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Stole

German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.

*Not available / given

Wedding dress

Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin.  Braided shoelace straps, fitted bodice and full skirt with decorative flounces.  Eighteen covered buttons down back.  Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).

The Anderson family

White velvet coat dress

Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).

The Anderson family

Woven length

This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.

Smyth, Isobel

Woven length

This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.

Smyth, Isobel

Pink and black embroidery display

Framed display of pink and black embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery C_Black and Pink" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.

Arthur, Anne Knox

Navy and green embroidery display

Framed display of navy and green embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery A_Navy and Green" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.

Arthur, Anne Knox

Printed length for degree show

This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.

Smyth, Isobel

Diploma show piece

Transparent organdie shadow work panel for a dress salon. Design features a dressmaker's dummy and vase with flowers. Previously displayed in a glass and wooden frame. Designed to be hung against a window.

Pollok, Meg

Cushion

Scottish. Commemorating the Festival of Britain. Design suggests a firework display. In white and coloured embroidery on blue background. Names of designer, Robert Stewart and embroiderer, Kathleen Whyte in small motif on the back.

Stewart, Robert

Embroidered empty visitor's book

Orange textile cover of a visitor's book with black and white embroidery and purple cylindrical beads. Verso includes two cats and a porcupine and the words "Visitor's book" on the front. "Bushey sketch book" and "C. Robertson & Co. Ltd." company sticker on the inside of the front cover. Rest of the book is empty white pages of paper.

Reid, Sheena

Photograph of Veronica Matthew in a dress by Valerie Wilson

Includes a black and white glossy photograph of a smiling Veronica Matthew in a white dress made with a printed shawl by Valerie Wilson (Bloomfield-Ambrose) in 1956 or 1957. "Weekly Scotsman. Edinburgh." written at bottom on the white border. Verso "Veronica Matthew / G.S.A. Fashion Show, 1956 or 1957 / The white dress belonged to Valerie Wilson, (now V. Ambrose), + made by her. The stole was a screen printed textile made by me in greens, red + a kind of Kakhi colour. The headdress was red knitting pins stuck into my bun. I was a student of Robert Stewart's / Printed Textiles Dept. + Kathleen Whyte's Modern Embroidery / 10 Aug 2016." Verso also includes a stamp that indicates the copyright and reference number for printing purposes.

The Scotsman

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