Photographs, essays and notes made and taken by Holmes Gray while at the Glasgow School of Art, including correspondence between the GSA and Gray, 1949-1956
Notes given to designers for technical guidance from Johnson, Matthey & Co. Ltd, 1954
Recollections of Glasgow School of Art by Holmes Gray, 1996
Photographs of pieces designed by Gray post-GSA for Spode, Royal Worcester and others; c1949-1996
Correspondence with Stoke-on-Trent College, 1964-1986
Correspondence re: training as a part-time teacher, 1977-1986
Letter informing Holmes Gray of election as Fellow of the Royal Society for the Encouragement of Arts, Manufacturers & Commerce [copy], 1987
Letter from Commemorative Collector's Society re: address by Holmes Gray, 1997
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
A collection of Kath Whyte's personal papers which comprises:
Family papers, press cuttings and photographs, c1909-1981
School certificates, c1922
Correspondence, 1927-1996
Early sketches and drawings, 1920s
ketchbooks, notebooks, photographs and correspondence from Gray's School of Art, c1922-1947
Personal correspondence, 1922-1996
National Identification Card, 1943
Travel diary, c1940s
Lecture notes, sketchbooks and notebooks, 1948-1974
Assorted textile samples, sketch books and notebooks, 1950s-1970s
Examples of weaving by Kath Whyte and her pupils, c1950s-1970s
Diaries 1974-1988 and miscellaneous books owned by Kath Whyte
Photographs (professional and personal), 1909-1996
MBE medal and associated correspondence and photograph
Extensive collection of undated slides
Exhibition catalogues
Textile and design pieces, c1930s-1970s
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Notes and folio referring to the Art Course for Primary Teachers at The Glasgow School of Art. Alastair Shanks attended two of these courses. The notes are intended for use with complete beginners and include lessons on shape, light and shade as well as colour. A two page desciption of the following notes has been provided by Alastair Shanks. The folio of drawings that follow are executed in a variety of materials from pencil to pastel and act as illustrations for various lessons that may be taught.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Student Art History notebook, contains mainly writings on Egyptian Art and Architecture, Medieval Christian Art, Flemish Art, English Art. Notebook also contains some illustrations.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
A small collection of work in design and ornamentation produced by Jeanne (Jane) Wilson during her time as a student at The Glasgow School of Art from 1930 to 1934. Collection includes:
Printed page of images detailing student work, [1932]
Printed page of photographs of female students outside GSA, 1934
Hand-bound booklet of written work titled ‘Notes on the History of Illumination’, [1930-1934]
Circular paint and ink decorative design featuring various repetitive marks, shapes and a floral motif [1930-1934]
Large ring-bound, handmade book of written work titled ‘History of Ornament’ [1930-1934]
Print on photographic paper containing two images of student work. Left: close-up of sample of embroidered cloth depicting a woman bent to water a plant in blue, green and cream thread, bordered with various decorative marks, shapes and images in multicolour. ‘1932’ and ‘JEAN WILSON’ are embroidered above and below the image in lilac thread. Right: image of a page of illuminated poetry (by Janet Begbie) hand-written in black ink and bordered by coloured ink illustrations relating to the poem’s themes of adventure, youth and travel at sea, in blue, green and red, as well as a decorative border in gold, blue, red and black.
Printed page featuring three scanned black and white photographs. Top left depicts five women, likely GSA students, posed and smiling on a set of stairs; top right depicts two women wearing artists smocks stood next to a plaster bust; bottom right depicts fifteen women, likely students, and one man, likely their teacher, posed on the same stairs. The page is captioned ‘Diploma June 12th 1934 in Design & Decorative Art GSC’.
Hand-bound book titled ‘Notes on the History of Illumination’ signed Jean S Wilson. Details the history of book illustration, ornamentation and decoration across different eras, national and local styles. Likely related to a course on the History of Illumination taught as a component of the Design diploma.
