Church interior, Basilica di San Marco, Venice
- NMC/0080
- Item
- 1948-1949
Study of church interior.
Eardley, Joan Kathleen Harding
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Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Part of Plaster Casts
plaster cast of Saint Jerome, the patron saint of libraries.
*Not available / given
Photograph of a mural by Francis H. Newbery
The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.
Newbery, Francis Henry
Material related to Francis H. Newbery
A variety of items relating to Francis H. Newbery, including his application to become Head Master of The Glasgow School of Art, a photograph of a mural, and a portrait photograph.
Newbery, Francis Henry
Material related to Georges-Marie Baltus
A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.
Baltus, Georges-Marie
A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.
Baltus, Georges-Marie
St. George's Church, Edinburgh
Perspective drawing of church. Thomson submitted this design in competition with John Honeyman, whose Gothic Revival entry won the commission for a new church in Edinburgh to be know as St. George's Free Church. There are similarities with the St. Vincent Street church in Glasgow, the massive podium and tall tower, for example.
Thomson, Alexander
Perspective of church. The church was destroyed by a bomb in 1942.
Thomson, Alexander
A 13th century Gothic Sacristy
Long section. Stamped "The Glasgow School of Architecture Section...".
Paterson, William
Study of chancel window.
Revel, John D
Trinity College Chapel, Oxford
Detail of west end of chapel.
Revel, John D
Various studies of carved pilasters.
Revel, John D
Portion of choir stall from Halberstadt.
Revel, John D
Study of overmantle.
Revel, John D
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Detail of stone arch. Drawing states: St Kevern (sic), Cornwall.
Revel, John D
Detail of pulpit.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Elevation and tower plans.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
West elevation/cross section.
Revel, John D
One bay of choir stalls.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Window, mullion detail.
Revel, John D
Mouldings of refectory door.
Revel, John D
Measured drawing of column.
Revel, John D
Nave arcade/north aisle.
Revel, John D
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes.
There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.
Most artworks are in pencil, while some are in ink or paint on paper. A number of loose drawings are also included in the sketchbook.
Ramsay, Mary
Part of Mary Ramsay artworks
A variety of architectural drawings and studies completed by Mary Ramsay. These items are dated to her time as a student at The Glasgow School of Art, between the years 1915-1917, and bear labels details her teachers from this period. Most items are pencil on paper, with a few further studies in paint.
Ramsay, Mary
Part of Mary Ramsay artworks
A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.
Ramsay, Mary
Part of Mary Ramsay artworks
Architectural design for an altarpiece. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Professor McGibbon as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of female nude, seated and holding a cross. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
A variety of artworks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.
This subfond includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.
Ramsay, Mary
Part of Mary Ramsay artworks
A variety of life drawings and portraits completed by Mary Ramsay. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.
This series includes one item by Jessie Wilson, another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.
Ramsay, Mary
A variety of loose artworks and six sketchbooks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint. This collection also includes a portfolio folder (DC 110/1/4) and personal papers (DC 110/3).
This collection includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.
Ramsay, Mary
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', St Mungo Museum of Religious Life and Art, Glasgow. The poster advertised the Jesus 2000 Commission, to mark the millennium.
*Not available / given
Plaster cast of the Dead Christ Tended by Angels
Part of Plaster Casts
Original: Donatello, c1435–1443. Carved marble in low relief. Original currently in the collection of the Victoria and Albert Museum, London, UK. previously incorrectly referenced as 'Pieta' meaning a depiction of the Virgin cradling Christ's body, due to similarity to Donatello's relief sculpture of the same subject and style.
*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus (Version 2)
Part of Plaster Casts
*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus (Version 1)
Part of Plaster Casts
*Not available / given
Plaster cast of corbel of angel playing lute (Version 2)
Part of Plaster Casts
Plaster cast of corbel of angel playing lute (Version 1)
Part of Plaster Casts
Plaster cast of corbel of angel playing lute
Part of Plaster Casts
Medieval style.
*Not available / given
Plaster cast of capital with monk
Part of Plaster Casts
*Not available / given
Plaster cast of relief altarpiece of Adoration of the Magi (Version 3)
Part of Plaster Casts
Plaster cast of relief altarpiece of Adoration of the Magi (Version 2)
Part of Plaster Casts
Plaster cast of relief altarpiece of Adoration of the Magi (Version 1)
Part of Plaster Casts
Plaster cast of relief altarpiece of Adoration of the Magi
Part of Plaster Casts
Panel depicting the infant Christ being attended by the wise men. Original: Tilman Reimenschneider, c1510. Lime wood. Rothenburg ober der Tauber, Germany. Currently in the collection of the British Museum, London, UK. Annotated "D Brucciani & Co London".
D Brucciani & Co