L'escargot Gallery price list/flyer
- DC 089/3/3/69
- Item
- c1985
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Drawings & Paintings by Fraser Taylor at L'escargot'.
Taylor, Fraser
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L'escargot Gallery price list/flyer
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Drawings & Paintings by Fraser Taylor at L'escargot'.
Taylor, Fraser
The Compass Gallery newsletter
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Compass Gallery newsletter press release for The Cloth exhibition.
The Inventors of Tradition' press and images
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Curated by Panel.
A collection of newscuttings featuring articles and reviews written by George Oliver and Cordelia Oliver. Please note, this material has not been fully catalogued to item level and therefore may not be accessible for researchers.
Oliver, Cordelia
Folder containing 10 black and white photographs of contemporary sculpture, taken by George Oliver and of various sizes. Some have been annotated.
Oliver, George
Folder containing colour negatives of photographs taken by George Oliver. Most are annotated. Includes: Glasgow Green, Greenock, Exhibition of Scottish Art in North of England, London, Morgot's Studio, Border Warfare at Tramway 1989, Wines from Paris Opening, Holyrood Park Festival Fringe Day 1996 and Glasgow streets.
Oliver, George
Folder containing contact sheets and negatives of photographs taken by George Oliver. Most are annotated. Includes: D O Hill/Adamsonn exhibition, a copy of a photograph taken by Annan in 1914 of a Glasgow street scene, and copies of Annan portraits.
Oliver, George
Painters in Parallel et 1969: 35: 1970
Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Also contains a handwritten list of titles. Includes: Porche cars, William Johnstone paintings and plaster, guild of motoring writers, Castle Donnington, Cartier Bresson exhibition, Margot Sandeman paintings and Joan Eardley pastel and motoring pre-war.
Oliver, George
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This film comprises both the 1982 and 1984 fashion show films. The only exception is that the instrumental section with no images, at the end of the 1984 film, is not included here. For more details please see GSAA/AV/1/2 for the 1982 film and GSAA/AV/1/3 for the 1984 film. A short clip of this film is available online at https://vimeo.com/channels/504825/videos. To view the full length film, please contact GSA Archives and Collections.
McLaughlin, Lyn
Poster for The Glasgow School Of Art Cassina exhibition in Milan
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibtion which showcased the work of design students from The Glasgow School Of Art in the Cassina Gallery in Milan. The exhibition took place as a result of the connections between Cassina Design in Italy and The Glasgow School Of Art. The poster was designed by Gordon Huntly who was the head of graphic design at The Glasgow School Of Art at that time. It was printed in the Foulis Building on an offset lithography printing press. The information on the poster translates as: "Design from Glasgow School Of Art: Cassina in Milan, March 23rd to April 6th. Ceramics. Embroidery and fabrics. Design for furniture, furnishings and industrial products. Jewellery and Silverware. Art Graphics, Illustration. Printed Fabrics".
Huntly, Gordon F
Poster for an exhibition entitled 'Design Work '85'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition of work by both past and present students from the School of Design and the Mackintosh School of Architecture at The Glasgow School Of Art. It features a quote from John Kenneth Galbraith who was a prominent economist during this period. He stated "It is on the artistic not less than on the engineering and scientific excellence that economic security and economic progress now depend," The exhibition was held between Kelvingrove Art Gallery and Museum and the Mackintosh Museum at The Glasgow School Of Art. It ran from the 9th of February to the 1st of March 1985.
Grant, Christopher
Poster for a graphic design summer show entitled 'It's Hot Stuff'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition of work done by students on the graphic design course at The Glasgow School Of Art. The exhibition ran from the 13th to the 19th of June. The illustration for the poster was done by Karen Watt whose work featured in this exhibition. A number of students and staff associated with the graphic design department at The Glasgow School Of Art are featured in her illustration. Karen stands in the centre of the poster eating an ice cream. Mary Asiedu can be seen central left sitting in a chair speaking to Brian Cairns. Head of department Mike Healey is measuring the typography in the sand and Tony Jones who was the director of The Glasgow School Of Art at this time is represented in the sun.
Watt, Karen
Poster for an exhibition of work by John Macfarlane
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition of work by John Macfarlane who was a student at The Glasgow School Of Art before moving to Wales to work as a set and costume designer. The exhibition was held in the Bourdon building on The Glasgow School Of Art campus from the 5th to the 18th of December 1979. Interestingly, John Macfarlane's name has been misspelled on the poster where his surname has been spelled as 'McFarlane'.
Stewart, Robert
Ephemera relating to research for journalism by Clare Henry
Exhibition catalogues and flyers relating to fine art exhibitions and events researched and reviewed by Clare Henry.
