- DC 111/5/1
- Item
- 1979
Part of Papers of James Cosgrove
Magazine produced by the students of the Department of Printed Textiles, June 1979.
Cover design by Colin Renfrew.
The Glasgow School of Art
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Part of Papers of James Cosgrove
Magazine produced by the students of the Department of Printed Textiles, June 1979.
Cover design by Colin Renfrew.
The Glasgow School of Art
Includes:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Mackintosh Students' Association of the Mackintosh School of Architecture
Records of the Glasgow School of Art Students' Representative Council and GSA Student's Association
Includes:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Glasgow School of Art Students' Representative Council
Material featuring designs by Haswell Miller
A variety of designs completed by Archibald Haswell Miller, including book covers, commercial artworks, and religious designs. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.
Miller, Archibald E Haswell
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
The Magazine: Volume 3 (Page 2)
The Magazine: Volume 3 (Page 14)
The Magazine: Volume 3 (Page 15)
The Magazine: Volume 3 (Page 22)
The Magazine: Volume 3 (Page 26)
The Magazine: Volume 3 (Page 27)
The Magazine: Volume 3 (Page 41)
The Magazine: Volume 3 (Page 43)
The Magazine: Volume 3 (Page 44)
The Magazine: Volume 3 (Page 46)
The Magazine: Volume 3 (Page 48)
The Magazine: Volume 3 (Page 52)
The Magazine: Volume 3 (Page 55)
The Magazine: Volume 3 (Page 57)
The Magazine: Volume 3 (Page 62)
The Magazine: Volume 3 (Page 65)
The Magazine: Volume 3 (Page 69)
The Magazine: Volume 3 (Page 1)
The Magazine: Volume 3 (Page 5)
The Magazine: Volume 3 (Page 16)
The Magazine: Volume 3 (Page 17)
The Magazine: Volume 3 (Page 23)
The Magazine: Volume 3 (Page 29)
The Magazine: Volume 3 (Page 31)
The Magazine: Volume 3 (Page 32)
The Magazine: Volume 3 (Page 34)
The Magazine: Volume 3 (Page 36)
The Magazine: Volume 3 (Page 42)
The Magazine: Volume 3 (Page 53)
The Magazine: Volume 3 (Page 54)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 63)
The Magazine: Volume 3 (Page 3)
The Magazine: Volume 3 (Page 6)
The Magazine: Volume 3 (Page 9)
The Magazine: Volume 3 (Page 10)
The Magazine: Volume 3 (Page 11)
The Magazine: Volume 3 (Page 12)