- NMC/0358M
- Item
- c1907
Exterior elevation and entrance.
Revel, John D
100 results with digital objects Show results with digital objects
Exterior elevation and entrance.
Revel, John D
Plan and elevation of villa.
Revel, John D
South east elevation and plan.
Brodie, Margaret Brash
Nourth east/north west elevations.
Brodie, Margaret Brash
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black
Measured drawing of column.
Revel, John D
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This report details architecture student Harry A Wheeler's experiences when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice and the report gives biographical information on each Loggia studied. The beginning of this report lists 48 accompanying drawings.
Wheeler, Sir Harry Anthony
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This report details architecture student E. Mc Laren's experiences when travelling to Italy upon receiving the John Keppie Scholarship in 1947. The account is beautifully illustrated with his own photographs and highly detailed drawings in pencil, pen and watercolour.
McLaren, E
Part of Papers of John Walter Lindsay, architect and student of the Glasgow School of Art
Lindsay, John Walter
Study of main facade.
Fulton, James Black
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Teaching aids include collections of prints, photographs, and calligraphy examples.
*Not available / given
View of basilica from garden.
Dallachy, John Eadie Waddel
One bay of choir stalls.
Revel, John D
Various studies of carved pilasters.
Revel, John D
Exterior view of basilica.
Dallachy, John Eadie Waddel
Page titled 'Roman Architecture'. This page features a sketch of the roman theatre at Ostia (AD 400).
This is the fifth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Page titled 'Roman Architecture'. This page features 'A typical Pompeian private house' and 'The Arch of Titus: Rome'.
This is the second page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Page titled 'Roman and Greek Architecture'. This page features sketches and text comparing Greek and Roman temples.
This is the fifteenth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Architectural details.
Danek, Boleslaw
This page features sketches of 'S. Peter Rome'.
This is the twenty-fifth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Italian.
Ferguson, Hugh C S
Poster for a Charles Rennie Mackintosh exhibition in Certaldo
Part of Records of The Glasgow School of Art, Glasgow, Scotland
In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.
*Not available / given
Poster for a Charles Rennie Mackintosh exhibition in Certaldo
Part of Records of The Glasgow School of Art, Glasgow, Scotland
In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. It features a Willow Tea Rooms drawing in cream, black, blue, green red and purple.
*Not available / given
Rowell, James Robert Clunie
Plaster cast of Virgin and Child (Version 2)
Part of Plaster Casts
Plaster cast of Virgin and Child (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 2)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel (Version 1)
Part of Plaster Casts
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".
D Brucciani & Co
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".
D Brucciani & Co
Plaster cast of Virgin and Child
Part of Plaster Casts
Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.
*Not available / given
Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 2)
Part of Plaster Casts
Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 1)
Part of Plaster Casts
Plaster cast of Virgin adoring the Child, with God the Father and angels
Part of Plaster Casts
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
*Not available / given
Plaster cast of tondo portrait of Andrea Mantegna (Version 2)
Part of Plaster Casts
Plaster cast of tondo portrait of Andrea Mantegna (Version 1)
Part of Plaster Casts
Plaster cast of tondo portrait of Andrea Mantegna
Part of Plaster Casts
Original: Gian Marco Cavalli, c1490. Marble and bronze. Original currently in the Mantegna Chapel, Basilica di Sant’Andrea, Mantua, Italy. Bears a "Musée de Sculpture Comparée du Trocadero, Paris, 1910 " maker's stamp.
Musée de Sculpture Comparée du Trocadero, Paris
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 2)
Part of Plaster Casts
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 1)
Part of Plaster Casts
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta
Part of Plaster Casts
Original: Agostino di Duccio, c1450. Basilica Malatesta, Rimini, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of the meeting of St Francis and St Dominic (Version 2)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 2)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.