*Not available / given
Poster for 'Philip Reeves - paintings since 1956' exhibition
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Philip Reeves - paintings since 1956' at The Hunterian Art Gallery, May 1982
*Not available / given
Poster for 'Fall Scenes' exhibition
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for The Glasgow Masters Series exhibition with contributions from GSA Archives, at 134 Renfrew Street, Glasgow, 05 Oct 2013-13 Oct 2013
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Charles Rennie Mackintosh 1868 - 1928' at Helsinki Museum of Applied Arts 1982.
*Not available / given
Poster for exhibition 'Bruce McLean, works 1969-1999' (Version 2)
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Not available / given
Poster for 'An Exhibition of Scottish Dress Design from 1759'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'An Exhibition of Scottish Dress Design from 1759' in the McLellan Galleries, Glasgow. Exhibition date is 03 Jun-03 Jul, year unknown but believed to be late 20th century.
*Not available / given
Poster for a Charles Rennie Mackintosh exhibition in Norway entitled '20 chairs - 100 years'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.
*Not available / given
Poster for an exhibition by Adrian Wiszniewski at the Fruitmarket Gallery, Edinburgh
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for an exhibition by Adrian Wiszniewski at the Fruitmarket Gallery, Edinburgh, 08 Dec 1990-03 Feb 1991.
*Not available / given
Compass 1988 Drawings for Tiles
Part of Papers of James Cosgrove
Inscribed 'Dave Cohen - Lys Hansen/ Pete Bevan/JC'. Sketches, mostly portraits, and notes regarding exhibition. Also a design for fish plates, and biblical references.
Cosgrove, James
Part of Papers of James Cosgrove
Abstract textile design. Reverse depicts design for exhibition layout of "Fashion jewellery from card".
Cosgrove, James
The Cloth at the Compass Gallery
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
The Cloth catalogue for exhibition at the Compass Gallery.
Fraser Taylor and David Band "These Obscure Objects of Desire"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Catalogue for joint exhibition at Thumb Gallery London. Trifolded colour card.
Taylor, Fraser
Glasgow School of Art fashion show 1955 programme
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Glasgow School of Art charities week fashion show brochure from January 1955 made with the cover design made by Robert Macgowan. Includes the members of committee, a description, mannequins, and the programme.
MacGowan, Robert
Project Ability information brochure
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Includes a single piece of paper folded twice to make a three page brochure with black and white images. Includes information on what Project Ability is, their aims, how people can support Project Ability, contact details, and the Scottish Committee for Arts and Disability.
Project Ability
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of minimum 250 word length, by Clare Henry for The Glasgow Herald from March 1982 to June 1982, relating to visual art exhibitions in Glasgow and Edinburgh and Scottish regions including Ayrshire and Dumfries and Galloway.
A number of these reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, McLellan Galleries and includes review of the inaugural exhibition at Open Eye Gallery Edinburgh, and organisations: Fine Art Society and Glasgow Group. The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Rozelle House, Fruitmarket Edinburgh, Talbot Rice and Stills Gallery, Kelvingrove, National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Huntarian Gallery Glasgow. The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including Edinburgh college of Art and Glasgow School of Art degree shows. Some articles focus on new art forms such as video, photography and performance art, craft such as Polish tapestries and other international artists from Canada and America.
This file also includes longer feature and perspective articles on: the new building for the National Galleries of Scotland, The Bath Contemporary Art Festival, George Rickey and a book review on Henri Matisse and Edward Burne Jones. In addition to these journalistic features there is a piece on The Portrait Gallery for National Galleries Annual Report. Also included is research, notes and data for Scottish Funding for Museums between 1979-1982 and Festival 82 acquisition and policies for television interview with Tim Mason.
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 200 articles of 250-900 word length, by Clare Henry for The Glasgow Herald, January-December 1984, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie and Inverness. Also including several reviews of exhibitions in London at ICA, Camden Arts Centre, Serpentine, AIR Gallery and Tate and Grand Palais Paris. Henry’s daily articles begin to develop into weekly feature articles, with a main discussion followed by ‘Gallery Briefings’ covering more generally current exhibitions of interest.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen, JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, by artists such as Adrian Wiszniewski, Lyn Hansen and Jacki Parry; Group exhibitions, particularly Construction Painting and Blank Images at Transmission Gallery Glasgow and larger historical exhibitions such as Art of Japan at Kelvingrove and The Glasgow Boys, and also annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters degree shows are also reviewed and design and textile exhibitions, particularly British Glass and Paisley Ceramics. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: The appointment of Colin Thompson as Director of National Gallery of Scotland Edinburgh, Scottish Portrait Commissions, the first Turner Prize Award, Judy Chicago Dinner Party, Liverpool Garden Festival and The Venice Biennale.