Large circular decorative design piece featuring various repetitive marks, shapes and a floral design. Painted in red, blue, pink, green and yellow on a background of brown watercolour. The back of the design reads ‘Jane S. Wilson, 18/6/1912’ in pencil, and ‘GSA 1930-34’ potentially added later in black ink.
Large handmade, ring-bound book titled ‘History of Ornament’. Contains a definition of ornamentation followed by a history of ornamentation and information about different historic types and styles of ornamentation, accompanied by hand-illustrated examples in pencil, black and coloured ink and paint. The cover is signed ‘Jane S. Wilson 18/6/1912’. Likely related to a course on the History of Ornament taught as a component of the second-year General Course.
Collection of testimonials written in support of James A Dron, a former student of Glasgow School of Art.
Includes:
testimonials written by Francis H Newbery, Director of Glasgow School of Art, 1885-1918
Robert L Sutherland, Head Master of Gorbals Art Class
and Allan Gillespie, Secretary of Bonnybridge Art Classes.
The collection also includes a letter of application written by Dron for the post of Painting and Still-Life Master at Belfast School of Art in 1901 plus accompanying correspondence.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
A collection of graphic design work, product design prototypes, life drawings and graded coursework by Lindsay Wadey (née Winning), completed during her time as a student at The Glasgow School of Art from 1963 to 1967. Includes work carried out as part of courses in the Graphics department and on the Section 5 course under Ted Odling. Material spans the entirety of her student career, including final projects and degree show work.
This material mainly relates to Ted Odling's time teaching at The Glasgow School of Art from the 1950s to the early 1980s. It contains the following items:
Copy of a staff photograph, 1950
CD ROM titled 'family scene part 2', 1956-68
9 x letters from Ted Odling to Harry Barnes, sent whilst on a Leverhulme travel award, 1965
4 x folders of lecture notes / preparatory material covering perception, anatomy and perspective amongst other subjects, 1970s-80s
A letter from Ted Odling to Mr Garbett of Ulster Polytechnic regarding Ted Odling's external assessors report, July 1981
Loose notes on stereo television
1 x notebook
38 x colour wheels
3 x colour swatches (red, blue and green)
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to Hugh Biggar. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "Hugh Biggar."
A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.
This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).
A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.
A variety of letter received by Archibald Haswell Miller. One of this letters dates to his time as a student at the Glasgow School of Art, whereas the others date to his time as a lecturer at the same institution.
The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.
The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.
A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
Most artworks are in pencil, while some are in ink or paint on paper. A number of loose drawings are also included in the sketchbook.
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes. There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes. There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes. There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.
Diploma in Design and Decorative Art (Interior Design) from The Glasgow School of Art, awarded to Charles Alexander Wallace Shaw. Calligraphic writing dates the diploma from the 13th of June 1961. The diploma is stored in a blue tube, embossed with The Glasgow School of Art logo, and '35. Charles Shaw.' attached to the top.
Correspondence and Working Papers of the Directors of the Glasgow School of Art from 1846 to the present day. Material from DIR/14 onwards is currently uncatalogued and therefore not accessible for researchers. Papers are arranged by Director into the sub-series below, and each sub-series is catalogued in further detail: DIR/1: Henry MacManus, Headmaster from 1844-1848 DIR/2: Charles Heath Wilson, Headmaster from 1849-1863 DIR/3: Robert Greenlees, Headmaster from 1863-1881 DIR/4: Thomas C Simmonds, Headmaster from 1881-1885 DIR/5: Francis H Newbery, Director from 1885-1918 DIR/6: John Henderson, Director from 1918-1924 DIR/7: John D Revel, Director from 1925-1932 DIR/8: James Gray, Interim Director from 1932-1933 DIR/9: William Oliphant Hutchison, Director from 1933-1943 DIR/10: Allan Walton, Director from 1943-1945 DIR/11: Henry Y Allison, Interim Director from 1945-1946 DIR/12: Douglas Percy Bliss, Director from 1946-1964 DIR/13: Harry Jefferson Barnes, Director from 1964-1980