- NMC/0086
- Item
- 1948
Italian farm study.
Eardley, Joan Kathleen Harding
Italian farm study.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Drawing of elderly, seated woman (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of seated male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Montage of costume designs for the Masque of the City Arms.
Smyth, Dorothy Carleton
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of young man (standing) and two crouching figures in background (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Drawing of young man (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Study of seated male model (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model from behind (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
The coach house, 47 Eldon Street, Greenock: Survey notes (page1)
12 cartridge paper sheets including free hand sketches of the coach house ground floor plan, upper floor plan, section CC, section BB, section AA, N.W elevation, N.E elevation, S.W elevation, S.E elevation, and several architectural details including gate, window, and cast iron fireplace. Although these drawings are all free hand sketches, they also include details of the entire building's dimensions and materials used indoors and outdoors.
Platt, Christopher
Scotland Street School, North Elevation
Free hand sketch showing the north elevation of Scotland Street School including some architectural descriptions, for example, "scale has been a major design factor in this building for children, windows diminish in height as they rise from the floor, and the wall has been set back to lessen the effect of three stories. Not every room in a building has the same height, each houses a different function and should be designed with that function in mind".
Platt, Christopher
Different kinds of Street's lightings
Free hand sketches showing different kinds of lighting on three different street at Glasgow:
Platt, Christopher
Daylight effects on street: Royal Bank Place
Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.
Platt, Christopher
Old West Kirk, Greenock, front elevation (Page 1)
Material created for summer project relating to the study of Old West Kirk at Greenock including free hand sketches showing front elevation, left hand elevation (right hand elevation is similar), plan of the main entrance, section through porch, and walls bricks' details.
Platt, Christopher
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Design for Windyhill, Kilmacolm, perspective from south-west
Design for William Davidson. In the mid 1890s Mackintosh met William Davidson, a young Glasgow businessman, who commissioned him to design some furniture for his flat in Gladsmuir, his parents' house at Kilmacolm. About 1899 Davidson decided to build his own house, and Windyhill was the first of Mackintosh's private houses. It was completed in 1901 and still survives. Mackintosh designed the furniture for the hall, drawing room, schoolroom and principal bedroom, much of which survives in the GSA collection.
Mackintosh, Charles Rennie
Series of small, black ink sketches laid out across the paper in a cartoon or hieroglyphic format, suggesting a narrative. Some of these drawings also feature in 'Small Drawings', by the same artist.
Reynolds, Karen
Design for a bookcase for Windyhill, Kilmacolm
Sketch design for Windyhill bookcase (MC/F/32).
Mackintosh, Charles Rennie
St. George's Church, Edinburgh
Perspective drawing of church. Thomson submitted this design in competition with John Honeyman, whose Gothic Revival entry won the commission for a new church in Edinburgh to be know as St. George's Free Church. There are similarities with the St. Vincent Street church in Glasgow, the massive podium and tall tower, for example.
Thomson, Alexander
Perspective of church. The church was destroyed by a bomb in 1942.
Thomson, Alexander
A 13th century Gothic Sacristy
Long section. Stamped "The Glasgow School of Architecture Section...".
Paterson, William
Study of chancel window.
Revel, John D
Trinity College Chapel, Oxford
Detail of west end of chapel.
Revel, John D
Various studies of carved pilasters.
Revel, John D
Portion of choir stall from Halberstadt.
Revel, John D
Study of overmantle.
Revel, John D
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Detail of stone arch. Drawing states: St Kevern (sic), Cornwall.
Revel, John D
Detail of pulpit.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Elevation and tower plans.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
West elevation/cross section.
Revel, John D
One bay of choir stalls.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Window, mullion detail.
Revel, John D
Mouldings of refectory door.
Revel, John D
Measured drawing of column.
Revel, John D
Nave arcade/north aisle.
Revel, John D
Plate 14 The Dining Room from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection. Like the hall, this room is wood panelled. The sombreness of the dark panelling is relieved by a frieze of coloured panels using the standard Mackintosh theme of a stylised female figure, and the coloured lights handing from the barrel vaulted ceiling. As in the reception room, Mackintosh makes use of furniture designs he has already used elsewhere, the stone surround of the fireplace is based on that in the original Board Room in the GSA, the table (the flat, plank like surfaces echoing the construction of the sideboard) on the dining table designed for Windyhill, and the chairs recall the oval backrail armchairs used in the Mains Street dining room. The central feature of the room is the fireplace, set in a deep recess decorated with fanciful female figures, details picked out in rose against a strong blue ground which dominates the otherwise severe room. The colours are echoed in the wall panels, the decorative insets on the sideboard, the china and even the table runner and roses on the table.
Mackintosh, Charles Rennie
15th century carved oak English reading desk.
Revel, John D