Also included is a letter to Glasgow Museums requesting visitor figures for Kelvingrove Gallery 1984 and pieces written for the Herald News Desk.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of 250-1000 word length, by Clare Henry for The Glasgow Herald, January-December 1985, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. Also including some reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen and JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81. The reviews cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as June Redfern, Annie Leibovitz and Jacki Parry. Key group exhibitions include New Image Glasgow at The Third Eye Centre featuring Steven Campbell, Ken Currie, Peter Howson, Mario Rossi, Stephen Barclay and others as part of the Hungarian Arts in Glasgow Season and annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow.
This file also includes longer feature and perspective articles on: Renoir Retrospective, Bruce McLean in London, Scottish Arts Council Collection on Sale and the Turner Prize win by Howard Hodgkin. Also includes copies of essays by Gerald Laing on Siaka Stevens.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1990, with weekly Monday, Friday and some weekend features. Also includes pieces written for Art Review, Time Out, Art International, Art Line and Galleries Magazine. The articles cover visual art exhibitions in Glasgow, Edinburgh, Stornoway, Dumfries and Scottish regions.
During the year Henry also covers art in Venice and France. Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy and Somerset House. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow.
The reviews also cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, Italian Centre Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission. During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s galleries during Glasgow Capital of Culture 1990.
Other feature and perspective pieces include: Scotland first Venice Biennale, John Bellany £100,000 sale, the state of gallery closures and funding in Scotland, Ian McCulloch murals for Glasgow Concert Halls and an obituary for Murray Johnston. The exhibitions covered are solo shows, by artists Keith McIntyre, Degas, Inigo Jones, Christine Borland, Hans Hofmann, Max Ernst, Adrian Wiszniewski, Oscar Marzaroli, Ken Currie, Frances Walker and group shows for Royal Glasgow Institute and British Art Show. Mayfest, the Edinburgh Festival Glasgow 1990 events and TWSA are covered in detail and there is an article by Julian Spalding edited by Clare.
Some correspondence proposing future articles to The Herald and Time Out, and correspondence with Amy Page is included, as well as Venice Biennial correspondence with Peacock Printmakers and an open letter regarding educational work of Marion Love. This year also features several commissioned texts for catalogues, Alison Watt, Compass Gallery Anniversary, The Glasgow School of Art fine Art Photography and Glasgow Group 1958-1990.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 225 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1994, with weekly articles and some weekend features including a continuing series ‘My First Picture’ and ‘Collectors’ and a new weekly ‘Scope Feature’. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Coatbridge, Fintry and Castlemilk.
During the year Henry also covers art in Rome. Some reviews focus on exhibitions in London at Flying Colours Gallery, Royal Academy London, Annely Juda, Barbican, Saatchi Gallery London and Tate London and Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow, Out of the Blue Gallery Edinburgh and Intermedia Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Mclellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh, Fuse and Transmission.
During this period Henry gives more context and opinion on Glasgow wins National Gallery of Scottish Art Fair, Architecture Bid for 1999 Edinburgh and Glasgow. Mike Hayes new Glasgow City Council director of planning. Gallery of Modern Art Glasgow building refurbishment. Milestones project Glasgow Govan Springburn. Her curatorial activity is also documented, Eleven Out of Ten Clare Henry Choice at National Gallery Scotland and Clare Henry's choice of GSA graduates at Main Fine Art Glasgow.
The exhibitions covered are solo shows, Owen Logan, Hock-Aun Teh, Jenny Saville, Damian Hirst, Duncan Shanks, Calum Angus Mackay, Annie Leibovitz, Helen Chadwick, and Christine Borland. Group shows The Bigger Picture, McLellan Galleries Glasgow, Bad Girls, CCA Glasgow, BT New Contemporaries, V-TOPIA, Tramway and New Art in Scotland, CCA Glasgow, Mayfest and Edinburgh Festival are also covered in detail. Catalogue essay for Alexandra Gardner, Duncan Miller Fine Arts, London. Other paperwork includes notes on ideas for Herald articles for Harry Reid and letter regarding new article formats and work load, a press release for Unbuilding exhibition merchant city, letter to Keith Bruce regarding Stanley Spencer show and feature articles, Glasgow Munich project press release and Letter to Herald picture desk and John Flower.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1999, with Monday weekly articles regular book reviews and a ‘Picture of the week’ feature. Articles also written for Galleries Magazine, Sculpture Magazine, Interiors Magazine and Modern Painters, covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee, Stirling and Kirkcaldy. Exhibitions in London, Berlin, Antwerp, Brussels and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Ingleby Gallery, Inverleith House, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Robert Adam at National Gallery of Scotland, Kelvingrove redevelopment, Television review of A Tale of Two Cities Glasgow and Chicago on BBC with Tony Jones, Tessa Jackson appointment as Director of Scottish Arts Council, Scotland not at the Venice Biennale, Celebration at Hunterian at George Smith bequest, Glasgow UK City of Architecture and Design 1999 and Tate Turner Prize with New Tate Modern and new Dean Centre at Gallery of Modern Art Edinburgh.
