- NMC/0041B
- Item
- c1893
Nude female figure.
Pringle, John Quinton
3521 results with digital objects Show results with digital objects
Nude female figure.
Pringle, John Quinton
Scroll work detail.
Pringle, John Quinton
Gas lamp details.
Pringle, John Quinton
Includes three thumbnail double portraits.
Pringle, John Quinton
Includes three thumbnail double portraits.
Pringle, John Quinton
Male face profiles.
Pringle, John Quinton
Male face profiles.
Pringle, John Quinton
Female figures.
Pringle, John Quinton
Study of Feet.
Pringle, John Quinton
Head profile.
Pringle, John Quinton
Various figures.
Pringle, John Quinton
Plant study with hemlock seedhead. Ravenna coat of arms, top right.
Fulton, James Black
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Strang, William
Study of woman holding a plate.
Strang, William
Portrait of a man in a frock coat
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Male portrait.
*Not available / given
Plafond du Grand Escalier du Chateau de Versailles
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
*Not available / given
Museum, The Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated interior.
Anderson, Elizabeth
Designed for the 'Rose Boudoir', International Exhibition of Modern Decorative Art, Turin, 1902. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
A Rose Boudoir included two gesso panels - composite works of plaster with pigment, set with glass beads - made exclusively by Macdonald. On the manifest for the exhibition, Mackintosh indicated that ‘duplicates only’ were available for sale. Two other versions, both in Glasgow, had the same design but with different palette and surface detail: The White Rose and the Red Rose hung above the mantle in the Mackintoshes’ own home, and can now be seen in the Mackintosh House at the Hunterian Art Gallery; and The Heart of the Rose belonged to Wylie Hill, a relative of Jessie Newbery, and was later given to the Glasgow School of Art. Previously it was assumed that these versions were created from a cartoon or template, each hand made, but it was difficult to tell which set came first, or even if they were made simultaneously. But recent analysis by Graciela Ainsworth Conservation Studio in Edinburgh has shown that the GSA version is not a gesso panel as we have come to understand Macdonald’s technique, but rather a traditional plaster cast that has been painted. This may seem like a minor technical point, but when considered alongside Mackintosh’s note that duplicates could be ordered, it reminds us that he carefully curated this space to show both that he and Macdonald could be commissioned to do entire rooms but were also very happy to have individual pieces replicated and sold on their own merit (information supplied by Dr Robyne Erica Calvert, Cultural Historian, Mar 2022).
Mackintosh, Margaret Macdonald
Records of the Scottish Society of Art Workers
This collections contains:
Keppie, John
Mackintosh, Margaret Macdonald
Design of King Edward VII and Queen Alexandra. Inscribed verso: "To James Fleming from Sir George Frampton".
Frampton, Sir George James
Landscape study.
Pringle, John Quinton
Carved tablet to Sir James Fleming
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
A carved tribute panel dedicated to Sir James Fleming (Chairman of GSA's Board of Governors). Located on the half landing between the ground and first floors of the Mackintosh Building. Panel unveiled, 17 January 1903.
Frampton, Sir George James
Stylised study of leaves and branches emerging from tree trunk.
Porteous, James Henry
The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.
The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".
*Not available / given
Mackintosh sketchbook (Page 8)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 9)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 16)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 20)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 23)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 31)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 33)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 37)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 39)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An illustrative drawing of a roe deer fleeing from two dogs in the forest. Undated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An undated landscape sketch depicting a town view as seen from the upland. A man stands to the left of several typical houses, with the distant church in the background.
Meldrum, William
Drawing of a stream in a village
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small drawing featuring a stream under a bridge next to a house in a village. This work is not dated, but has some texts on the reverse, presumed to be Meldrum's diary.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing featuring the landscape view of a mountain peak of Marsco near Glen Sligachan, on the Isle of Skye, Scotland. Includes annotations indicating the location of drawing, "Marsco, Glen Sligachan, Clach Glas, Bheinn," but has no dates.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing of a village view from a small square, featuring possibly Tudor style houses and a distant castle beyond the houses. This work is not dated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An undated drawing of hands stacked over one another.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A rough sketch of a nude woman sitting with one arm folded. Signed "W.M." but not dated. The paper has been stamped with the embossed letters, "E.S.K. (Examined South Kensington)," indicating the late 19th century art education system in the UK.
Meldrum, William
Sketch of a woman with drapery
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A rough sketch featuring a standing woman with drapery, viewed from the back. Signed "W.M." with pencil, but not dated. Embossed letters "E.S.K. (Examined South Kensington)" stamped on the sheet indicate the late 19th-century UK art education system.
Meldrum, William
Sketch of a woman in white draped dress
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sketch depicting a reclining woman in a white draped dress resembling the classical Himation. Signed "W. Meldrum." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.
Meldrum, William
Sketchbook: the Thames (Page 12)