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The Giusti Plaster Cast Collection

  • GST
  • Collection
  • Late 19th century-mid 20th century

Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.

The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.

As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.

In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.

Proudfoot, Alexander

San Gimignano correspondence

Conrad McKenna’s correspondence and materials relating to The Glasgow Summer School held in San Gimignano during his various teaching roles at The Glasgow School of Art. Including a combination of typed and hand written materials, newspaper clippings, floor plans and printed ephermera. Including correspondence in English and Italian with: The Scott Sutherland School of Architecture, Robert Gordons Institute of Technology, Universita Italiana per Stranieri, Provincial Tourist Office – Sienna, Societa Dante Alighieri, Convento S. Agostino, Comune Di Bresica, Intercultural and Permanent Education Centre (San Gimignano),  and Professor Mario Serchi. Correspondence generally details travel and accommodation arrangements, itineraries and costings for The Summer School at San Gimignano alongside its relationships and partnerships with individuals and institutions. Selections of correspondence detail Italian students’ visit to Scotland. Also includes correspondence with the Intercultural and Permanent Education Centre, San Gimignano, detail Draft Articles of Association; an account of The Glasgow Summer School in 1969 by Douglas Percy Bliss, which describes San Gimignano, the Church of Saint Agostino where the school was held and accommodated and the school’s interaction with the local population. A typed account of the origins of The Summer School at San Gimignano by Conrad McKenna is also included. Printed ephemera includes two brochures from 1969 and 1971 detailing itineraries, arrangements and costs of The Glasgow Summer School.

McKenna, Conrad

Plaster cast of Virgin and Child roundel

  • PC/049B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.

Commission Royale Belge Atelier du Moulage Bruxelles

Plaster cast of Virgin and Child roundel

  • PC/049C
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".

D Brucciani & Co

Plaster cast of Virgin and Child roundel

  • PC/049A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".

D Brucciani & Co

Plaster cast of Virgin and Child

  • PC/047
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

*Not available / given

Plaster cast of Venus de Milo (Aphrodite of Milos)

  • PC/023B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.

Plaster cast of Venus de Milo (Aphrodite of Milos)

  • PC/023C
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.

Plaster cast of Venus de Milo (Aphrodite of Milos)

  • PC/023A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.

Plaster cast of tondo portrait of Andrea Mantegna

  • PC/066
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Gian Marco Cavalli, c1490. Marble and bronze. Original currently in the Mantegna Chapel, Basilica di Sant’Andrea, Mantua, Italy. Bears a "Musée de Sculpture Comparée du Trocadero, Paris, 1910 " maker's stamp.

Musée de Sculpture Comparée du Trocadero, Paris

Plaster cast of tiger head

  • PC/175
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: c150AD. Marble. Temple of Antoninus and Faustina, Rome, Italy.

*Not available / given

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