The exhibitions covered are solo shows by Douglas Gordon, Joe Fan, Ashley Cook, Lapland Collective, Callum Innes, Kiki Smith, Kiki Smith, Joseph Beuys, Martin Boyce, Ross Sinclair, Sir Robin Philipson, Scott Kilgour, Felim Egan and an obituary for Patrick Heron. Group shows include The Thistle and the Rose, The Burrell Collection Glasgow and Tongues of Diamond, Collins Gallery Glasgow. Catalogue essays commissioned for Once Seen, Never Forgotten, Chicago and The Illinois New Millennium show also Henry’s speech for Arts and the City Conference, Glasgow Museums: The Way Forward. Other paperwork includes correspondence to Harry Reid, Keith Bruce and Susan Barr at The Herald and John Haldane regarding Modern Painters.
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 22 articles of 800-3000 word length, by Clare Henry for The Scotsman, The Herald and The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for Art Newspaper. Other paper work includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Papers of Clare Henry, art critic and journalist
A collection of hand written and typed articles with accompanying photographs and ephemera by the art critic and journalist Clare Henry.
The collection focusses on reviews and features on visual art and culture predominantly in Scotland for The Herald, Scotland. The articles are usually in draft form with some accompanying notes and multiple versions. Articles for other publications are also included such as Galleries Magazine, Art Review and Time Out as well as commissioned essays written for exhibition catalogues.
The period of writing covers a significant flourishing of the visual arts in Glasgow and Scotland and features perspective and opinion articles on notable artists such as Steven Campbell, Bruce Mclean, George Wylie and Douglas Gordon. The articles also cover significant organisations, opening events and deaths, such as Glasgow Capital of Culture 1990 and Glasgow Museums, the opening of Transmission Gallery, the opening of The Burrell Collection, Degree Shows for Scottish art schools and the Edinburgh Festival.
Henry, Clare
Franco-British Exhibition (Version 1)
Franco-British Exhibition (Version 1)
Franco-British Exhibition (Version 1)
Franco-British Exhibition (Version 2)
Fulton, James Black
Paris International Exhibition medal
Octagonal shaped medal. Draped, nude female. Inscribed obverse: "Exposition Internationale des Arts Decoratifs et Industriels Modernes. Paris 1925". The GSA won medals for metalwork and needlework in this exhibition.
Turin, Pierre
Paris International Exhibition medal (Version 1)
Paris International Exhibition medal (Version 4)
Paris International Exhibition medal
Art nouveau design. Female portrait (reverse). Inscribed Obverse: "Exposition Universelle Internationale 1900 Glasgow School of Art" Reverse: "Republique Francaise". In class four of this section the GSA was awarded a gold medal for special teaching of Fine Art.
Chaplain, Jules-Clement
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Text accompanying exhibition 'Peculiarites' at ODLCO, Chicago by Ian Massey and Sara Jane Stoner. 2 copies.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Foldout flyer for exhibition at The Briggait curated by Dr. Ian Massey. Card, folded. Black and white cover with colour images inside.
Taylor, Fraser
Poster for 'A Craft Exhibition of Patchwork Quilts by Alice Barnes', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'A Craft Exhibition of Patchwork Quilts by Alice Barnes', Third Eye Centre, Glasgow. The date of the exhibition is 18 Jan-17 Feb, no year is given on the poster but it is understood to be 1980 based on the sources below.
Sources: https://reader.exacteditions.com/issues/40443/page/38; https://reader.exacteditions.com/issues/40443/spread/38
Not available / given
Poster for Scottish Book Exhibition
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for Scottish Book Exhibition at Stirling Library, Corn Exchange, part of International Fair Glasgow, Jun 1959
Barrett, Hugh
Poster for exhibition 'Cross-Currents 1979', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Cross-Currents 1979, 16 Degree shows from the 4 Scottish Schools of Art', Third Eye Centre, Glasgow, 05 Aug 1979-02 Sep 1979.
Not available / given
Poster for Modern Art Exhibition
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for Modern Art Exhibition at Kelvingrove Museum, Glasgow, part of International Fair Glasgow, Jun 1959
Barrett, Hugh