Son Ltd. requests Archibald Haswell Miller to remove the knife in the hand of a figure from the cover image of a book referred to as the 'Eagle'.

Blackie & Son Ltd. requests a colour frontispiece for a book titled 'Tales form Northern Sagas' by Donald MacKenzie.

Blackie & Son Ltd. provides Archibald Haswell Miller with their requirements for the covers of the books 'Olaf the Glorious' and 'Westward with Columbus'.

Blackie & Son Ltd. requests two cover drawings for a book titled 'Olaf the Glorious' and enquires about Archibald Haswell Miller's interest in designing a cover in cloth for 'The Buccaneers of Boya'.

Blackie & Son Ltd. informs Archibald Haswell Miller that a new cover drawing is not needed for one of their books.

The front cover image features two men fighting. The back cover features a list of new books and editions by Blackwood. The spine features the book title, author and publishing details. The front inner cover shows a range of reviews of 'Blackwood's Magazine'. The back inner cover an order form for 'Blackwood's Magazine'.

The cover image features Christopher Columbus with members of his crew. The spine image features a ship.

The cover image features Silas Verney shooting a gun and a ship. The spine image features Silas Verney.

The cover image features a Union soldier, a Confederate soldier, the USA flag and the Confederate flag. The spine image features a Union soldier.

Donald A. MacKenzie, author of 'Tales from Northern Sagas', gives insight into viking armours and weaponry for a correct design of the book covers.

The letter shows two sketches of soldiers on the reverse.

Blackie & Son Ltd. requests a cover sample for a book titled 'The Buccaneers of Boya' by Percy F. Westerman.

The cover image features a range of Burmese religious symbols and a steamship.

A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

The cover image features a miner holding a pick and a lamp.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

The cover image features twelve regimental crests.

Statement as to Recruiting Scheme informing that the Army Council considered the offer for a special Lithographic Section to be unnecessary.

Archibald Haswell Miller's offer to attach his Lithographic Section to the 7th Division is rejected by the Council.

Francis Newbury confirms the receipt of a letter sent by Archibald Haswell Miller. The letter shows two sketches of soldiers on the reverse.

The photograph features a group of nineteen female students in an anatomy drawing class.

An annotation on the top right corner of the cardboard shows "1914".

The cover image features a group of soldiers marching to the frontline. The back side of the cover shows a range of advertising, including foodstuffs, printing and stationery, laboratory supplies and 'The Scots Pictorial' magazine.

The cover image features a group of soldiers on the frontline. The back side of the cover shows photographs of Meadowhead Camp (Irvine) and the cooks.

Archibald Haswell Miller is granted the right to study at the Foreign Museums and Galleries.

The image features two men with a sickle and a hammer, respectively, and a woman.

The series contains a single item featuring a mountainous landscape.

The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.

The item shows two different portrait photographs of Archibald Haswell Miller. The annotation of the first photograph shows the text "London 1912 at 25". The annotation of the second photograph shows the text "Venice 1910 at 23".

An annotation on the top right corner of the cardboard shows "1910-12".

The photograph features a mountainous landscape.

Archibald Haswell Miller's Glasgow School of Art Club membership card.

The photograph features fourteen women representing a scene. One of the women is on her knees, head bowed. There is a sign with the words 'A daft lot'.

The reverse of the photograph shows a text addressed to Archibald Haswell Miller.

Archibald Haswell Miller's bill for the Academy of Fine Arts of Munich from the winter semester 1908/09.

The photograph features Archibald Haswell Miller in the centre of the image, alongside a group of sixteen males and one female in a studio. The man on the right end of the image seems to be an academic. The annotations show the text "MARR SCHULE. MUNICH ACADEMY April 1909", lists the names of some of the people in the photograph and is supported by a map placing them in the photograph.

An annotation on the top right corner of the cardboard shows "1909".