This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of the artist with light brown hair in green sweater. Prize winner of Guthrie Prize.
Large decorative ceramic plate with brown transfer of Robert Burns in a landscape. Text above him reads, 'I Think I'm Feeling Better'. Brown decorative transfer pattern around the edges of the plate. 'Bill Brown, Glasgow 1996, 7/12' on verso.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of former honoury president of Glasgow School of Art.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self-portrait of former Glasgow School of Art director.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of Glasgow artist William Drummond Bone.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of former Glasgow School of Art librarian.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Glasgow architect, John Keppie. Signed lower left: To my friend John Keppie/Maurice Greiffenhagen 1917.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of the Glasgow photographer James Craig Annan, 1884-1945. Inscribed on frame: "James Craig Annan 1884-1945 by Francis H. Newbery, Director GSA, 1885-1917".
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of former Glasgow School of Art director.
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
Cover of a portfolio of eight screenprints inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
A sketchbook with 29 loose leaf sketches and second year exam papers. The name Antony J H Miles, Sect. 4, Second Year 1950, are all recorded on a cream label attached to the grey card cover above an unfinished sketch of the head of a man wearing glasses.
Charcoal and pastel drawing of of a long haired female nude sitting on a cube shaped plinth and seen from the rear. Signed and dated by the artist, bottom left corner.
Two pictures of seaside shelters mounted together, one mixed media, one pastel and pencil. The larger picture shows an open sided hexagonal structure shown against dark water with a distant horizon. High viewpoint.
Traditional style hammered silver coffee pot (Edinburgh hallmark, 1981, GSA makers stamp) with hinged lid and swan necked spout. Heatproof handle and lid knob. Hip shaped body.
Traditional style hammer worked silver teapot (Edinburgh hallmark, 1982, GSA makers stamp) with heat proof handle and lid knob. Swan necked spout and hip shaped body.
Tall, arum lily shaped hammered silver candlestick (Edinburgh hallmark, 1981, makers stamp RD) with textured gilt area at base picking out imaginary trail of molten wax.
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.
Heavyweight unbleached cotton vertical banner with Mackintosh weather vane in brown and Mackintosh School of Architecture in red Mackintosh style lettering underneath.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
A carved tribute panel dedicated to Sir James Fleming (Chairman of GSA's Board of Governors). Located on the half landing between the ground and first floors of the Mackintosh Building. Panel unveiled, 17 January 1903.
The items represent a forecast station which would enable aurora hunters to determine when the right factors were in place to view the aurora in Scotland. The product was produced as part of a final year student project addressing issues of climate change and the relationship between Scotland and the North.
