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Wood Sprite, short film

Wood Sprite, short film

Project Wood Sprite:

The short film Wood Sprite utilises video and stop-motion, as well as performing techniques from marionette to shadow puppetry and life-size, embodied puppets. The objects crafted for the project involve fabrication processes using wood, textiles, and paper. All processes were realised and connected through a holistic approach by the artist herself.

In the form of a tale, Wood Sprite depicts the origin journey of a wooden puppet to the forest. The sentient woods absorb this being into the night, allowing her and the puppeteer, in a mirroring game, into a realm of dissolution of all forms, matter and spirit. This film honours the union of nature and culture, and the porosity attuning human and more-than-human creatures, at a time where the stillness of the theatre stage forces us to enquire outwards – or, truly, inwards.
Fabrication, Puppeteering & Filmmaking | Ella Josephine Campbell.

Pine Sprite Performance and Dance | Solene Schnuriger & Ella Josephine
Campbell.

Music | ‘ I’ll Read You a Story ’ by Colleen, Written by Cecile Schot (SACEM), Used Courtesy of Cecile Schot.

Campbell, Ella Josephine

Wood Scene

Wood Scene

Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Winter landscape

Winter landscape

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Country track under snow; possibly near Pinwherry, Ayrshire.

Alison, Henry Young

Winter at Muckbrig

Winter at Muckbrig

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Winter landscape with cottage under snow. Location: Pinwherry, Ayrshire.

Alison, Henry Young

Windmill

Windmill

Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Wildlife composition

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of wildlife, deer, partridge and birds of prey painted on sculpted card, attached to blue sculpted mount.

*Not available / given

White velvet coat dress

Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).

The Anderson family

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