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This item is an identification key showing each student depicted in the photograph on the poster under the reference number GSAA/EPH/10/204. It was created by Katie Hawson who was a volunteer at The Glasgow School Of Art Archives and Collections in 2013. Eddie Stewart, a former painting and printmaking tutor at the school helped Katie to identify each individual.

Includes a corner of Valerie's home with painted artworks on the wall, cast sculptures, and a Tiffany style lamp; " Val + John's house / Florid. Oct. 2010" with a printed image verso. Has small white border and is glossy.

Includes a view of a living room with a focus on six sculptures of different people on a coffee table; "X Val's self portrait / Val's sculptures in their house / Florida, 2010" verso. Has small white border and is glossy.

Travel journal, including sketches, drawings, paintings and notes, mixed media collages, and photographs.

Glasgow street scene, featuring cars in front of tenement building.

Image of Glasgow public house.

One sheet with a series of pencil sketches, source photographs attached, recording movement.  Handwritten note at the foot of the sheet records the date April 1997, 'the arms swing like gyroscopes to balance the action, contrapposto is not just a concept but a fact of movement'

Collection of photographs used in research and to accompany published articles by Clare Henry.

Folder containing 147 black and white photographs of artworks taken by George Oliver. Includes: work by Bet Low and Joan Eardley.

Folder containing 9 black and white photographs and 4 negative strips by George Oliver. Includes: Lumsden Sculpture Workshop.

Folder containing 2 photographs of artworks and 2 negatives taken by George Oliver.

Folder containing black and white and colour contact sheets, negative strips and photographs, of various sizes. Most are annotated. Includes: Barlinnie's Special Unit exhibitions and arts festivals, and James Cowie drawings.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most have been annotated. Also contains handwritten lists. Includes: Stirling, Liverpool, Edinburgh College of Art and Lillie Art Gallery.

Includes:

Minutes, 1971-1981

Correspondence, 1971-1976

Treasurer's reports, 1972-1974

Catalogues of exhibitions, 1971-1979

Ephemera - invites etc., 1971-1979

GLA Exhibition posters, 1974-1979

Slide pack of members work, n.d.

Colour photographs of members work, 1978-1979

Photographs of GLA members, 1978-1979

Colour photographs of exhibitions of members work, 1974

GLA Print Pack, c1971-1981

Film - We're all Big Boys Now - a quick look at the GLA, 1974

Presscuttings, 1971-1974.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Folder containing 10 black and white photographs of contemporary sculpture, taken by George Oliver and of various sizes. Some have been annotated.

Folder containing 49 black and white photographs of exhibitions held at the Third Eye Centre, taken by George Oliver and of various sizes. Most are annotated. Includes: 'Crawford and Company' curated by Cordelia Oliver, Joan Eardley exhibition and John Bellany exhibition.

Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Also contains a handwritten list of titles. Includes: Porche cars, William Johnstone paintings and plaster, guild of motoring writers, Castle Donnington, Cartier Bresson exhibition, Margot Sandeman paintings and Joan Eardley pastel and motoring pre-war.

Folder containing black & white negatives and contact sheets of photographs by George Oliver. Most are annotated. Various subjects. Includes: Scottish Arts Council Collection, University of Stirling, Murals in Bridgeton, Normam Ackroyd etchings and June Redfern.

Folder containing black and white negatives and contact sheets by George Oliver. Most are annotated. Includes: opening of Bet Low Exhibition Nov. 1967, Jessie King Auction at Queen's Cross Church, Yugoslav Puppets at 3rd Eye, Fashion Exhibition R.S.M. Edinburgh and Dance Umbrella at Third Eye.

A collection of graphic design work, product design prototypes, life drawings and graded coursework by Lindsay Wadey (née Winning), completed during her time as a student at The Glasgow School of Art from 1963 to 1967. Includes work carried out as part of courses in the Graphics department and on the Section 5 course under Ted Odling. Material spans the entirety of her student career, including final projects and degree show work.

Folder containing black and white photographs taken by George Oliver and of various sizes. Some are annotated. Many are prints from photographs from DC 066/2/60-61. Includes: Joan Eardley.

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some have been annotated. Includes: 2 copies of a photograph of Joan Earley painting of small boy with hands in pockets and 2 photographs of a Glasgow street scene.

Folder containing 34 black and white and colour photographs of Joan Eardley and her work taken by George Oliver. Also contains exhibition catalogues and cuttings from such, press releases and postcards.

Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: Joan Eardley exhibitions, Mackintosh furniture and the work of Jessie M. King.

Folder containing negative strips and colour slides by Georga Oliver featuring the work of Joan Eardley.

This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.

In addition it contains the following publications:

• Dugald Cameron Industrial Designer
• No. 602 (City of Glasgow) Squadron Royal Auxiliary Air Force
• From the Karoo to the Kelvin
• Personal Passions (exhibition catalogue)

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Folder containing black and white contact sheets and negatives by George Oliver. Includes: Art and Movement exhibition 1965, Luther light feature 'Strategy Get Arts' 1970, Open Air Sculpture at Ledlanet, Henry Moore sculpture in Edinburgh and George Ricky Exhibition Opening 1982.

The collection includes:

• Textiles by Veronica Matthew;
• Artworks on paper by Veronica Matthew;
• Material relating to Art Therapy;
• Newspaper cuttings;
• Photographs;
• Personal papers.

Black and white photograph of a bronze male head sculpture sitting on a box. Male figure has a chin strap beard and prominent nose. Says ""Jack Dalziel" - by Helen Biggar - c. 1939" written in blue pen with "92B" circled verso. Jack Dalziel (real name "John") was likely a friend of Helen's.

Black and white photograph of a bronze male head sculpture sitting on top of a box. Male figure has a chin strap beard and prominent nose.

The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.

The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.

The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.

The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".

An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.